Hello everyone, and welcome back to Wrong Every Time. Today I’m delighted to be returning to The Big O, that exceptional mix of noir and giant robots that we all enjoy so much. Well, at least I’m greatly enjoying it; it’s a delight simply exploring the diverse sights of Paradigm, and Roger and Dorothy have made for dynamic, endearing tour guides.
Along with the show’s excellent art design and likable cast, what I most appreciate about The Big O is its willingness to embrace the weirdest consequences of its genre mix. While it’d be easy to construct a series of propulsive, action-packed murder-mysteries in the context of this world, The Big O has instead embraced both gothic horror and noir’s tendency towards ambiguity and even surrealism, frequently spending more time luxuriating in the atmosphere of Paradigm’s mysteries than following clues towards a destined end. Personally, I think ambiguity and atmosphere tend to be far more effective worldbuilding tools than outright exposition; through presenting a world with a rich sense of place but no clear answers, The Big O grounds us in the day-to-day experience of Paradigm, while implying there is more to this world than we could ever know. Let’s sift through the detritus of the sleeping city, as we explore a new episode of The Big O!
