Journal With Witch – Episode 2

Hello folks, and welcome back to Wrong Every Time. Today I’m willing to wager that my heart is prepared for another expert pummeling, and am thus ready to check out a fresh episode of Journal With Witch. Our first episode introduced us to Makio Kōdai and her niece Asa Takumi, two near-strangers who were brought together by the sudden death of Asa’s parents. Though Makio had a painful relationship with Asa’s mother, her sympathy for Asa led her to offer her own home to the teenage orphan. Thus we find ourselves with two near-opposites cohabiting, colliding, and collectively attempting to navigate this strange and sorrowful life.

Journal With Witch’s first episode did a masterful job of conveying Makio’s emotional experience, gracefully articulating the shadows and ghosts that populate her lonely world. As a shut-in author who never really learned to get along with others, her daily rituals and hesitant stabs at connection felt painfully well-observed, realized through a combination of precise boarding, understated sound design, and hard-won scraps of personal wisdom. As a character study, the show already feels brutally relatable; as a reflection on life, love, and loss, it’s shaping up to be a poignant and quietly life-affirming journey. Let’s see how our lonely souls are faring as we return to the show!

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Journal With Witch – Episode 1

Hello folks, and welcome back to Wrong Every Time. Today we’re checking out a brand-spanking new production, as we explore what sources tell me is the first essential series of 2026. Its premise alone certainly sets it apart; based on a manga by Tomoko Yamashita, Journal with Witch catalogues the relationship of antisocial novelist Makio Kōdai and her fifteen-year-old niece Asa Takumi, who Makio takes in after the death of Asa’s parents. So yeah, a down-to-earth narrative about ordinary people attempting to navigate grief, socializing, and the idiosyncrasies of everyday life? Sign me the fuck up!

Beyond its refreshingly grounded concept, I’ve also been hearing excellent things about this adaptation’s take on the material. Director Miyuki Oshiro appears to have a balanced background in both animation and boarding, with significant experience in particular on Natsume’s Book of Friends, which seems just the right sort of education for a reserved, intimately human narrative. Meanwhile, series composer/scriptwriter Kohei Kiyasu apparently composed the entirety of Run with the Wind, an overlooked yet utterly fantastic 2019 sports drama. It seems we might have something truly special here, so let’s not waste any more time bloviating, and get right to the story!

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