Author Archives: Bobduh

Why It Works: Let’s Celebrate the Birthday of A-1 Pictures!

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Welp, it’s A-1 Pictures birthday, and I think you all know what that means: time to shamelessly plug every single artistically interesting thing they’ve ever been involved with, and hopefully trick some unsuspecting young anime fans into broadening their aesthetic horizons. In spite of lacking any overarching artistic vision or creative mandate, A-1 Pictures have produced some terrific shows over the years, and I was happy to celebrate them once more. Let’s get to it!

Let’s Celebrate the Birthday of A-1 Pictures!

The Girl in Twilight – Episode 2

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Hello folks, and welcome back to Wrong Every Time. Today we’re continuing The Girl in Twilight, an intriguing 2018 production concepted by renowned visual novelist Kotaro Uchikoshi. So far we’ve received a healthy helping of science fiction mysteries, with The Girl in Twilight’s worldbuilding feeling both alluring and confident. The show’s radio frequency conceit is a clever way of imagining parallel worlds, and the first episode wisely avoided any real exposition, letting the characters’ earnest reactions to their strange circumstances speak for themselves.

Of course, it’s not actually all that common for first episodes to drop the exposition hammer – that more frequently comes in the followup, after the wild, inexplicable theatrics of the first episode have already drawn you in. That said, the pacing and dialogue of Girl in Twilight’s first episode were compelling enough that I’m not too concerned about a followup slump, and more importantly, the first episode’s actual greatest strength was how well it depicted the believable friendships of its main cast – an asset built out of deep-root character and dialogue-writing fundamentals, which are not the sort of strengths that tend to dissipate after a premiere. That’s probably enough soon-to-be-outdated prognosticating, so let’s dive into The Girl in Twilight’s second episode!

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Land of the Lustrous – Episode 4

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Land of the Lustrous’ fourth episode draws us towards a key turning point in Phos’ overall journey. Though Phos has experienced hardship throughout this narrative, they’ve consistently bounced back, and successfully learned basically nothing from their mistakes so far. That’s actually a key part of the show’s charm; Phos is lazy and oblivious and self-absorbed in ways that we can likely all relate to, and the comedy of those qualities playing themselves out within this resolutely self-serious society makes them a natural point of human connection for this story. But Land of the Lustrous is a story about change, and the flippant attitude Phos brings to all their endeavors will soon be tempered by the fires of life experience. Before that can happen, though, episode four is here to celebrate Phos’ silliness for one last time, as the show briefly turns into an outright buddy comedy.

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Spring 2020 – Week 5 in Review

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You folks ready to talk about some movies? I didn’t get to a huge number of new features this week, but the films I did watch left me with plenty to talk about, so hopefully we can spin a satisfying Week in Review out of my ramblings. Eraserhead in particular turned out to be one of the most unique films I’ve seen in… well, ever, I suppose, but I guess that’s what happens when you remove all of David Lynch’s power limiters. I’m frankly kinda lucky I got to see it; one of my housemates recommended it without really knowing how resolutely anti-narrative it was going to be, and while I actually did have an inkling of its structure, I am certainly not above abusing my housemates’ ignorance to trick them into watching unabashedly surrealist madness. Anyway, enough preamble, let’s get to the movies!

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The Big O – Episode 4

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Today I’m eager to return to a production I’ve been greatly enjoying, the gracefully genre-splicing Big O. Last episode saw Roger Smith taking a journey to Electric City, where he met the thieving femme fatale Angel, and ended up doing battle with a genuine electric kaiju. The episode was somewhat light on narrative tissue, but rich in atmosphere, with Roger’s quiet investigations of a rundown power plant offering plenty of that distinct, slow-burning noir appeal. The fact that Smith is generally just a guy in a suit asking questions actually makes The Big O feel remarkably close to its film forebearers at times, at least until a giant robot rises out of the ground and punches an electric eel. I’m looking forward to enjoying as much of that atmosphere as I can this week, but to be honest, I mostly just want to see Roger and Dorothy have more adorable bickering fits. Look, I’m a simple man, I enjoying watching a stuffy detective get owned by his robot assistant. Let’s get to it!

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Pokemon Sun and Moon – Episode 8

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Strap yourselves in folks, we’re catching a flight to the sunny shores of Alola, for one more episode of Pokemon Sun and Moon! Sun and Moon’s last episode was essentially constructed as a tiny adventure film composed from the perspective of a cat, so, you know, that was fantastic. I’m not expecting episode eight to match a conceit as strong as “full damn episode about an adorable cat,” but I’m certainly looking forward to reuniting with Sun and Moon’s larger cast, and am particularly hoping that Team Rocket have a fun role in this one. However this episode plays out, Sun and Moon has been a charming and nostalgic journey so far, and as long as we continue to explore the delightful Alolan scenery, I’ll probably have a fine time. Let’s get to it!

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Hugtto! Precure – Episode 13

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Folks, it has been altogether too long since we checked in with the stars of Hugtto! Precure, and I’m aiming to fix that right now. When last we left off, the gang was enjoying some well-earned time off, as they hosted a classic slumber party over at Harry’s quasi-treehouse. That episode concluded on a menacing cliffhanger, however, as we learned that Criasu Corp’s resident robot had somehow smuggled herself into Hana’s home, and even brainwashed her mother into believing she’s a member of their extended family. Having spent a great deal of time with some of twitter’s preeminent magical girl aficionados, I already know that Lulu the robot is a fan-favorite character – and with her currently disrupting Hana’s home life, I’m eager to see how the team deal with this unprecedented new attack. Let’s get to it!

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Spring 2020 – Week 4 in Review

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Hello folks, and welcome back to the Week in Review. Today I’ve got a sprawling pile of movie reviews for you all, ranging from classics of horror and suspense to some poignant and beautiful modern dramas. The movies were fantastic this week, quite frankly, and I feel like as I dive further into the film canon, I’m only discovering new horizons of genres and directors I’m eager to explore. I’ve got plenty of movies to cover and far too many rambling thoughts about each of them, so let’s not waste any more time, and dive into this mountainous Week in Review!

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Why It Works: How Princess Connect! Re:Dive Captures the Spirit of Konosuba!

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The title pretty much says it all with this one! Featuring the same director and a variation on the same premise as Konosuba, Princess Connect feels like a direct spiritual successor to Takaomi Kanasaki’s last comedy hit, and also just a great time in general. I actually kinda prefer Princess Connect’s more slice of life-oriented tone to Konosuba’s harsher comedy, but they’re both excellent productions, and comparing them gave me plenty to talk about. Let’s get to it!

How Princess Connect! Re:Dive Captures the Spirit of Konosuba!

Keep Your Hands Off Eizouken! – Episode 9

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Hello all, and welcome back to Wrong Every Time. Today I am very excited to return to Keep Your Hands Off Eizouken!, in the wake of the team’s successful premiere of their giant robot anime. Not only did Asakusa and her team’s production garner a massive crowd and dazzle the student body, it also neatly resolved Mizusaki’s conflict with her parents. Having seen how Mizusaki is able to “perform” through her animation, they have no doubts that she’s found a path that is right for her – she has proven she can convey unique human experiences through her art, to the point where even her professional actor parents can see their daughter in her work.

Unfortunately, it turns out making great art isn’t actually the hard part when it comes to anime production – it’s making money. Having been commissioned to create their most recent anime by the giant robot club, it seems quite likely that, as it goes for actual anime studios, they won’t have much right to the spoils of their labor. The actual industry’s production committee system tends to treat anime studios as replaceable contract workers, who get paid a flat rate regardless of how well their production does. On top of that, staggeringly predatory wages mean most young animators can barely support themselves, and often rely on their family, or projects like the animator dorm initiative, just to get by. We’ve spent plenty of time exploring the sheer joy of creation and the steady labor of production, but we’ve yet to cover the true dark heart of anime, and I’m guessing that time has finally arrived. Let’s dive into another episode of Keep Your Hands Off Eizouken!

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