The Big O – Episode 11

Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to dive back into The Big O, and perhaps uncover a few more secrets regarding Paradigm’s strange history. The Big O’s last episode was actually brimming with information regarding the world of Paradigm, though in classic Big O fashion, all of that information was gracefully woven into the course of one more episodic investigation.

As Dastun sought answers regarding the identity of his destined woman, we in the audience learned a great deal about Paradigm, and the world around it. For one thing, it seems like Paradigm’s government is a sham. In spite of the city theoretically possessing a full board of representatives, all of those representatives in turn answer to the city’s true boss, with Angel at his side. Additionally, it appears that the show’s claim that the outside world has been destroyed is just another form of population control, as the episode culminated in outside forces sending a giant robot stomping through the city. Rather than the final holdout of a dying humanity, Paradigm is looking more and more like an isolated dictatorship, raising the question of whether even the mass amnesia was intentionally provoked in order to better control the populace.

But questions like that seem a little outside of Roger’s pay grade, at least while we’re still halfway through the first season. Whatever perils may come, I’m sure The Big O will convey them with genre-savvy finesse and plenty of style. Let’s get to it!

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Wonder Egg Priority – Episode 7

[CW: Discussions of self-harm. Big Rika episode ahead!]

What did Ai mean by her flight out of home, and her announcement that she’d be going back to school? I frankly wish that was a rhetorical question, and that I was about to unload some insightful musing on her psychology at this particular moment. Unfortunately, I’m as stumped as anyone – while it was tonally clear that the conclusion of episode six helped Ai reach some personal epiphany, the actual nature of that epiphany is unclear.

After an episode that was unabashedly constructed as an exploration of gaslighting’s debilitating power, it seems unlikely that Ai’s takeaway would be “actually, what everyone else tells me I’m supposed to feel is correct.” Her entire support network is telling her to doubt her suspicions of Sawaki – so has she decided to take those suspicions underground, and investigate Sawaki herself?

That might actually make sense, in more than just a strictly narrative sense. One of my major misgivings about the whole egg saving process is that by the time they “save” these girls, they’ve already been terribly abused – and what’s more, these trials only defeat the girls’ mental images of their harassers. In the real world, their abusers are still out there, still making life miserable for new victims. To truly change the world, these abusers must be confronted in reality, before they drive their victims to suicide. So is Ai simply taking her mission to the next level, and attempting to become a real-world egg savior?

Let’s find out.

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Winter 2021 – Week 8 in Review

Hello everyone, and welcome to another week on this cold, lonely rock. This week in non-anime media started, as many of them have tended to, with Martin Scorsese. Not because I watched another Scorsese film (I’m actually running kind of low on those, which I’m a little proud of), but because he released another terrific essay, articulating both his love for cinema and his fear regarding what’s become of the artform. Let’s start off with that article then, and carry on into my week in cinema!

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Why It Works: Kaiju Are Making a Comeback!

For this week’s Why It Works, I took stock of just how generous our current era is in terms of kaiju productions. We’ve got the Anno-Higuchi films, Legendary’s surprisingly good MonsterVerse films, and even a pair of high-profile kaiju anime coming this spring. As someone who’s only recently gotten into the genre myself (I just watched the original Godzilla this weekend!), it’s nice to have so many great examples of the form to choose from, and I was happy to shed a bit more light on these excellent productions. Here’s the piece!

Kaiju Are Making a Comeback!

Shin Godzilla

Hugtto! Precure – Episode 19

Hello folks, and welcome the heck back to Wrong Every Time. You all up for some Precure? It feels like we’re living in a different timeline entirely from when we last checked in, and though the world at large is still mostly on fire, I imagine the world of Hugtto is as friendly and soothing as ever. A bit moreso than usual, in fact, considering Emiru and Lulu just poignantly reaffirmed their friendship.

The Emiru-Lulu relationship has turned into one of Hugtto’s unexpected highlights, contrasting two of the show’s most unusual characters in a way that humanizes both of them. Last episode reconciled them on an emotional level, but they’re currently still just Precure-adjacent, rather than actual Precures. I’m expecting that to change soon, but whatever happens, I’m sure Hugtto has a delightful time in store for us. Let’s get to it!

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Great Pretender – Episode 2

Hello everyone, and welcome back to Wrong Every Time. You down for some Great Pretender? Personally, I’m pretty jazzed about it. The show’s first episode was an energetic and beautiful heist introduction, elevated substantially by the one-two punch of Sadamoto’s character designs and Takeda’s background art.

Sadamoto’s designs seem absolutely perfect for a show about a bunch of swindlers; their crooked angles, sharp edges, knowing eyes, and perpetually broken smiles are all ideal for depicting the untrustworthy swagger of confidence men. Meanwhile, Takeda’s characteristic use of simplified photorealism and bold color is here elevated through an impressionistic approach to light and shading, wherein splashes of color don’t actually conform to the background linework, but rather simulate the emotive effect of light falling across the scenery. The story so far has mostly just been a workmanly heist prologue, but with art design this fantastic, I’m feeling well-fed regardless. Let’s see what our crooks get up to in episode two!

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Wonder Egg Priority – Episode 6

It would seem that Wonder Egg Priority’s shell is on the verge of cracking. After two episodes that held close to a traditional “monster of the week” model, each subsequent episode has driven new fissures through the show’s structure, as fantasy trials are fused together (like with Rika), contrasted against each other (Momo), or stretched like taffy into a kind of episode-fringing garnish (Neiru). This is no accidental process – though saving the egg girls is Ai’s ostensible quest, it’s been clear for quite some time that Wonder Egg’s “villain” encompasses more than just a few abusive caretakers. The burdens Ai and her fellow victims suffer from are systemic, and Wonder Egg understands that. Individual acts of bravery and solidarity cannot overcome a rigged game.

In light of that, Wonder Egg Priority has been gradually turning the lens away from the fantasy creatures Ai and her friends must face, towards the structures and guardians that gave rise to this system in the first place. So far, everything in this show has worked on the level of both narrative and metaphor, so I expect Acca and Ura-Acca to be the same – not just “bad guys,” but perhaps some irreducible reflection of society’s callousness towards the young. With the team assembled and the shell nearly broken, Wonder Egg Priority stands on a precipice. Let’s find out what’s waiting below.

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Winter 2021 – Week 7 in Review

Hello all, and welcome back to Wrong Every Time. I had quite the productive week in terms of film screenings, as we knocked off another Hitchcock production, a pair of quasi-notable ‘90s features, and one of 2021’s most compelling new films. It’s frankly nice just to be able to talk about new films at all, given the times. Cultural production kinda ground to a halt for most of 2020, and while I’m certainly not thrilled that Covid will likely destroy the movie theater economy, I’m thankful that new films are at least again being released, and giving us something to look forward to in these dark times. Speaking of which, have you seen that new Shin Ultraman trailer? It’s another Higuchi-Anno joint like Shin Godzilla, and considering how fantastic Godzilla was, I’m eager to see how this one plays out. For now though, let’s explore a fresh catalog of films in the Week in Review!

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Wonder Egg Priority – Episode 5

Hello everyone, and happy to have you here at Wrong Every Time. Today we’re returning to Wonder Egg Priority, as the veil begins to lift on the true nature of this egg-saving operation. It’s been pretty obvious from the start that we can’t trust Acca and Ura-Acca. Even if we set aside their mocking tone and the clear genre precedents for characters like this (Madoka’s Kyubey, Penguindrum’s Sanetoshi, etc), they’ve been consistently withholding key information from our leads, luring them into situations they’re unprepared for, and ridiculing them for their various traumas. They might be managing these egg trials, but it’s clearly not because they’re sympathetic to the girls involved.

Last episode made their antagonism even more explicit, as they essentially reiterated the reductive, misogynistic attitudes that informed these girls’ initial trauma. You could easily imagine one of the nightmare abusers from the egg worlds echoing Acca’s thoughts on how “women are easily led astray by their emotions.” This obviously isn’t the show’s own perspective; though the director stepping in was a nice gesture, every episode of Wonder Egg Priority has been consistently screaming “adolescents are driven to suicide by societal forces that breed alienation, and by society’s willingness to overlook abusers who play within the rules of its system.” That Acca and Ura-Acca don’t understand this, and in fact agree with the system oppressing these girls, is now clear. But what can you do, when even your theoretical saviors are complicit in your abuse?

Let’s find out.

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Dorohedoro – Episode 7

Hello all, and welcome back to Wrong Every Time. Today we’re diving back into Dorohedoro, a show which has so far confounded my expectations at every turn; veering into slice of life when I expect narrative progression, accelerating through five key reveals just as soon as I’ve gotten myself comfortable, and then swerving its drama in an entirely new direction.

Instead of the dramatic Nikaido-En confrontation I was expecting, last episode instead offered us Shin’s bloody origin story, and went on to introduce a giant sneakers-clad cockroach named Johnson. The question of resolving Caiman’s curse has only gotten more convoluted over time, with the discovery and revival of the man in his throat introducing a full-on conspiracy involving a gang of cross-eyed ne’er-do-wells.

Meanwhile, the show continues to articulate a fascinating overarching philosophy of ritual and life cycles, frequently presenting death as a celebration, and meals as a kind of worship. All this combined with the gorgeous gutter punk splendor of Dorohedoro’s background art makes for a rich experience whether you’re here for the stories, the ideas, or the dazzling architecture. Let’s not waste any more time, and see where this strange journey leads!

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