The Fragrant Flower Blooms With Dignity – Episode 2

Hello folks, and welcome back to Wrong Every Time. Today we’re checking back in on The Fragrant Flower Blooms With Dignity, last year’s gentle romance about two would-be lovers from different sides of the tracks. The show’s premiere did a fine job of introducing us to protagonist Rintaro Tsumugi, who suffers from a history of consistent rejection and a resultant sense of disconnect in his current life. Hoping to avoid a repeat of his youthful trauma, Rintaro now studiously maintains an emotional distance from his classmates, and refuses to reveal his home situation to even his closest friends.

Into this buttoned-up world has stumbled Kaoruko Waguri, a diminutive attendee of the esteemed Kikyo Girls’ Academy. Pursuing both cakes and Rintaro with unqualified gusto, Kaoruko has already proven herself an excellent foil for Rintaro, balancing his “big timid guy” energy with lots of “tiny proactive girl” counterpoints. The two are quite charming together, and this production’s detail-rich designs and energetic character acting are realizing their courtship in fine style. Let’s get back to it!

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The Fragrant Flower Blooms With Dignity – Episode 1

Hello folks, and welcome back to Wrong Every Time. Today we’re checking out a fresh new production, as we explore the debut of last year’s The Fragrant Flower Blooms With Dignity. Based on a manga by Saka Mikami, the show centers on the romance between a girl from a fancy prep school and a boy from a school for delinquents. So we’ve clearly got some elements of class conflict to complicate our would-be romance, alongside a school rivalry that puts this drama somewhere between West Side Story and Romeo & Juliet.

Not that I’m expecting anything quite so tragic as that; by all accounts this is a charming and gentle narrative, and also a genuine hit for Netflix, where it stayed among the top rankings for a significant portion of the year. That all sounds fine by me; I’m a fan of romances of all stripes, and adaptation director Miyuki Kuroki’s work boarding and key animating for productions as visually impressive as The Idolm@ster and Fate/Grand Order, as well as animation director Kōhei Tokuoka’s prior work as AD on Josee, the Tiger and the Fish, gives me ample reason to assume we’ve got a delicate and character acting-rich drama ahead of us. Let’s meet our lovebirds!

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