Author Archives: Bobduh

Winter 2020 – Virtually Every First Episode Retrospective

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Well, 2020 has arrived, and we’re somehow all still here. Along with our own continued existence, it seems the anime industry has also persisted into the new decade, and has already blessed us with an unceasing spray of mostly mediocre productions. Fortunately for all of you, I have found a way to convert my increasing disillusionment regarding this art form into cold hard cash, a process that, as a byproduct, results in a staggering number of premiere reviews. Seriously, I’ve been doing this for over half a decade now, so that’s like… well into the hundreds… hmmm…

Alright, don’t really want to think about that. Instead, let’s get on to the day’s critical business – breaking down the 2020 winter anime season! Having reviewed nearly every single new premiere for ANN’s preview guide, I’m at last prepared to sort the season’s attractions from best to worst, grouping them into handy-dandy categories along the way. I’ll be including brief breakdowns of my thoughts here, and you can also click on any of the titles to be linked to the full ANN review page, where you can find my thoughts under Nick Creamer (which is my name). Without further ado, let’s run down the new anime season!

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Winter 2020 First Impressions, Part One

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Preview week has begun, and 2020 is starting off strong! I’m currently still riding the high of Masaaki Yuasa’s Keep Your Hands Off Eizouken, a premiere I watched twice yesterday and will likely watch again today. But even beyond Yuasa returning to dazzle us once more, the season’s been quite impressive so far on all fronts – Somali and the Forest Spirit turned out to be just as charming and beautiful as I’d hoped, and Ei Aoki’s ID: Invaded had an impressively inventive premiere. As usual, you can check out the full list of reviews so far right here, or look below for my own scores and links to individual reviews. Let’s bring in the new year with some great new cartoons!

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Chihayafuru S3 – Episode 12

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Alright folks, buckle in for more Chihayafuru! We’re a week behind after I foolishly took a week off for holiday affairs, and the challenger tournament finals won’t wait. Chihayafuru’s last episode set us up for a fairly unusual pair of matches, with the contrast of eastern and western representatives also neatly falling upon generational lines. In the east, two separate generations of older karuta players are fighting to demonstrate they’re still just as talented as any of their younger peers. Dr. Harada must battle not just his opponent Arata, but also his failing knees; meanwhile, Haruka’s attention is unavoidably divided by her obligations to her family, and as Sakurazawa noted, her reaction time and game sense can’t match her talent in her prime.

Over in the western corner, we’ve got a pair of snot-nosed upstart kids who should really accept they’ve got all the time in the world to become champions, and let their long-suffering elders take the crowns this time. Both Arata and Megumu are obviously sympathetic characters in their own right, but neither of them need this the way Harada and Haruka seem to, and both of the older contenders are such sympathetic characters that it’s hard not to root for them. Regardless of how the matches play out, we’ve got a thorough understanding of the strengths of all of today’s contenders, and I’m eager to see how their styles collide. Let’s get back to Chihayafuru!

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One Foot in Front of the Other: A Year of Death Stranding

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At scattered moments during your journeys across the rocks and rivers of Death Stranding, your player character Sam Porter Bridges will mutter little encouragements to himself, or simply scattered half-thoughts. “Sam, Sam, he’s our man,” a slogan uttered with an edge of bitterness, as he was essentially manipulated into this job of carrying endless packages of cargo across a broken America. Sometimes it’s more straightforward motivational exercises, like “one foot in front of the other,” or at one point, “I’ve scaled higher mountains than this.” And sometimes it’s a rare acknowledgment that he actually finds joy in this work – checking in with the companion strapped across his chest, or staring out across a forbidding yet beautiful wasteland and remarking “I always liked the quiet.”

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Top Ten Anime of 2019

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Hello all, and welcome to the end of another year in anime. This has been an undeniably difficult year, both in the world at large, and within our smaller sphere of Japanese animation. The Kyoto Animation arson stole dozens of lives, leaving a studio that embodied all the brightest hopes of this industry in ruins. From its artist training programs to its full-time employment opportunities to its gorgeous and moving productions, Kyoto Animation is a shining star in anime, and I can only find solace in the massive groundswell of support its employees have received, and its leaders’ commitment to maintaining their irreplaceable vision and place in the industry. This has been a year of tragedy, but I pray that we can end it with hope, and seek to right some of these terrible wrongs in the coming months.

This has also been a year of anime, and that’s what I’m actually here to share with you. My tastes have changed to some extent over the last year, but I still tend to value the same basic things in art: rich characters, engaging thematic arguments, inventive, expressive art design, and a sturdy narrative center. Not all of my top ten shows this year embodied all those qualities, and some of them were frankly just a really fun time, but I enjoyed all of them, and I hope you find something to enjoy among them too. I tried to at least check out every show I thought had a chance of making it into this list, but as usual, a couple fell through the cracks – in particular, I still need to catch up on O Maidens in Your Savage Season, burn through Symphogear’s final seasons, and get started on Beastars. Those aside, I at least checked out nearly all of this year’s shows, and have plenty of thoughts to share with you all. Without further ado, here’s Wrong Every Time’s Top Ten Anime of 2019!

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Simoun – Episode 21

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Let’s return once more to the troubled skies of Simoun! The show’s previous episode was one long, somber dirge, as all of Chor Tempest struggled with Mamiina’s death in their own ways. With the actual, senseless consequences of war made so inescapably clear, Tempest seemed on the verge of dissolution. The team’s theoretical rocks, Aaeru and Para, both blamed themselves, while Neviril sank into the familiar grief she’s been struggling with all season, and Floe decided to leave altogether.

What ultimately saved them was not their own ability to rise out of tragedy, but instead the uniting influence of a common enemy. The military’s callous discarding of Mamiina’s remains brought the team together in rage, before Onashia’s gift of Mamiina’s braid reminded them that ultimately, the only support structure they can now rely on is each other. Once protected by their religious status, military importance, and inherent class advantages, the sybilla have discovered that as Simulacrum society disintegrates, none of their old guards can now be trusted. The only people still at their side are their fellow sybilla; the squadmates they once bickered with, but now realize are their only true friends. Let’s see how Neviril’s team hold together through one more episode of Simoun!

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Chihayafuru S3 – Episode 11

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Pile in folks, it’s time for more Chihayafuru! When last we left off, the Masters qualifiers had just ended on a surprising conclusion: Arata and Harada would be competing for the challenger seat. Taichi fought his hardest, but his run through the qualifiers was ended by one more luck of the draw, and he was forced to shuffle off to Kyoto in total defeat.

Where this leaves the overall Chihayafuru narrative is a bit of an open question. Taichi had seemingly planned on treating the Masters tournament as his karuta swan song, but I can’t really imagine him happily submitting to his mother’s wishes from here out; additionally, his struggles over the course of that tournament also seemed to indicate he might be moving towards a more positive and fulfilling relationship with karuta, and not just seeing it as an avenue to get closer to Chihaya. Meanwhile, Chihaya seems to have possibly realized that Taichi is love with her, while Arata has discovered that acknowledging that fact prompts feelings of jealousy.

And over all of this, Suo’s strange prediction still looms, dictating that Arata will be the Master one day, but not the next Master. Does that mean that Harada actually has a chance here, or will Suo remain unchallenged for another year, and only fall when Taichi takes the crown? Either way, the Harada-Arata match hovers in the distance, and I can’t wait to see Chihaya and Taichi awkwardly stumbling through their new relationship dynamic. Let’s get to it!

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Hugtto! Precure – Episode 11

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I’ll let you folks in on a secret – at the time of writing this article, Huggto’s eleventh episode wasn’t actually funded yet. Normally I try not to push ahead of the funding on specific projects, even if I’m fairly sure they’ll get there, because I’ve already got more than enough projects to work on – but today, I feel like I just need some Huggto! It’s been a long week, I’ve accomplished more work than I have in over a month, and I think I’ve earned the right to spoil myself with some charming magical girl adventures. We’re checking in with Hana and the gang, and that is final.

When we last left Huggto!, I was actually feeling some uncertainty about our current arc. Hana has always served as a beacon of optimism within the group, essentially embodying the “hope for the future” that this season’s enemies are trying to destroy. Having her lose that hope simply by seeing her friends competently serve as waitresses felt a little abrupt, narrative-wise – though of course, Hana is young and impressionable and far less certain of her identity than an adult would be. At times like this, you need friends who can build you back up, and personally, I’m hoping this situation provides a chance for Emiru to return to the narrative, and maybe even pay back Hana for her support before. Look, I’m a simple and very anxious person, “The Magical Girl With Anxiety” is an easy sell for me. Either way, let’s see what awaits in the next Huggto! Precure!

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Fall 2019 – Week 10 in Review

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Well folks, it’s just about that time again. Wednesday has arrived once more, and though I’m currently buried under a variety of end-of-year lists and other assorted projects, the ongoing anime season still demands a moment of reflection. The anime was quite good this week, on the whole – My Hero Academia seems to finally be realizing the dramatic potential of the Overhaul arc, while Stars Align and Vinland Saga remained as reliably excellent as ever. There’s plenty to discuss and never enough time, so let’s jump right into another Week in Review!

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Texhnolyze – Episode 4

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Hello folks, and welcome back to Wrong Every Time. Today we return to a series I actually haven’t touched for several years now, at an oddly appropriate moment. With Hiroshi Hamasaki’s adaptation of Blade of the Immortal currently demonstrating the unique range and appeal of his style, today we look back at Texhnolyze, one of the shows that initially solidified his aesthetic and built his reputation.

Many elements of Hamasaki’s style have remained consistent over the years, from his clear fondness for light saturation, to his love of layouts that act more as hyper-focused tonal signifiers than coherent scene-setting. His stories are always drenched in an oppressive white light, and his regular use of uncomfortably extreme closeups and symbolism give his shows a sense of disorientation and alienation, as well as the sense that there’s some greater conspiracy or logic at work. Some works are perfectly suited to this style, while others are not; he was the ideal choice to direct Steins;gate, but a very weird one for a show like Orange. As it turns out, Texhnolyze might be the most resoundingly “Hamasaki-esque” show of all time, and its first three episodes have let him utterly indulge in his love of slow-burning, aesthetically driven theater.

To be honest, Texhnolyze’s visual style has been stronger than its narrative so far. The story being very slowly revealed here seems like a pretty familiar tale of future-tinted gang violence, with the ultimate question of “what do you become when you rebuild your body with mechanical parts” striking me as extremely quaint in 2019. But Texhnolyze is more a mood piece than a thematic treatise, and it is a goddamn effective mood piece. Let’s see what awaits in episode four!

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