Blue Flag’s second volume starts off with a reminder of the first thing that struck me about the first volume: the careful attention this story pays to the way clothes hang on the body, and project confidence, insecurity, or any manner of other emotions purely in the fit of the fabric.
It’s fitting for a story about adolescence to be preoccupied as well with the awkward physicality of our outfits – how some of us seem to exude natural confidence at all times, while others seem perpetually uncomfortable in their own skin. It’s also fitting for a story by KAITO, who is so capable of conveying emotions through presentation, as with their masterful use of paneling. Gaining comfort with both our bodies and our feelings is a circuitous learning process, and though some of Blue Flag’s leads seem more confident in their clothes than others, they all struggle with the difficulty of presenting an authentic self.