Hello folks, and welcome back to Wrong Every Time. Today seems like a perfect day to fetch the wagon and set a course for Green Gables, checking in on the continuing misadventures of Anne and her unique family. In the wake of last episode’s brooch fiasco, I expect Anne and her adoptive parents to be closer than ever; having been forced to admit her own error, it appears that Marilla has perhaps embraced just a touch of humility, while also recognizing that her initial suspicions about Anne were entirely unfounded. Anne is not, as claimed, the wickedest girl Marilla has ever met – she is honest and kind and irrepressibly imaginative, and though Marilla may not understand that last virtue, she is just maybe beginning to appreciate it.

As for the production team, this episode will be reuniting us with the storyboards of Seiji Okuda, a regular Takahata/Miyazaki collaborator who also contributed a number of boards to Heidi, Sherlock Hound, and Lupin III, with a script by Anne regular Seijiro Koyama. Koyama traded off scripting duties with Takahata for a number of these early episodes, and with such reliable key staff in attendance, I expect this episode to hew closely to Takahata’s overall vision of the show. Let’s see what awaits us in Anne of Green Gables!

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Hello friends, and welcome back to Wrong Every Time. Today I figured we might sneak our way back to Green Gables, and check in on the continuing saga of Marilla’s amethyst brooch. Marilla claims Anne lost it and Anne claims she did not; with two such stubborn characters as these, that’s basically all it takes to erect an insurmountable impasse between them. Truthfully, it seems most likely that Anne forgot to remove the brooch before heading off to the Idlewild, and thus it’s nestled safely somewhere along their woodland passageways. But while this conflict’s resolution will likely be simple enough, the course of its drama is serving as an enlightening referendum regarding Marilla and Anne’s feelings towards each other.

On the production front there is much cause for rejoicing, as this episode features the return of Yoshiyuki Tomino on storyboards, as well as Takahata himself on scripts. Tomino’s storyboards for Anne’s first day at Sunday school greatly elevated one of this show’s first emotional climaxes, offering a mixture of evocative symmetrical layouts and scenes where character blocking skillfully amplified emotional intent. That episode’s final reconciliation between Anne and Marika might be my favorite moment of the show so far, and so I expect great things from his execution of Anne and Marika’s latest dust-up. Let’s see how our friends are faring as we return to Green Gables!

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Hello everyone, and welcome back to Wrong Every Time. Today I am eager to make the trip back to Green Gables, and see how things are getting along for Anne and her new friend Diana. Their first outing in the woods has already proven to be a rousing success, as Anne’s imagination and Diana’s knowledge of their home fused into a fantastical journey through their local groves and glens. Takahata and Anne’s sensibilities could not be more complimentary; with the two of them as our guides, this adventure took on a magical tenor as inviting as any Ghibli film, demonstrating how intimate human drama and magical realism are such a natural pairing. Our own lives are not experienced in such a way as could be captured by an impartial camera’s eye; they are suffused with the emotional buoyancy of discovery, hope, and despair, making these fantastical embellishments more true to the human experience than clinical observation could ever be.

As for this coming episode, the staff list seems about par for an episode of Anne, meaning it ranges from all-time medium luminaries to simply excellent long-time artists. Along with the usual pre-Ghibli crowd, we’ve got Seiji Okuda handling storyboard duties, a man whose credits range from Sherlock Hound and Heidi all the way through recent productions like Hitori Bocchi and Pastel Memories. I’m sure there’ll be plenty to poke at in all sorts of directions, so let’s not waste a moment further, and set our carriage towards Green Gables!

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Hello everyone, and welcome to Wrong Every Time. Today it seemed just about time to take a trip back to Green Gables, and see how our friend Anne is faring. Last episode served as a great triumph for Anne, as her first meeting with potential friend Diana turned out splendidly. Though Anne came on a little strong with her vow of undying friendship and all that, Diana turned out to be thoroughly charmed by Anne’s eccentricities, and the two enjoyed a peaceful afternoon among the hills and flowers. Diana can’t quite match Anne’s peculiarity of perspective, but she’s just as voracious of a reader, giving the two an easy point of connection in kindling a long and rewarding friendship.

Last episode also served as a temporary sendoff to Yoshiyuki Tomino, who’ll be rejoining us for episode twelve. In the meantime, this episode will be storyboarded by Shigeo Koshi, a Masterpiece Theater mainstay who also made significant contributions to Leiji Matsumoto’s Star Blazers. Koshi will be working from a Takahata script, and with no specific episode director attached, I’m guessing this episode will most directly evoke the soothing naturalism and poetic whimsy of Takahata’s oeuvre. That’s more than fine by me; every fresh episode of Anne raises my estimation of Takahata, and I’ve already had to install a second floor in my artist-appreciation warehouse to account for how highly I currently regard him. Let’s see what wonders await us as we return to Green Gables!

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Hello everyone, and welcome back to Wrong Every Time. Today seems like an ideal time to stop in at Green Gables, and so that’s precisely what we’re doing. When last we left off, Anne had made a royal mess of her first visit to Sunday School, with her unorthodox flower wreath swiftly making her the talk of the town. In my view all those busybodies should learn to shove it, but the experience was clearly deeply demoralizing to Anne herself. With no allies to speak of among the townsfolk, Anne trudged home with none of her usual pep or curiosity – fortunately, Marilla and Matthew are now both firmly in Anne’s corner, and thus were quick to comfort her with news of her neighbor Diana’s return.

The sequence of Marilla relaying this news to Anne, conveyed purely in silent mid-distance shots, was one of the aesthetic highlights of an episode altogether brimming with them. The episode felt more committed to storytelling through visual compositions than your average Anne, likely owing to the presence of Gundam creator and general animation legend Yoshiyuki Tomino as storyboarder. Tomino would soon depart this production to spearhead the original Mobile Suit Gundam, but he provided Anne with five storyboards first – episodes eight, twelve, fifteen, seventeen, and the one we’re just about to start. Let’s see what Takahata and Tomino have in store for us this time!

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Hello everyone, and welcome to Wrong Every Time. Today I’ve got all sorts of anxieties plaguing me, and thus have decided the perfect thing to clear my mind is a visit to Green Gables. When last we stopped by, Anne had just celebrated her adoption into the family by declaring war on the neighbors, affronting Rachel Lynde with such venomous barbs as “how would you like it if someone called you red-haired and freckled!?” Lynde was deeply scandalized by this display, but fortunately, Anne is as good at melodramatic apologies as she is at cutting insults, and thus peace was eventually restored.

When all was said and done, the ultimate result of Anne’s misadventure was actually a deepening of her bond with Marilla. Anne’s reluctant caretaker is at last beginning to feel a sort of motherly affection for her charge, and you just know that Anne’s going to be testing that bond with relish. Let’s see what nonsense she gets up to this time, as we return to the blooming hills of Green Gables!

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Hello everyone, and welcome back to Wrong Every Time. Today I’m delighted to report that the ferry ride has concluded, a carriage has been arranged, and we are on our way to Green Gables. When last we’d visited, Marilla had finally confirmed that Anne can stay, on condition that she be a good girl and learn how to say her prayers properly. Anne broke the first of these conditions pretty much immediately, rushing out the door to tell all the flowers and trees about her victory, and I can’t imagine she’ll have better luck with the second one. But the truth of it is, I doubt Marilla could imagine parting with Anne regardless, and these stern proclamations are simply the last, futile gasps at reasserting some pre-Anne order.

But Anne is not just Anne anymore, she is now Anne of Green Gables. Flush with confidence and standing on ground that is truly hers, Anne’s expansive personality is sure to reshape this family’s lives in all sorts of ways. It’s been a pleasure to spend time with Anne even in the pits of despair, so I can’t wait to see how she tackles this world with a renewed spring in her step. Let’s get right back to Green Gables!

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Hello everyone, and welcome back to Wrong Every Time. Today I am eager to return to the rolling hills and shimmering seas of Green Gables, where Anne has at last succeeded in winning over the obstinate Marilla. To be fair, Marilla put up quite the battle, and likely would have ruthlessly abandoned any lesser children. But Anne made swift work of her through a multi-pronged attack, demonstrating both her intense personal charm and tragic backstory on the ride to Miss Spencers’ place, and then capping that off with the looming threat of alternative adopter Blewett. Seeing Anne’s look of despair at returning to her childhood of suffering was too much for Marilla, and thus both our heroines made their way back to Green Gables.

With the initial trial of simply earning a space at Green Gables behind us, I’m looking forward to seeing the show settle into some sort of comfortable rhythm. Though Gables’ pastoral beauty and meditative pacing make for an inherently slice of life-reminiscent experience, its origin as a young adult bildungsroman means it’s unlikely to simply luxuriate in any one tone; there is conflict and momentum, it is simply illustrated at the pace of life in Green Gables. With this episode boarded by Masterpiece Theater mainstay Fumio Ikeno and scripted by Takahata himself, I’m guessing this will serve as a fine indicator of the road ahead. Let’s return to Anne of Green Gables!

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Hello everyone, and welcome back to Wrong Every Time. Today I am eager to return to Anne of Green Gables, a shimmering jewel of a show, and one that has been thoroughly brightening my weekly schedule. I say this in spite of the show’s last two episodes serving as a delicate lesson in heartbreak; even when Anne is down in the dumps, her personality remains vibrant and idiosyncratic, making for delightful company. Meanwhile, the world around Anne is painted in a dazzling array of colors, with distant towers and forested alleyways promising adventure around every turn. With one of anime’s greatest appreciators of pastoral beauty at the helm, Anne of Green Gables illustrates the beauty and allure of the natural world like few features I’ve witnessed – and most of those also in Takahata’s oeuvre.

For this episode, Takahata will actually be stepping back a bit, as we’re moving into the first episode he didn’t personally script and storyboard. This episode’s scriptwriter Seijiro Koyama is a regular on Anne, but otherwise only worked on the Tom Sawyer masterpiece adaptation. On the other hand, storyboarder Fumio Ikeno is a masterpiece theater mainstay, having boarded or directed on over a dozen of the block’s properties. Let’s see how Takahata’s collaborators illustrate this generous production, as we return to Anne of Green Gables!

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You can do it, Anne! It only took one wagon ride to convince Matthew you belonged in the family, and Marilla may well be a tougher nut to crack, but you’ve had a whole extra day to win her over. For as much as Marilla has protested over Anne’s precocious and talkative nature, it’s been easy to see her initial distrust fade into something at least a dash more warm and accommodating. And with Anne having promised to make the most of this final ride, I imagine she’ll be returning to the star-struck wonder of her first journey, with a sprinkling of melancholy to tug at Marilla’s heart. Marilla’s certainly a tough customer, but it’s hard to imagine any fundamentally decent person won’t be won over by Anne eventually.

I’m quite looking forward to seeing Anne triumph today, even though it’s also been fun to witness her larger-than-life despair. Whether in happiness or sorrow, Anne is determined to live with the intensity of her storybook heroes, with Takahata’s production providing a suitably gorgeous backdrop for her adventures. It’s been a privilege to watch and write about this profoundly generous production, and I hope you’re half as excited as I am as we return to the hills of Green Gables!

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