Hello everyone, and welcome back to Wrong Every Time. Today we’ll checking out the third episode of Great Pretender, where Edamura has at last proven his value to the team, by jacking up the prices of Laurent’s fake drugs. Having reaffirmed his talents as a swindler, Edamura at last seems genuinely comfortable with his new companions, and committed to their collective scheme.

Of course, from Laurent’s perspective, I can’t imagine Edamura’s rash actions have really changed his opinion of his new partner. Laurent seems less interested in this particular scheme than he is in cultivating a specific group of talents, and pursuing a more long-term ethical agenda. From his perspective, Edamura is an insecure kid with more ego than sense – unsculpted clay, with no real direction but a childish desire to prove himself. Edamura believes he can prove his value through his skills as a swindler; in contrast, Laurent has nothing to prove, but is happy enough to wield Edamura’s emotional levers against him. The two are an intriguingly mismatched team, and I’ll be interested to see if Laurent is actually invested in helping Edamura grow up, or simply use him as a talented but naive weapon. Let’s get to it!

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Hello everyone, and welcome back to Wrong Every Time. You down for some Great Pretender? Personally, I’m pretty jazzed about it. The show’s first episode was an energetic and beautiful heist introduction, elevated substantially by the one-two punch of Sadamoto’s character designs and Takeda’s background art.

Sadamoto’s designs seem absolutely perfect for a show about a bunch of swindlers; their crooked angles, sharp edges, knowing eyes, and perpetually broken smiles are all ideal for depicting the untrustworthy swagger of confidence men. Meanwhile, Takeda’s characteristic use of simplified photorealism and bold color is here elevated through an impressionistic approach to light and shading, wherein splashes of color don’t actually conform to the background linework, but rather simulate the emotive effect of light falling across the scenery. The story so far has mostly just been a workmanly heist prologue, but with art design this fantastic, I’m feeling well-fed regardless. Let’s see what our crooks get up to in episode two!

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Hello folks, and welcome back to Wrong Every Time. Today we’ll be exploring the first episode of one of 2020’s most impressive productions, the energetic and visually dazzling Great Pretender. Now, I’ve actually seen the first two arcs of Great Pretender, and have arrived at my own conclusions (a fine-enough heist narrative with outrageously good visual design), so I’ll be bringing a somewhat more informed perspective to this rewatch. But to catch everyone up to speed, what exactly is Great Pretender?

Judging by staff alone, it’d be easy to pin the show as one of 2020’s highlights. The production’s angular, expressive character designs could only come from one artist: Yoshiyuki Sadamoto, the legendary character designer who handled both Evangelion and FLCL’s character art. Meanwhile, the show’s gorgeous backgrounds, blending realistic line art with simplified, impressionistic color palettes, bear the clear mark of their own creator: Yuusuke Takeda, the art director responsible for The Eccentric Family’s marvelous background aesthetic. Topped off with a director who’s well acquainted with these sorts of narratives, having spearheaded the altogether reasonable 91 Days, and you end up with a production that seems destined for greatness. So how does it all shake out?

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