Category Archives: Episode Writeup

Scum’s Wish – Episode 5

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Hello everyone, and welcome back to Wrong Every Time. Today I figured we’d take a fresh look at Scum’s Wish, wherein Hana most recently consummated her relationship with Ecchan. Of course, Hana doesn’t actually feel anything romantically towards Ecchan – she’s just lonely and horny and confused, driven by the taunting of Akane into whichever arms will hold her. It’s bad business all around, and Hana well understands that this new twist will undoubtedly harm basically all of her personal relations.

And to be honest, I’m perfectly fine with that. Hana is living in a daydream of romantic longing, idolizing her childish fantasy of romance over anything approaching reality. All the mental ink spilled over her feelings for Kanai and Mugi will fade from her consciousness with the end of high school; though she genuinely feels she is wallowing in unending misery, it is merely the broadness of her aperture preventing her from seeing how limited her perspective truly is. That’s part of why I so appreciate the introduction of characters like Akane or Moca, who proudly declare “I am going to cause problems on purpose” and then proceed to do exactly that. Hana doesn’t need Mugi, Ecchan, or Kanai – she needs to get out of her own head and find a hobby or something, and if it takes Akane’s meddling to achieve that, then I guess it’s time for some bad medicine. Let’s get to it!

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Ojamajo Doremi Sharp – Episode 8

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Hello everyone, and welcome back to Wrong Every Time. Today I am delighted to return to the world of Ojamajo Doremi, a fantastic franchise that we last visited three friggin’ years ago. That’s quite a long time in anime fandom, so let’s start off with a brief refresher. Doremi and her three friends Hazuki, Aiko, and Onpu are currently hard at work training to become full witches, which has most recently involved them taking care of a magical baby named Hana. Hana is so overstuffed with magical energy that her tantrums can topple buildings, so it’s been quite the challenge for our would-be witches – but having most recently cleared Hana’s magical health examination, they’re all feeling pretty confident about the road ahead.

That’s about where we’re at narratively, but of course, that doesn’t cover any of what makes this production truly special. With a production spearheaded by legends like Takuya Igarashi and Junichi Sato, Ojamajo Doremi benefits from expressive character animation, beautiful background art, and impactful, emotionally resonant storyboards. The show’s aesthetic strengths are further complemented by excellent character writing and unusually thoughtful vignettes, diving into difficult aspects of childhood and life more generally with frankness and grace. The show’s leads have grown significantly over the course of their journeys, and the production’s ensemble approach means we’ve come to know a great number of their friends and classmates as well. Ojamajo Doremi is an absolute standout of a magical girl show, one of those lightning-struck creative confluences that demonstrate anime at its best. Let’s see what our ojamajos have been up to!

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Hugtto! Precure – Episode 31

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Hello everyone, and welcome back to Wrong Every Time. Today we’re returning to Hugtto! Precure, where the gang most recently enjoyed a world tour courtesy of Emiru’s staggering personal fortune. Oddly enough, that world tour concluded within a handful of minutes, leaving only postcards and a vague, presumably invented memory of Hugtan cosplaying Marie Antoinette. The real meat of the episode took place at a Japanese bathhouse, where we learned that tengus are real, and while not explicitly aligned with Pretty Cure values, will presumably take their side in the coming war.

As that scatterbrained summary implies, it was a bit of a grab bag episode, reflective of our current arc-unmoored status. We’ve got potential threads to pull on regarding Lulu’s relationship with Dr. Traum and Harry’s old compatriots, but for the moment, the gang is basking in the freedom of a mid-season transition phase, going on vacations and checking in on relatives. Precure excels at this stuff; many of Hugtto’s best episodes are basically slice of life vignettes with fight scenes tacked on the end, and I wouldn’t have it any other way. As summer vacation comes to an end, let’s check back in on the heroes of Hugtto!

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Star Driver – Episode 5

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Hello everyone, and welcome the heck back to Wrong Every Time. Today I’d like to dive back into Star Driver, that intriguing combination of Igarashi and Enokido’s sensibilities. Between FLCL, Utena, Evangelion, Doremi, and Diebuster, the two of them were collectively involved in like a quarter of my most favorite anime, so it’s no surprise that I’m having a great time with Star Driver.

Last episode saw us finally spending some quiet time with Takuto and Wako, as the island fell under a Cybody-empowered spell. We learned that Wako once dreamed of leaving this island, but is bound here by her duty as a shrine maiden. Only breaking a maiden’s seal will allow them to leave – but with all the other seals broken, if Wako’s does as well, the Cybodies will be released.

Of course, given this is an Igarashi/Enokido joint, all this shrine maiden business mostly seems like a metaphor for the course of adolescence, and the demands for “purity” that so often restrict young women. Wako’s admission that “my grandma was supposed to teach me when I joined junior high. But when I was still in grammar school, I apprivoised on my own” maps perfectly to the awkward progress of puberty, implying the Cybodies are linked to our sexual maturation. Enokido has exploited similar metaphors throughout his career, from FLCL’s robot boners to their spiritual successors in Diebuster, not to mention Utena and Captain Earth. He is perhaps the greatest writer of one of anime’s most persistent narratives: “adolescence projected as apocalyptic external drama.” Let’s see how this metaphor develops from here!

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Symphogear XV – Episode 11

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Hello everyone, and welcome the fuck back to Wrong Every Time. Today we’re barreling back into Symphogear, as this preposterously entertaining franchise soars towards its grand finale. When last we left off, Noble Red had made yet another last stand against our wielders, prompting the episode’s supremely awkward title, “Not a Crude Color of Rust.” Their unfortunate crew actually scored a victory in terms of their mission goals, but Elsa paid the bill for that success, by getting caught in an oversized transforming bear trap. That’s the tricky thing about fighting the symphogears – their powers are basically only limited by their imagination, so you never know when Hibiki or whoever is going to wipe a tear from their eye and then transform into a giant punch-happy dragon.

With only three episodes to go, I’m expecting the action to be nearly continuous from here on out, as each of our leads gets their big goddamn hero moment in turn. Symphogear knows well that there’s hardly a hair of distinction between “success” and “excess,” and given how ludicrously bombastic its prior endings have gotten, I can’t imagine what’s in store for its final finale. My harness is secured and the lap bar is firmly fastened, so let’s get this rollercoaster rolling!

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Spy x Family – Episode 2

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Hello folks, and welcome as always to Wrong Every Time. The last episode I wrote up was Spy x Family’s premiere, and you know what, I think we’re just gonna dive right back into it. Spy x Family’s first episode was an absolute delight, impressing both through its fluid animated highlights and, more crucially, through its fundamentally crisp and character-driven sense of humor.

I say more crucially not because animation is less essential, but simply because it is what adaptation is bringing to the material – on the other hand, fundamentally repetitive, simplistic, or just-plain-bad jokes can’t really be “buffed out” through skillful adaptation. Fortunately, it appears that Spy x Family’s mangaka Tatsuya Endo has a talent for pacing and understatement, as well a solid understanding of how to build gags out of our assumptions about his cast. And beyond that, by establishing a point of connection between Loid and Anya through their similarly painful childhoods, Endo was able to hit some strong emotional beats even within this admittedly ludicrous premise.

With Loid and Anya’s bond established, it appears it’s time for them to go shopping for a mom. Let’s see what lunacy this peculiar family gets up to as we return to Spy x Family!

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Eureka Seven – Episode 14

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Hello everyone, and welcome back to Wrong Every Time. Today it seemed just about time to check back in with Eureka Seven, wherein we most recently followed up the show’s most ambiguous and portentous episode with a friggin’ buddy cop adventure. Eureka Seven is truly a show of many contrasts, and I actually loved seeing Renton and Dominic endure some forced bonding over the course of their errand. With Renton’s childlike adoration of Gekkostate having faded into a weary tolerance of Holland’s antics, the two share both an antipathy towards the organizations they represent, as well as a fierce loyalty to the mysterious women at their sides.

It is clear enough by now that both Eureka and Anemone are in some way connected to the Coralian threat, serving as points of connection between the human and Coralian worlds. The watery imagery and series of claustrophobic enclosures presented by episode twelve called to mind both adolescent transformation and the water of the womb, motifs echoed by Eureka Seven’s clearest predecessor, Evangelion. But while we’re beginning to get a clearer grasp of how Eureka Seven’s worldbuilding echoes its thematic priorities, we still know too little to meaningfully chart this story’s trajectory.

For that, we’re going to need some clarification from our good captain Holland. Holland stands at the intersection of Eureka Seven’s narrative and thematic mysteries; his past conceals the worldbuilding we have yet to learn, while his future will likely dictate what precisely Eureka Seven is trying to say. I’m eager to grill our young captain immediately, but also down for some lighter adventures in the wake of our first act climax. Either way, I’m sure there’ll be plenty to marvel at as we return to the world of Eureka Seven!

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Sherlock Hound – Episode 2

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Hello everyone, and welcome back to Wrong Every Time. Today I thought we’d continue our journey through Sherlock Hound, that beautiful collaboration between TMS Entertainment and the Italian public broadcasting corporation RAI. So far, Sherlock Hound’s inviting aesthetic and measured storytelling have felt akin to the legendary World Masterpiece Theater productions, and with good reason – many of Sherlock Hound’s key staff members also worked on WMT productions, including scriptwriter Yoshihisa Araki, storyboarder Seiji Okuda, and of course, director Hayao Miyazaki. The late ‘70s and early ‘80s were an incredibly fertile time period in anime production, as a new generation of master artists brought to life a diverse selection of world literature.

So far, Sherlock Hound seems a tad more fantastical than its WMT contemporaries, embracing elements of science fiction and action-adventure that seem more specifically up Miyazaki’s alley. That’s all fine by me; I’m happy to season my Arthur Conan Doyle with a hearty dash of Lupin the Third, and perhaps even a garnish of Future Boy Conan. Speaking of which, episode two was actually directed by Keiji Hayakawa, who served as assistant director under Miyazaki on the Conan film, so I imagine we’ve got more high-flying adventures in short order. Let’s get to it!

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The Legend of Vox Machina – Episode 5

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Hello everyone, and welcome back to Wrong Every Time. Today I thought we’d sidle back into The Legend of Vox Machina, wherein the party most recently set off for Percy’s ancestral home. Well, most of the party – Pike apparently broke her magical doohickey, and thus has to set off on a personal journey to “apologize to the Everlight.” This narrative development seems messy, but it’s precisely the kind of messy that embodies Vox Machina’s difficult negotiation between narrative and game, which in turn makes it of tremendous interest to me!

As I reflected in the last episode, the “primacy of the party” is one of the central tenets that defines D&D-format fiction, as it is the interplay of the party members that forms the backbone of any campaign. As such, any separation in the party must be undertaken for the most crucial of reasons, when the narrative absolutely demands it – and “my Everlight phone broke” certainly doesn’t qualify. Forcing a character to leave because an object that had been assigned no prior significance now needs attention is, quite frankly, hack storytelling – it’s the equivalent of a character exiting the narrative because they think they left the oven on, not because anything in their existing character or narrative demands it.

When I put together “breaking the party is a D&D cardinal sin” and “Pike’s reason for leaving is entirely disconnected from the ongoing narrative,” I arrive at just one reasonable conclusion: Pike’s actress was busy for a while, and had to step back from the game. This, too, is a natural quirk of D&D narrative design: sometimes the whole cast just can’t be there, and so your rogue or your druid will exist in a weird liminal space behind you, until the whole party can regather. It’s a very strange thing to see such a pragmatic design limitation translated into earnest narrative drama, but that’s precisely the sort of weird negotiation I like about this series. Let’s see what’s in store at Whitestone Manor!

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The Demon Girl Next Door – Episode 8

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Hello everyone, and welcome back to Wrong Every Time. Today we’ll be winding our way back to The Demon Girl Next Door, wherein our two leads have been busy balancing out their lopsided relationship. Though Momo appeared all confidence at the start, it’s clear now that she’s maintaining a stiff poise to mask her internal sea of fears and regrets. Momo believed anything short of perfection would be failure – but with Shamiko at her side, she’s at last willing to acknowledge her insecurities, and maybe even share some of her emotional load.

Unfortunately, it appears our heroes have run out of time to sort out their emotional issues. A new magical girl has just arrived in town, and given everything Momo has told us about their usual disposition, I expect some fireworks are shortly in order. To be honest, this new girl’s prominence in all of the season two material people are sharing means I already know our leads will befriend the shit out of this newbie, but I imagine the path there will be as messy as it is hilarious. Let’s return to The Demon Girl Next Door!

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