Criticism versus Nitpicking and Grounded Conflict

Question:

What separates a legitimate criticism of a show from nitpicking? Can one complaint be more “valid” than another, if they’re both things the show is actually lacking or doesn’t explain or whatnot? And is there a scale for this stuff – do fifty tiny complaints add up to one big one, or does it require some single significant failing to constitute a legitimate criticism?

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Media Goals and Critical Evaluation

Management: This is a two-parter that I’ve split up because while the original question was based on my panning of Sakurasou, it also concerns a lot of media evaluation theory that is much more generally relevant. I’ve divided it as best I can into separate questions to reflect this – Part 1 here should be relevant to everyone.

Question:

It seems impossible to fairly evaluate shows unless you take those shows’ own goals into account, and try to respect their specific priorities. Do you think some of the shows you rate poorly are merely a result of approaching these shows with the wrong mindset, or wishing they were different shows entirely? How do you reconcile your personal taste, or the nature of taste in general, with your attempts to assess art in a general way?

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