Hello folks, and welcome back to Wrong Every Time. We’re finally reaching some warmer spring days at this point, which means I can finally… well, mostly just stay inside and keep watching movies, while also feeling somewhat more guilty about doing so. I also watched through the entire Fishman Island abridged version that Toei have been airing in place of new One Piece, which left me with mixed feelings; there were certainly places where the original version could use tightening, but also essential moments and crucially paced sequences that were either excised or abridged to a deleterious extreme. Regardless, the viewing prompted me to finally write the Fishman Island thematic essay that I’ve been thinking about for ages, so you can all look forward to that coming sometime soon. In the meantime, let’s break down the week in films!
Tag Archives: Happy Birthday to Me
Spring 2023 – Week 8 in Review
Hello folks, and welcome back to Wrong Every Time. This week has seen me and my housemates positively gorging on Tears of the Kingdom, losing ourselves in the realms of Hyrule at every possible opportunity. The game still seems plainly unrealistic; game worlds can’t be realized with such simultaneous breadth of experience and effortless nuance of character interactivity, all of these systems can’t possibly feed into each other to encourage such a robust and satisfying play loop, and jury-rigging machines together couldn’t ever feel so seamless, natural, and joyful. And yet it is, they do, and making weird contraptions has proven itself the natural evolution of Breath of the Wild’s call to creative action. They’ve even addressed what issues did exist in Breath of the Wild, from weapon durability (now you can always craft your own high-quality weapons) to rain (say hello to sticky tonics). It’s been hard to pull myself away, but don’t worry – we still found time for our scheduled film viewings. Let’s get into it!