Hello folks, and welcome back to Wrong Every Time! Today I’m eager to get back to a property that’s lain dormant for far too long, the intriguing baseball drama Big Windup! Though my initial excitement for this property was centered on Tsutomu Mizushima’s presence as the director, Big Windup!’s first episode proved the core material being adapted is already brimming with punchy, narrative-friendly ideas. Rather than focusing on a team of idealists all trying to Do Their Best, Big Windup! has so far been driven by the whims of Abe, a psychological mastermind determined to manipulate his team into greatness. Abe’s perspective offers a unique tactical twist on the sports drama standard, and the show’s already promising some intriguing tension between his and captain Momoe’s perspectives. Beyond that, it’s too early to tell where this series may lead, so let’s get right to business then. Onward to Big Windup!
Category Archives: Episode Writeup
Dorohedoro – Episode 11
Hello folks, and welcome the heck back to Wrong Every Time. Are you ready to storm En’s goddamn mansion!? After a season’s worth of Caiman and Nikaido hunting Risu, while En and his enforcers hunted them, Nikaido has at last been captured, and even forced to sign a partnership contract with En. It’s hard to imagine we’ll be veering back into baseball episodes and zombie festivals anytime soon; Nikaido’s capture has made for a major paradigm shift, and until this situation is resolved, all eyes are on En’s compound.
It’s hard for me to imagine how Dorohedoro might return back to its “neutral state” after this arc, but this show has demonstrated an unusual capacity to normalize seemingly impossible narrative shifts. I thought Caiman having his head chopped off would probably shift things up; his head had regrown by the next morning. I thought going into the world of the sorcerers might finally push Caiman and Nikaido’s journey forward; that ended in failure and a hard reset, too. This situation is certainly different, in that we’re now resolving one of the conflicts that has driven Dorohedoro from its beginning, but I could easily believe that after all of this, both En and Caiman’s associates end up happily sharing a meal together. Of course, that would resolve one of the major sources of tension that’s been driving Dorohedoro from the start, so the question then becomes – what replaces that conflict?
To answer that, I think we need to know why En has been so desperate to get his hands on time magic. That’s the puzzle piece I’m hoping for from this episode, but Dorohedoro clearly delights in subverting expectations, so I’m happy to play it by ear. Let’s uncover some new secrets in the world of Dorohedoro!
ODDTAXI – Episode 1
Hello everyone, and welcome back to Wrong Every Time. Today we’re checking out another currently airing show, as I’ve been hearing all manner of wild things about Odd Taxi. Sources have reported that Odd Taxi’s dialogue and structure put it squarely in “how the hell was this ever greenlit” territory, and I’m always down for an anime that’s artistically ambitious and relentlessly unmarketable. Even the show’s staff is profoundly strange: Odd Taxi’s director Baku Kinoshita has no other anime credits, yet has handled every single storyboard for the show so far, along with its character designs. My only expectations so far are “refreshingly human conversations between genuinely adult characters,” so with that frustratingly rare treasure in mind, let’s dive right into the show. What’s your deal, Odd Taxi?
Horimiya – Episode 3
Hello everyone, and welcome back to Wrong Every Time. Today I’d like to dig back into Horimiya, which has so far proven to be a compelling but lopsided production, with some clear strengths and weaknesses. On the positive side, the show’s character writing has proven quite good so far, with its main cast offering nuanced, multifaceted personalities that incorporate not just goals and attitudes, but also a variety of personal quirks, interests, and anxieties. Combined with the show’s refreshingly grounded dialogue and general avoidance of melodrama, the overall package feels remarkably true to life, an earnest and unpretentious exploration of adolescent feelings.
On the negative side, the adaptation so far has felt awkwardly disjointed, with clear break points delineating each episode’s mini-conflicts, rather than any sense of congruity or ongoing, escalating drama. Because of this, it’s hard to really sink into the fiction of their daily life; it frequently feels like they’re performing a set of skits, rather than simply living through day-to-day interactions. Additionally, while Masashi Ishihama is doing a fine enough job directing, it’s becoming clear that Horimiya will offer far fewer opportunities for his expressive compositional flourishes than something like From the New World. Ishihama might simply be better suited to works he can storyboard from the ground up, rather than adapting manga panels; either way, this adaptation’s conservative approach is limiting it in a few ways, so I’m hoping the staff embrace a little more flexibility going forward. With all that in mind, let’s poke through the third episode of Horimiya!
The Girl in Twilight – Episode 10
Well team, I don’t think we’re doing so great. The group’s journey to Seriousuka’s home dimension played out in the worst possible way; not only did they fail to prevent the King of Twilight’s attack, but it was actually Yu herself who let their enemy in, leading to the wholesale destruction of Seriousuka’s sanctuary. Now Asuka and her friends have to carry the weight of failing an entire dimension on their backs, have lost their most competent ally, and are still no closer to preventing the corruption of the multiverse. I have a feeling the time for dress-up tea shop digressions is entirely behind us.
Things may be going terribly for our heroines, but in narrative terms, all these disasters sound like great news to me. So far, Asuka has spent this entire series running from responsibility. Her personal character journey of taking adulthood seriously has been mirrored by the larger scifi narrative, as each of her friends in turn come to some key realization about their goals and identity. In the face of all this growth, Asuka has steadfastly held on to her childlike identity – but now that this girl who was like a sister to her has suffered because of her team, can she really continue to take things so lightly? You know I like putting characters through the crucible, so I’m ready for an identity crisis of some kind as we storm towards the finale. Let’s get to it!
Hugtto! Precure – Episode 22
Hello all, and welcome back to Wrong Every Time. Today I’m happy to announce we’re returning to Hugtto! Precure, though frankly, I’m a little intimidated by the kind of episode we’ve presumably got coming. Apparently the franchise is celebrating its ten year anniversary, which in practical terms means the original Pretty Cure have just popped out of the sky, ready to celebrate their formidable legacy. Unfortunately, I haven’t actually watched any of that legacy, so I’d ask you all to please bear with me, as I’ll likely be out of my depth for any major callbacks to earlier seasons. That said, given this franchise’s general focus on accessibility, I’m sure there’ll be plenty to enjoy even for the more recent Cureheads in the audience. Let’s check in with the Precures of Old, and learn what wisdom we can glean from their vast Precure knowledge!
The Big O – Episode 13
Hello everyone, and welcome back to Wrong Every Time. Today I’m pretty much bubbling over with excitement, as we’re about to explore the original “final” episode of The Big O. Though the production was slated for twenty-six episodes from the start, poor viewership numbers in Japan forced them to cut back to a lean thirteen. It was only a couple years later, after a successful Toonami run resulted in Cartoon Network co-funding the followup, that The Big O’s second half was produced; because of this, I assume this original thirteenth episode is going to attempt to serve as a “conclusion” to a story it cannot possibly conclude.
Roger has barely learned a thing about Paradigm’s history, and the last episode only just introduced the idea that Megadeus have some intrinsic connection with the city, and a will of their own. Fortunately, considering this is a noir-soaked property that delights in ambiguity, I imagine there won’t be any clumsy rush to tie up loose ends; I’m mostly just eager to see how such a talented team handled this unfortunate reality of the industry, and what Chiaki Konaka chooses to leave us with. Let’s return once more to Paradigm!
Pokemon Sun and Moon – Episode 41
Hello folks, and welcome back to Wrong Every Time. I’ve spent the first half of today proofreading and messaging and formatting and emailing, and goddamnit, I’ve earned some Sun and Moon. As much as I love my work, the busywork inherent in being a full-time freelancer can get pretty stifling; fortunately, the upside of this is that my actual “core labor” mostly involves laughing and clapping at Pikachu. I’m eager to get back to that critical business, and hope you’ll join me for whatever delights Sun and Moon shares with us next. With most of Ash’s other companions having experienced some sort of trainer powerup over the last set of episodes, my idle prediction is that it’s Sophocles’ turn – but Sun and Moon is never in any narrative rush, so I could just as easily see us simply enjoying a day at the beach. Either way, the sun is out and the pokemon have been fed, so let’s go sample the sights of Alola!
Symphogear XV – Episode 1
Hello everyone, and welcome back to Wrong Every Time. Are you all ready for some goddamn SYMPHOGEAR!? I took a little break after season four to catch my breath, but my tanks are more or less refilled at this point, and I’m ready to Blast Off Into The Starry Tomorrow of Forever’s Yesterday, or whatever other preposterous seasonal subtitle comes next.
Given that Symphogear’s fourth and fifth seasons were greenlit at the same time, it’s no surprise that season four ended us on a serious cliffhanger. As Adam was atomized by Hibiki’s fists, he warned that the “custodians will soon be descending,” implying some higher power that he, Fine, and others have actually been battling against. But the worldbuilding justification of More Punching was probably the least important thing about that finale – more relevant to the show’s own goals is that it’s already established an antagonist before the season starts, thus leaving more time in-season for roaring and punching. Let’s see how this delightful show tops itself next, as we soar into the final season of Symphogear!
Horimiya – Episode 2
Hello folks, and welcome back to Wrong Every Time. Today we’re returning to one of the year’s most compelling productions so far, as we check out the second episode of Horimiya. Horimiya’s first episode impressed me on a few fronts, with the most expected of them clearly being Masashi Ishihama’s excellent direction. Ishihama has tuned down his frequently aggressive style a bit for this laid-back production, lightly employing the post-processing and collage-like elements he tends to favor, but his excellence is clear in Horimiya’s abstract visual flourishes, as well as its terrific OP. Meanwhile, the actual story is demonstrating a welcome nuance of characterization, neatly sidestepping cliche dramatic beats through its characters’ willingness to actually, honestly communicate. There’s a lot to enjoy so far, and I’m eager to see where this story goes. Let’s dive in!