Category Archives: Episode Writeup

The Demon Girl Next Door S2 – Episode 9

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Hello folks, and welcome on back to Wrong Every Time. Today is a good day: the sky is clear, the sun is shining, and we’re checking in on the continuing misadventures of Momo and Shamiko. Yes, it’s time for The Demon Girl Next Door, which most recently offered up a refreshingly low-stakes zoo trip. After all the propulsive and fantastical drama of season two’s first half, it was lovely to see Demon Girl return to the core dynamic of Momo and Shamiko at rest, still battling with their personal anxieties, but doing their best to improve for each other.

Frankly, it seems like the show has largely elaborated its underlying “what demons and magical girls represent” metaphor at this point, leading me to suspect future drama will lean more into the show’s character relationships and comedy. Ogura’s intimidating appearance at the end of last episode seems to support that guess, promising an episode of chaotic science and questionable ethics to come. Let’s see what the gang is up to in a fresh episode of The Demon Girl Next Door!

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Eureka Seven – Episode 17

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Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to Eureka Seven after far too long away, picking up after one of the show’s most impressive episodes to date. The combination of Sayo Yamamoto on direction and Chiaki J. Konaka on script made for a uniquely cinematic and psychedelic experience, with intimate, carefully boarded sequences like Renton overhearing Gidget and Moondoggie’s liaison bumping shoulders with tense, bewildering sequences of Eureka’s fraying mental state.

The episode was a perfect fit for both its key talents. Yamamoto is one of the few directors in anime who can evoke comfortable sexual intimacy, not just adolescent sexual preoccupation, making her the ideal choice for conveying Renton’s realization that he’s perhaps not quite prepared for what “joining the world of adults” really means. And Konaka has spent most of his career obsessing over fraying minds (most recently his own), making him an excellent choice for articulating Eureka’s mental disarray.

Ultimately, Renton was sufficiently chastened by his experiences to offer Eureka a genuine apology, and admit he’s still in over his head. Perpetual manchild Holland has made for an awkward role model, but Renton is fundamentally a good kid, more driven by his urge to connect than his need to impress. Admission of misunderstanding is the first step to true understanding; there is still much we don’t know about the Coralians, but if Renton can follow through on his pledge to earnestly engage with Eureka’s world, these two might just make it work. Let’s get to it!

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Land of the Lustrous – Episode 8

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Through the course of their plaintive journey, Phos has tried again and again to reinvent themself, and reshape themself into some form that might be of use to their society. In spite of all their efforts, perhaps the only lesson that can be drawn from their journey is “not all change is good change,” as last episode clearly demonstrated. After having failed to be of use as a warrior even with their newly empowered legs, that episode saw Phos suffering yet another unjust separation from their companions, as they discovered their new body structure no longer required the low-light hibernation cycle employed by their fellow gems. Instead, they were forced to embrace a new degree of isolation as the unwanted apprentice of Antarcticite, the one gem assigned to protecting their sleeping companions.

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Spy x Family – Episode 19

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Hello folks, and welcome back to Wrong Every Time. Today we’ll be stopping in with the Forger family, and seeing what fresh madness is brewing in the world of Spy x Family. Last episode saw the franchise at its most delightfully farcical, with Loid being forced to play damage control for the worst spy in Ostania. Dashing superspy Daybreak immediately proved himself one of Spy x Family’s most entertaining side characters, and I hope he’ll return to torment Loid again soon.

As far as actual character development goes, the threat of Anya’s midterms ended up facilitating both Anya and Loid’s personal growth. Inspired by Yuri’s pragmatic framing of education, Anya began to understand that school is not an obstacle to her advancement, but actually the vehicle through which she might grow into the secret agent she’s always dreamed of being. And though Loid took every measure possible to ensure Anya would pass, he was ultimately forced to concede that Anya worked hard and succeeded on her own, which will hopefully engender a little more faith in his daughter. The Forgers are growing both individually and as a unit, and I’m eager to see what lunacy awaits them next. Let’s get to it!

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Simoun – Episode 25

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Hello folks, and welcome back to Wrong Every Time. Today I’m happy to report we are at last returning to the skies of Simoun, and discovering the ultimate fate of all our brave pilots. Chor Tempest currently stands on the brink of dissolution, having surrendered their vehicles to foreign pilots and proceeded to the spring that will decide their fate. There, they find not Onashia, but their companion Yun – for having been inspired by Rea’s words, she has decided that saving Onashia is the purpose she has sought.

Yun might be one of the lucky ones. For all of its limiting strictures, the order of Simulacrum at least promised certainty, a knowledge of what you are and what you must do. But with their military superiority and religious authority crumbling at once, the people of Simulacrum are being forced to recognize their beliefs were ultimately arbitrary, the calcification of power and doctrine concealing the core truth of the simouns’ nature. And of course, none feel this shift more acutely than the sybillae, who have transitioned from living avatars of faith to redundant markers of a lost age.

It is entirely in keeping with Simoun’s thoughtful narrative approach that this be our final conflict – not the great battle for the fate of Simulacrum, but the painful necessity of moving on in its wake. With their past discredited and future uncertain, let’s bear witness to Chor Tempest’s final mission.

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The Legend of Vox Machina S2 – Episode 6

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Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be diving back into The Legend of Vox Machina, and seeing how our ragtag heroes are faring in the wake of their battle with an active volcano. Keyleth’s literal trial by fire proved an excellent vehicle for improving her confidence, with the distinctions in form between this task and the Briarwoods arc demonstrating the importance of tailoring your conflicts to the players they’re prioritizing.

Percy’s trial spanned a full arc, involved a massive amount of active roleplaying, and resolved in more of an emotional victory than a tangible, mechanical one: an ambitious demand for any player, and thus a challenge that could only be set before a particularly confident one. In contrast, Keyleth’s victory was more sidequest than main arc, its challenges mostly involved performing well in combat, and its conclusion was marked by the super-tangible awarding of fire mastery, all choices better-suited to a player who needs some encouragement, and perhaps doesn’t want to be put on the spot for big speeches. You can theoretically apply a generic adventure to any party, but the best adventures involve meeting your players where they’re most comfortable, and giving them the tools needed to shine in their own way.

Well, that’s the theory, anyway. I’ve been doing my best to apply that logic to my own campaign: my lore-focused player has been deeply integrated into the political tides of the region, my mechanics-focused player has been given lots of flexible combat abilities to express himself with, and my shy player has been afforded more skill-based abilities so they don’t have to roleplay as much. My only real problem at the moment is the player who thinks DnD is a comedy improv hour, and we’re, uh, working on that. But enough about me, let’s get back to Vox Machina!

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The Little Prince and the Eight-Headed Dragon

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Hello everyone, and welcome back to Wrong Every Time. Today I’m eager to dive back into the annals of anime history, as we explore another of Toei Doga’s classic films: The Little Prince and the Eight-Headed Dragon. A loose retelling of Susanoo’s battle with Yamata no Orochi, the film is considered a standout among Toei Doga’s films, featuring uniquely modernist art design and bountiful, beautiful cuts of animation. This was also the first film to formalize anime’s approach to an “animation director,” here handled by the incomparable Yasuji Mori (who previously animated all of the animals in Panda and the Magic Serpent, that touching Rin-Rin scene from Alakazam the Great!, and much else besides). With Toei Doga’s team in top form animating a story that’s genuinely worthy of them, The Little Prince has retained a reputation as one of the true masterpieces of anime, and I’m eager to see it in motion. Let’s explore!

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Bocchi the Rock! – Episode 6

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Hey folks, and welcome on back to Wrong Every Time. Today I’m eager to return to the continuing trials of our long-suffering Bocchi, who has found herself in yet another moment of crisis. After the brief elation of learning their band was good enough to perform at Starry, Bocchi was hit with a terrifying new trial: selling five tickets of her own to promote the concert. With some quick mental math proving she indeed lacked the requisite family members to keep this in-house, Bocchi is now faced with the terrifying prospect of talking to someone she hasn’t talked to before, and convincing them that Kessoku Band is worth their time.

It’s a big step up from the rigidly structured interactions of working the Starry concession stand, and will likely demand Bocchi act like she actually believes in her music around strangers. That’ll certainly require some strained performance, but to be honest, that’s a lot of what personal growth in terms of social development actually is. We fake confidence until we realize we’re not faking it anymore, flinging ourselves out into the world one wild, uncertain leap at a time. Bocchi’s already grown enough to feel comfortable around her bandmates, and with that bulwark beneath her, I’m eager to see her vault new seemingly impossible hurdles. Let’s sell some tickets, Bocchi!

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Big Windup! – Episode 9

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Hello everyone, and welcome back to Wrong Every Time. Today we’ll be returning to Big Windup!, for the most simple and pure reason of all: I really, really want to know what happens next. With Mihashi’s initial insecurities about joining a new team at least mitigated, if not resolved, Big Windup! has swiveled its focus outwards, introducing close to half a dozen new rivals, and floating the upcoming summer tournament as the crucible that will bind them together. It was certainly compelling watching Abe navigate the potholes of Mihashi’s battered psyche, but now that they’re a genuine battery, I’m eager to see our team face off against all manner of nefarious foes.

Of course, it’s clearly not going to be quite that simple. Mihashi is still largely commanded by his insecurities, and with last episode having introduced Abe’s previous star pitcher, I’m guessing our anxious ace will need some consoling. At the same time, this new arrival offers an opportunity to dip into Abe’s own history, and perhaps reveal why he’s gained such a distrustful disposition. Either way, I’m sure Big Windup!’s delightful mix of psychology and tactics will carry us through the drama to come. Let’s get to it!

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Dear Brother – Episode 5

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Hello folks, and welcome back to Wrong Every Time. Today I am feverishly impatient to get back to Dear Brother, and continue Nanako’s descent into the vicious rivalries and cunning subterfuge of Seiran Academy. After spending the first several episodes being tormented by the dreadful Misaki, it was actually Shinobu who struck the deepest blow against our beleaguered heroine. Playing up Tomoko’s preexisting anxieties about Nanako’s new status, Shinobu managed to forge a rift between Nanako and her one true friend, leaving the Sorority’s newest member adrift in a sea of adolescent animosity.

All this has made for delightfully melodramatic entertainment, particularly when you couple in Osamu Dezaki’s energetic direction. His use of heavy shadows and silhouettes, clever partitioning of the screen, gracefully audience-guiding boards, and postcard memory punchlines collectively provide Nanako’s story the theatrical framing it deserves, making Seiran feel as grand and imposing for us as it must surely feel for Nanako. Add in incidental delights like Shinobu calling people “potato heads” and “daughter of a rat dog” at every turn, and you end up with a show that demands tears, rage, and laughter in equal measure, all of which I’m happy to provide. Let’s get to it!

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