Tag Archives: Anime

Spy x Family – Episode 35

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into Spy x Family, and join the Forgers for some actual goddamn vacation time. So far, their cruise ship journey has been defined largely by high-stakes action spectacle, with Yor defeating countless assassins while Loid disables a scattering of explosives. It’s always fun seeing the Forgers flex their formidable faculties, but the heart of this production is the interplay of these found family weirdos, and I’m thus hoping we at least get a sampling of their activities on the final day of the cruise.

After a long stretch of lacking a comparable motivation to her so-called husband, this arc successfully aligned Yor alongside him as a steward of the future, a warrior who fights so that other families can enjoy the comfort she has found. Yor’s dubious motivation and general lack of interiority has always been one of Spy x Family’s greatest weaknesses, so I’m quite happy we’ve dedicated a full arc to her emotional growth, and look forward to seeing how her new perspective impacts her approach to family life. Let’s get to it!

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Frieren: Beyond Journey’s End – Episode 7

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to the wanderings of Frieren and her companions, as the warrior Stark joins them on their journey to the land where souls rest. Having bound himself to one village due to his fear of unsuitability as a warrior, Stark ultimately learned he was far stronger than he’d imagined, dispatching the dragon that haunted him without ever requiring the assistance of his accompanying mages.

Stark’s tale served as a fine embellishment on Frieren’s core themes, emphasizing how easily our perspective can become bound by self-imposed limitations, but also how a happy life can be found practically anywhere, so long as we remain open to experience and present in the lives of those around us. It was only Stark’s untested self-image that kept him tethered to his village, but fear soon shifted to a sense of responsibility, and from that to a genuine love of his community. Whether we roam widely or commit ourselves to our homes, the world is full of wonders that only ask us to keep our eyes and ears open, ready to appreciate what is precious in each new day. Let’s see what our adventurers ramble into this time!

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The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You – Episode 9

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Hello folks, and welcome back to Wrong Every Time. Today I figured we’d stop back with Rentaro and the gang, and see how his sacred quest to acquire one hundred girlfriends is proceeding. Though this production has normally managed to combine preposterous farce with some unexpectedly thoughtful reflections on communication and healthy partnerships, I have to admit that it has been absolutely lunacy ever since our latest girlfriend Kusuri joined the picture. With her fondness for Rentaro only matched by her passion for mad science concoctions, Kusuri has propelled our polycule through one preposterous predicament after another, culminating in an episode-long Resident Evil parody courtesy of Kusuri’s kiss-mania serum.

Considering I’ve had multiple readers define this series in terms of its pre- and post-Kusuri tone, I’m guessing that things are only going to get more ridiculous from here on out. It seems likely the show will essentially shift into two primary modes: a somewhat more emotionally grounded style for the individual wooing episodes, and then the utter chaos of the last episode for the group escapades. Regardless, my main hope is 100 Girlfriends maintains its flourishes of genuine thoughtfulness regarding the crafting of an honest, mutually enriching bond. That’s the secret ingredient that actually makes this show special, so let’s see how Rentaro manages this balancing act as we get back to the action!

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Monogatari Off/Monster Season – Episode 1

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Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to announce we’re returning to the Monogatari franchise, the series that more or less began my journey as an anime critic. I’ve written about Monogatari for reddit, twitter, Crunchyroll, Anime News Network, and you folks here, and yet the series still manages to surprise me, offering fresh psychological insights and aesthetic flourishes after all these years.

It’s little surprise this series means so much to me. Monogatari embodies anime’s unique capacity to project our internal lives as ecstatic visual theater, combining a thorough exploration of human psychology with playful visual storytelling and Nisio Isin’s profound talents for thematically resonant drama and character voice. Monogatari’s characters feel both alive and compelling in a way few works of animation can match, and his insights regarding our ability to understand ourselves, each other, and the nature of a “life well lived” inspire me to seek such thematic richness and humanism in my own work.

Monogatari’s central narrative regarding the self-actualization of Koyomi Araragi has at this point concluded – though of course, as Nisio Isin is quick to assure us, everyone is a work in progress, everyone is “learning how to be happy” at their own pace. Nonetheless, Araragi’s resolution of his immediate psychological block, his long-time refusal to engage with his own self-destructive nature, has left the stage clear for Monogatari’s many other compelling characters to take the lead, and demonstrate the playfulness, compassion, and insight with which all of them have been brought to life. Let’s see what rambling adventures await in the off season!

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Galaxy Express 999 – Episode 5

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Hello folks, and welcome back to Wrong Every Time. Today I am impatient to continue our journey aboard the Galaxy Express, and see what wonders await us as the edge of the solar system. Our last adventure featured an impromptu trainjacking by the Great Space Pirate Antares, who actually turned out to be a perfectly reasonable sort of guy. All he really wanted was to steal luxury items from the rich and catch a ride home, which Tetsuro and Maetel were ultimately happy to assist in. In this harshly stratified universe, the have-nots must band together if they are to survive; and as that last episode made clear, the Galaxy Express itself is not just an impartial observer of the cosmos.

The loneliness of space, the impersonal bloodlessness of a metal body, and the desperation for, if not a good life, at least a proper death – Galaxy Express 999 is as melancholy as it is marvelous, offering a vision of the future whose substance is as grim as its surface fantastical. It’s an intoxicating mixture that quite understandably stoked both the imagination and social consciousness of a generation of viewers, and I feel fortunate to explore it with all of you. Let’s hop aboard!

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Yuri is My Job! – Episode 4

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Hello folks, and welcome back to Wrong Every Time. Today I am eager to return Yuri is My Job!’s fanciful Cafe Liebe, and see how Hime attempts to disentangle her latest foot-in-mouth insertion. She was actually doing quite well last episode, with the accidental reveal of her private performance ultimately resulting in a moment of genuine honesty between her and Mitsuki. Hime was even driven to admit to the past trauma that had convinced her only a flawless, all-encompassing social performance could prevent her from being despised and abandoned; unfortunately, it turned out Mitsuki herself was precisely the person who instigated that trauma, prompting a fresh rift between them.

Nonetheless, even this new conflict seems like a healthy step forward for both of them. Coming to truly know about others’ feelings will inevitably invite friction, the kind of friction that might prompt you to hide within a loveable facade like Hime, or gravitate towards ritualized performances of intimacy like the Cafe Liebe crew. But it is only by continuing to invite that friction that you might find true, earnest companionship, and discover that everyone else is muddling through just as awkwardly as you are. We cling to scripts when we believe everyone else already has one; the truth is, everyone engages in a combination of performance and sincerity every day, all of us seeking an emotional safe harbor for our flawed, imperfect perceptions of self. As with the initial reveal of her performance, Hime has once again ripped off the band-aid accidentally, leaving a raw mark to tell of her painful prior experiences with Mitsuki. This leaves them both more vulnerable than before, but it is only through embracing vulnerability that we might arrive at genuine mutual trust. Let’s see how spectacularly they fail to manage it!

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Passion in Motion: A Handful of Favorites

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Hello friends, and welcome back to Wrong Every Time. I recently received a request to write some sort of “sakuga article,” meaning an article relevant in some way to the exemplary individual cuts of animation we anime stalwarts refer to as “sakuga.” This has been a source of some consternation to me, as I don’t generally consider myself particularly studied or well-informed when it comes to the specific craft of animation in the abstract. I know enough to describe why a cut feels evocative or impactful to me, but my specialties are first and foremost writing-related, followed by filmic technique, with animation following behind.

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Yuki Yuna is a Hero (Washio Sumi Chapter) – Episode 2

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Hello folks, and welcome back to Wrong Every Time. Today we’re continuing with the journey of Togo, or “Washii” to her new friends, as she and her companions fight bravely in defense of the Divine Tree. Having defeated their first Vertex with only moderate difficulty, the trio have since bonded over some delicious mall gelato, where Nogi assigned Togo her fateful nickname. Thus our long march off a short pier continues, our only assurance being that things will soon get much, much worse.

I’m already steeling myself for that blow, but in the meantime, I’m also quite enjoying this season’s distinct conception of the relationship between heroes and the Divine Tree. Rather than the oblivious Yuki and her friends, Togo’s group have been fully briefed on their responsibilities, and are seen as heroes by their fellow students. Given what’s coming down the line, I could imagine that their fates actually resulted in the dismantling of this hero preparatory academy system; after all, if their classmates can directly connect the deterioration of their friends’ bodies to their work as heroes, it seems far less likely they’d be similarly inclined to sacrifice themselves for a faceless god. Let’s see if that prediction bears fruit as we return to Washi Sumi Chapter!

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Dear Brother – Episode 9

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Hello folks, and welcome back to Wrong Every Time. Today the sun is shining and bells are tolling atop Seiren Academy, as we return once more to the gorgeous and obscenely entertaining Dear Brother. Our last episode saw this drama’s insanity ratcheted up to heretofore purely theoretical levels, as Nanako was invited to her dear friend Shinobu’s birthday party. Upon arriving, she realized Shinobu had rented out a hotel’s dining room entirely for herself, her mother, and her eternal bestie Nanako, and things only got more unnerving from there. With the night ending on Shinobu’s friendly declaration to “kill you and then myself” if Nanako ever left her, Nanako was left to flee Shinobu’s home in tears, traumatized anew by her terrifying classmate.

For all the absurdity of that gathering, given the course of Dear Brother’s drama so far, it actually felt perfectly in line with my expectations for a Shinobu birthday party. Possessive desperation has been the girl’s MO this entire journey, with her initial apparent confidence in Seiren’s quirks and traditions swiftly clattering to the ground, revealing itself a mere embellished frontispiece introducing a tomb of madness. And that’s really how it’s gone for most of Seiren’s standards, from the false dignity of the Sorority to the fragile public personas of characters like Saint-Juste and Miya-sama. I frankly don’t know how anyone makes it out of this school alive, and I wouldn’t want it any other way. Let’s get back to class!

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Fall 2024 – Week 7 in Review

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Hello folks, and welcome back to Wrong Every Time. We’re truly nearing the end of the year at this point, which means it’s getting to that time when I must actually examine the animated year in retrospect, and catch up on any key productions I might have missed. Uzumaki fell apart and Dandadan’s second episode still failed to grab me, but there’s still plenty else I need to check on, from the Dead Dead Demons adaptation to the latest installments in the Monogatari and Sound! Euphonium franchises. Between those, Delicious in Dungeon, and the year’s superb film crop (Naoko Yamada and Kiyotaka Oshiyama!), this is looking to be an altogether laudable year in anime, before we even get to backlog personal projects like Sailor Moon. I’ll be starting on all that shortly, but in the meantime, I have of course continued sampling whatever films either catch my fancy or rudely invade my screen via my roommate’s craft-neutral curiosity. Let’s break ‘em down!

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