Hello folks, and welcome on back to Wrong Every Time. Today I’m thinking we’re due for a return to the charming drama of Skip and Loafer, wherein Mitsumi has most recently adopted her most prickly companion so far. In spite of initially distrusting Mitsumi’s sunny disposition, Mika eventually found it impossible to resist sheltering our guileless little duckling, and even training her for the big field day volleyball tournament. And for her own part, Mika also added some welcome friction into this altogether cheerful narrative, emphasizing how many people simply lack the natural disposition to succeed in the ways Mitsumi has. Mitsumi navigates the invisible social minefield of high school by largely ignoring it; to someone like Mika, who had to change her look, her interests, and even her personality to fit in, it’s understandable that Mitsumi’s success would feel “unearned” in some way. 

Of course, the truth is that sincerity simply works. Some people will scorn you for being simplistic, some people will doubt your intentions, but if you stick to your own truth, you’ve a good chance of finding people who actually like you for who you are, and appreciate your earnest embracing of life’s pleasures. Most of us don’t have such instantly winning personalities as Mitsumi, but we’re not monsters; all we can do is speak as honestly as we can, share what compassion we can offer, and accept that we can’t please everyone. And fortunately for people like Mika, the Mitsumis of the world will always be there to lend a hand, if only we can keep ourselves from resenting them for being so dang upbeat and likable all the time. Let’s get to it!

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to check back in on Mitsumi and the gang, as we charge through another delightful episode of Skip and Loafer. Last episode saw Mitsumi adding yet another foundling to her rapidly growing collection of confidants, this time pulling student council superstar Takamine into her inner circle. Having joined Takamine on her extracurricular errands in order to learn from her studious example, Mitsumi instead found herself serving as an inspiration to Takamine in turn, convincing her of the necessity of slowing down and smelling the roses from time to time.

Of course, that’s little surprise to us in the audience. Mitsumi has proven herself a quiet inspiration to her peers time and again, drawing characters like Shima and Suzuki into her orbit through her earnest, curious, and eminently considerate personality. Through their interactions, Skip and Loafer demonstrates how thoughtful character dramas need not be centered on those whose lives are defined by psychological torment; the trials of Mitsumi and her friends catalog the scope of human interaction in gentler form, offering a story that is no less poignant or insightful for its fundamental warmth of perspective. Let’s see what awaits our crew next!

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Hello folks, and welcome back to Wrong Every Time. Today I figured we’d stop in on the eminently charming Skip and Loafer, and see what stray child Mitsumi ends up adopting this time. So far her straightforward nature, positive spirit, and can-do energy have successfully charmed a varied array of foundlings, from the reserved but socially savvy Yuzu to the ball of screaming anxieties that Kurume. In the sea of insecurities that is high school, Mitsumi represents something rare and powerful: a person who knows who she is and who she wants to be, whose earnest pursuit of friendship and career goals assures others that they too might find such comfort in their own skin.

It’s been a delight watching Mitsumi integrate into her new school, as understandable anxieties have melted into her being the nexus of a new social group. Skip and Loafer’s articulation of warm friendships and veneration of everyday pleasures position it alongside the best slice of life productions, while its careful study of interpersonal dynamics offer the depth and insight of a dedicated character drama. It’s an altogether lovely combination, and I’ve wasted enough time already rambling about its effectiveness, so let’s get back to school!

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Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to the charming and quietly thoughtful drama of Skip and Loafer, as Mitsumi continues to integrate into life in the big city. After receiving some contrasting advice from her new classmates regarding Sousuke and Mika, Mitsumi soon realized that second-guessing the motives of everyone simply isn’t for her; she is happy to be herself, and the classmates who can appreciate her earnest, exuberant personality will naturally congregate around her. Her first group karaoke outing was thus a roaring success, as she fostered new bonds and solidified old ones through her selection of a classic childhood anthem.

It’s frankly refreshing to watch a character drama that takes so much care in articulating the nuances of someone like Mitsumi, who is fundamentally a pretty normal, well-adjusted person. Anxious and neurotic people tend to spend a whole lot of time actively stressing over their emotions, which leads to a whole lot of fiction about anxious and neurotic people – but the fact of it is, anxiety and self-doubt don’t inherently make for any richer of an internal emotional life, they just tend to make their bearers more likely to scream that emotional life from the literary rooftops. I always appreciate when shows like Oregairu celebrate characters like Hayato, and I’m thrilled to be following Mitsumi as well. Let’s see where her journey leads next!

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Hello folks, and welcome back to Wrong Every Time. Today I think I’m gonna treat myself to another episode of Skip and Loafer, a show whose premiere proved delightful in basically every respect. Our protagonists Mitsumi and Sousuke are already demonstrating themselves to be both inherently charming and satisfyingly multifaceted characters, endearing apart and adorable as a unit, each with clear lessons to learn from the other’s example. Rather than simple, formless infatuation, it feels like we’re moving towards that “each provides what the other lacks” sort of relationship that tends to define the best anime romances, from Toradora to Spice and Wolf to Oregairu.

And alongside the show’s strong writing and characterization, director Kotomi Deai’s production is providing a perfect aesthetic compliment to the show’s narrative fundamentals, offering art design and animation flourishes as nonchalantly accomplished as the show’s character drama. The color work is light and inviting, the character acting is playful and expressive, and even the sound design is working hard to accentuate the key emotional moments. Skip and Loafer is proving itself as charming and skillfully realized as I could hope for, and I’m eager to get back to it. So let’s do that!

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Hello folks, and welcome back to Wrong Every Time. Today we’re embarking on a brand new adventure, as we explore the first episode of last season’s highly regarded Skip and Loafer. I’ve had a few friends single this production out as my sort of thing, a school drama that takes unusual and welcome care in elucidating the nuances of its characters’ personalities, and also simply a particularly charming romantic comedy.

As for the production, I find myself immediately struck by the resume of director and series composer Kotomi Deai. Alongside episode director and storyboard credits on productions as diverse and distinguished as Flip Flappers, House of Five Leaves, and Kids on the Slope, she also served as the overall director for the enchanting Rolling Girls. Rolling Girls’ late-season stumbles and generally oddball nature have sadly dimmed its profile over the years, but the show’s joyful energy and fanciful visual style secured it a permanent place in my heart, with Deai’s personally directed first episode standing as one of the best premieres I’ve ever seen. Deai’s one of those top caliber talents who’s never quite gotten the recognition she deserves, so I’m eager to see how she brings this drama to life. Let’s get to it!

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