Hello folks, and welcome back to Wrong Every Time. Today I thought we’d take a stroll over to Green Gables, where Anne is currently embroiled in the midst of a great crisis. With Diana’s utterly unreasonable mother still holding the Currant Wine Catastrophe over Anne’s head, our heroine was forced to break a sacred vow, and at last return to school. Though Mr. Phillips and Gilbert remain detested foes, Anne is determined to be strong for her bosom friend’s sake, and has even learned that the imagination-bereft Millie Andrews is actually a pretty nice girl.

So yes, it has all been a maelstrom of torment for our beleaguered young Anne, as she has been sure to tell anyone who will listen. However, the tempests of adolescent emotion are as fickle as they are fierce, and I imagine this particular storm will blow over in time for Christmas. In the meantime, I’ll be happy enjoying Anne’s preposterous editorializing of her profoundly normal problems, as well as the sumptuous realization of Green Gables offered by Takahata and his formidable team. Let’s get to it!

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Hello friends, and welcome back to Wrong Every Time. Today I am sorry to report that we are returning to Green Gables in a moment of absolute crisis, with no clear path forward for our poor Anne. Having already sworn off schooling on account of the contemptible Gilbert, Anne has since found herself isolated from her one and only bosom companion Diana, on account of an ill-fortuned bottle of currant wine. The hills and valleys that once seemed alive with youthful promise have turned ominous and alien; in fact, it seems more than likely that Anne shall never again enjoy a moment of peace upon this earth.

Well, at least that’s how she’d likely phrase it. In truth, I’m guessing the Currant Wine Catastrophe will be just the kick in the pants Anne needs to return to her schooling, and it’s about time too. In the meantime, I’ll be happy just to bask in the character-rich dialogue and gorgeous scenery accompanying each episode of this delightful show, certain that Lucy Maud Montgomery and Isao Takahata have us in the safest of hands. Let’s get to it!

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to Anne of Green Gables, wherein our young heroine is still embroiled in a brave battle against public education and its attendant indignities. With both the peabrained Mr. Phillips and intolerable Gilbert Blythe arrayed against her, it is no wonder Anne simply cannot countenance the thought of returning to her public studies. Fortunately, Marilla has been largely accommodating of this moral crusade, clinging to the perhaps unwise hope that Anne will at some point get over herself.

Sadly for Marilla, Anne is nothing if not stubborn, and I doubt even the shame of having served their guests a dead mouse for tea will have convinced her that some time out of the house might be for the best. Still, between Diana’s pleading and Gilbert’s continued demonstrations that he’s not actually the tyrant she has made of him, a hope remains that she might return to the world of socialization and scholastic achievement. With tempers flared and stakes high, we return to the delightful Anne of Green Gables!

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to Anne of Green Gables, as we catch up on Anne in yet another moment of crisis. Having initially taken to her schooling like a fish to water, she was then blindsided by the arrival of the hated Gilbert Blythe, who had the audacity to not only stare at a strange woman, but also pull her hair! Clearly this would not stand, and so Anne swiftly commenced a retaliatory operation, refusing to engage with either the detestable Gilbert or her teacher Mr. Phillips. And now, her war has come to this: she will not be returning to school ever again, for her pride and very soul demand that she see this injustice righted.

Well, at least that’s presumably how Anne sees it. Marilla is currently tolerating this rebellion purely because she assumes it won’t last the week, and that seems like a perfectly sensible approach at the moment. This is essentially a battle between Anne’s pride and Anne’s curiosity, and though she is indeed fiercely proud, she is even more curious about the world around her. As far as the staff goes, this episode sees the return of the legendary Yoshiyuki Tomino on storyboards, so I’m looking forward to more evocative layouts reminiscent of that whole Marilla’s Brooch saga. Let’s get to it!

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Hello folks, and welcome back to Wrong Every Time. Today I am delighted to return to Anne of Green Gables, after far too long away from our precocious young heroine and her fanciful adventures. In the time since our last visit I’ve continued to enjoy as much Takahata as possible, screening both later Ghibli films and Toei Doga classics like Horus, but there’s nothing quite like his beautiful, meditative television work. The World Masterpiece Theater productions remain a singular high point in anime history, and Takahata will likely always be one of my very favorite directors.

Anyway, it is delightful to be back, and it looks like we’re in for another sturdy episode production-wise. World Masterpiece Theater and Miyazaki/Takahata mainstay Seiji Okuda is back on storyboarding duty, with the lack of a distinct assigned director again leading me to assume this’ll be an episode hewing closely to Takahata’s vision of the story. And though scriptwriter Kaizo Kamiyama is relatively untested, I’m not particularly concerned; Anne’s dialogue sings because so much of it was taken directly from L.M. Montgomery’s novel, a trend I expect to continue with fantastic results. Who knew that closely adapting classic novels would result in superior anime dramas? But let’s not get snippy about The General State Of Things, for we’ve got a show to watch. Onward to Green Gables!

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Hello folks, and welcome back to Wrong Every Time. Today seems like a perfect day to fetch the wagon and set a course for Green Gables, checking in on the continuing misadventures of Anne and her unique family. In the wake of last episode’s brooch fiasco, I expect Anne and her adoptive parents to be closer than ever; having been forced to admit her own error, it appears that Marilla has perhaps embraced just a touch of humility, while also recognizing that her initial suspicions about Anne were entirely unfounded. Anne is not, as claimed, the wickedest girl Marilla has ever met – she is honest and kind and irrepressibly imaginative, and though Marilla may not understand that last virtue, she is just maybe beginning to appreciate it.

As for the production team, this episode will be reuniting us with the storyboards of Seiji Okuda, a regular Takahata/Miyazaki collaborator who also contributed a number of boards to Heidi, Sherlock Hound, and Lupin III, with a script by Anne regular Seijiro Koyama. Koyama traded off scripting duties with Takahata for a number of these early episodes, and with such reliable key staff in attendance, I expect this episode to hew closely to Takahata’s overall vision of the show. Let’s see what awaits us in Anne of Green Gables!

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Hello friends, and welcome back to Wrong Every Time. Today I figured we might sneak our way back to Green Gables, and check in on the continuing saga of Marilla’s amethyst brooch. Marilla claims Anne lost it and Anne claims she did not; with two such stubborn characters as these, that’s basically all it takes to erect an insurmountable impasse between them. Truthfully, it seems most likely that Anne forgot to remove the brooch before heading off to the Idlewild, and thus it’s nestled safely somewhere along their woodland passageways. But while this conflict’s resolution will likely be simple enough, the course of its drama is serving as an enlightening referendum regarding Marilla and Anne’s feelings towards each other.

On the production front there is much cause for rejoicing, as this episode features the return of Yoshiyuki Tomino on storyboards, as well as Takahata himself on scripts. Tomino’s storyboards for Anne’s first day at Sunday school greatly elevated one of this show’s first emotional climaxes, offering a mixture of evocative symmetrical layouts and scenes where character blocking skillfully amplified emotional intent. That episode’s final reconciliation between Anne and Marika might be my favorite moment of the show so far, and so I expect great things from his execution of Anne and Marika’s latest dust-up. Let’s see how our friends are faring as we return to Green Gables!

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Hello everyone, and welcome back to Wrong Every Time. Today I am eager to make the trip back to Green Gables, and see how things are getting along for Anne and her new friend Diana. Their first outing in the woods has already proven to be a rousing success, as Anne’s imagination and Diana’s knowledge of their home fused into a fantastical journey through their local groves and glens. Takahata and Anne’s sensibilities could not be more complimentary; with the two of them as our guides, this adventure took on a magical tenor as inviting as any Ghibli film, demonstrating how intimate human drama and magical realism are such a natural pairing. Our own lives are not experienced in such a way as could be captured by an impartial camera’s eye; they are suffused with the emotional buoyancy of discovery, hope, and despair, making these fantastical embellishments more true to the human experience than clinical observation could ever be.

As for this coming episode, the staff list seems about par for an episode of Anne, meaning it ranges from all-time medium luminaries to simply excellent long-time artists. Along with the usual pre-Ghibli crowd, we’ve got Seiji Okuda handling storyboard duties, a man whose credits range from Sherlock Hound and Heidi all the way through recent productions like Hitori Bocchi and Pastel Memories. I’m sure there’ll be plenty to poke at in all sorts of directions, so let’s not waste a moment further, and set our carriage towards Green Gables!

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Hello everyone, and welcome to Wrong Every Time. Today it seemed just about time to take a trip back to Green Gables, and see how our friend Anne is faring. Last episode served as a great triumph for Anne, as her first meeting with potential friend Diana turned out splendidly. Though Anne came on a little strong with her vow of undying friendship and all that, Diana turned out to be thoroughly charmed by Anne’s eccentricities, and the two enjoyed a peaceful afternoon among the hills and flowers. Diana can’t quite match Anne’s peculiarity of perspective, but she’s just as voracious of a reader, giving the two an easy point of connection in kindling a long and rewarding friendship.

Last episode also served as a temporary sendoff to Yoshiyuki Tomino, who’ll be rejoining us for episode twelve. In the meantime, this episode will be storyboarded by Shigeo Koshi, a Masterpiece Theater mainstay who also made significant contributions to Leiji Matsumoto’s Star Blazers. Koshi will be working from a Takahata script, and with no specific episode director attached, I’m guessing this episode will most directly evoke the soothing naturalism and poetic whimsy of Takahata’s oeuvre. That’s more than fine by me; every fresh episode of Anne raises my estimation of Takahata, and I’ve already had to install a second floor in my artist-appreciation warehouse to account for how highly I currently regard him. Let’s see what wonders await us as we return to Green Gables!

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Hello everyone, and welcome back to Wrong Every Time. Today seems like an ideal time to stop in at Green Gables, and so that’s precisely what we’re doing. When last we left off, Anne had made a royal mess of her first visit to Sunday School, with her unorthodox flower wreath swiftly making her the talk of the town. In my view all those busybodies should learn to shove it, but the experience was clearly deeply demoralizing to Anne herself. With no allies to speak of among the townsfolk, Anne trudged home with none of her usual pep or curiosity – fortunately, Marilla and Matthew are now both firmly in Anne’s corner, and thus were quick to comfort her with news of her neighbor Diana’s return.

The sequence of Marilla relaying this news to Anne, conveyed purely in silent mid-distance shots, was one of the aesthetic highlights of an episode altogether brimming with them. The episode felt more committed to storytelling through visual compositions than your average Anne, likely owing to the presence of Gundam creator and general animation legend Yoshiyuki Tomino as storyboarder. Tomino would soon depart this production to spearhead the original Mobile Suit Gundam, but he provided Anne with five storyboards first – episodes eight, twelve, fifteen, seventeen, and the one we’re just about to start. Let’s see what Takahata and Tomino have in store for us this time!

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