Dear Brother – Episode 8

Hello folks, and welcome back to Wrong Every Time. Today I am delighted to be returning to the operatic and perpetually thrilling Dear Brother, as Nanako continues her trials at the magnificent Seiran Academy. After half a dozen episodes of increasing torment and isolation, our last visit at last provided a measure of relief for Nanako, with her best friend Tomoko finally returning to her side. In spite of the machinations of the delightfully devious Shinobu, some friendships are beyond even her ability to foul things up, and a last gasp of cruelty from Misaki proved just the thing to restore Tomoko to her side.

Along with that reconciliation, Nanako has been further bolstering her position through her connections with Saint-Juste and Kaoru, the latter of whom seems to have accepted Nanako as a personal project. Such alliances will surely become necessary soon, as there are greater threats at Seiran than the petty attacks of Nanako’s fellow freshmen. It’s a rare show that gets me so caught up in the tempestuous wanderings of episodic drama, but Ryoko Ikeda’s combination of inventive individual setpieces and looming intrigues more than qualifies, to say nothing of Dezaki’s dazzling adaptation. Let’s see what trials await as we return to Seiran Academy!

Continue reading

Galaxy Express 999 – Episode 1

Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to announce we’re embarking on a journey through another beloved classic of anime, the TV adaptation of Leiji Matsumoto’s Galaxy Express 999. Inspired by the fantastical Night on the Galactic Railroad (itself the recipient of a majestic anime film adaptation, to say nothing of its significance to Ikuhara’s Mawaru Penguindrum), Galaxy Express tells the story of a young boy who wishes to live forever, and boards the space train Galaxy Express 999 in the hopes of receiving the metal body that will realize his dreams. Along the way, he joins up with a beautiful, mysterious woman with her own reasons for the journey, and experiences a dazzling array of adventures as he travels to the end of the line.

Alongside Space Battleship Yamato and Captain Harlock, Galaxy Express stands as one of Matsumoto’s most consequential contributions to manga and animation, a classic whose influence can be felt in the scope and style of space operas to this day. His work is also one of my most significant remaining blind spots regarding the history of anime, and I am thus absolutely thrilled to be starting this adventure. As for the staff, chief director Nobutaka Nishizawa appears to be most notable for his significant work on this franchise itself, though I’m intrigued to see this episode’s screenwriter also wrote the harrowing Space Runaway Ideon: Be Invoked. Let’s see what’s on offer as we board the Galaxy Express!

Continue reading

Neon Genesis Evangelion – Episode 23

Darkness looms over Misato’s apartment as we return to Shinji’s caretaker, now cocooned in the repetition of a painful, desperate ritual. Instant ramen cups lie unattended and spoiling on the floor, beer cans stack up around her bed, and a familiar voice hangs in the air: Kaji’s final message, Misato’s last connection to the man she loved. His encouragement to “go forward without any hesitation” rings bitterly hollow as Misato hunches over her desk, happier to hunch in this loop of familiar feedback rather than strike out into the cold, lonely world.

Continue reading

The Big O – Episode 20

Hello folks, and welcome back to Wrong Every Time. Today we’re returning once more to the city of Paradigm, as Roger Smith attempts to divine what fragments of his past identity he can use to construct his future self. As external invaders continue to pierce the veil of Paradigm’s manufactured reality, Roger himself is coming to doubt the role he has been assigned, knowing full well that his control of the megadeus is not an expression of agency, but a fulfillment of his “father” Rosewater’s wishes. So then, as Roger himself recently asked, “who is my real enemy?”

Well, that’s a complicated question. The easy answer would be “Rosewater,” as he’s clearly the one currently pulling the strings behind Paradigm’s current age of amnesia. But Rosewater himself appears to be channeling his energies towards fighting some external threat, the survivors of a world gone mad attempting to puncture the bubble of Paradigm’s security. Mankind’s hubris will always lead us towards forbidden knowledge, whether it’s the technology that wrecked the world or the sins that were buried forty years ago. Like many men, Roger is a hammer in search of a nail; he play-acts an agent of truth and justice as a “negotiator,” but the secrets he uncovers may prove themselves more dangerous than any of the foes he’s dispatched. Let’s see where his fraught path takes him as we return to The Big O!

Continue reading

Anne of Green Gables – Episode 15

Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to Anne of Green Gables, as we catch up on Anne in yet another moment of crisis. Having initially taken to her schooling like a fish to water, she was then blindsided by the arrival of the hated Gilbert Blythe, who had the audacity to not only stare at a strange woman, but also pull her hair! Clearly this would not stand, and so Anne swiftly commenced a retaliatory operation, refusing to engage with either the detestable Gilbert or her teacher Mr. Phillips. And now, her war has come to this: she will not be returning to school ever again, for her pride and very soul demand that she see this injustice righted.

Well, at least that’s presumably how Anne sees it. Marilla is currently tolerating this rebellion purely because she assumes it won’t last the week, and that seems like a perfectly sensible approach at the moment. This is essentially a battle between Anne’s pride and Anne’s curiosity, and though she is indeed fiercely proud, she is even more curious about the world around her. As far as the staff goes, this episode sees the return of the legendary Yoshiyuki Tomino on storyboards, so I’m looking forward to more evocative layouts reminiscent of that whole Marilla’s Brooch saga. Let’s get to it!

Continue reading

Blue Reflection Ray – Episode 3

Hello folks, and welcome back to Wrong Every Time. Today I figured we’d check back in on the drama of Blue Reflection Ray, on the precipice of our first formal magical girl battle. With Miyako’s life hanging in the balance, blue and red Reflectors are squaring off in a kaleidoscopic nightmare realm, intent on either saving Miyako from her self-hatred or conditioning her into a pure avatar of suffering. Can Hiori handle these foes, and will Ruka rise to the challenge and join her!?

Well, probably, though I imagine we’ll be in for some bitter struggles on the road. Personally, I’m intrigued both to see how this show handles a full-on battle, and also just eager to get back to the banter between our leads, particularly if Miyako’s about to join them. Her bitter snark seems like the perfect counterpoint to Ruka’s timidity and Hiori’s false cheer, and I’d love for her to encourage Hiori to really feel mad about her unhappy family life. The show appears to be establishing a binary of positive and negative emotional powers that seems ripe for immediate deconstruction, and with our leads’ circumstances largely established, I’m eager to see more of the show’s actual hand. Let’s get to it!

Continue reading

Trigun Stampede – Episode 2

Hello folks, and welcome back to Wrong Every Time. Today I thought we’d return to the action-packed Trigun Stampede, for the simple reason that I greatly enjoyed the first episode and am hungry for another one. The always-reliable Studio Orange are outdoing themselves in terms of this production’s energetic storyboarding and expressive faces, and the underlying material has so far offered a confident blend of scifi trappings and western drama. I may have missed the original Trigun during its heyday, but I’m happy to be getting a second swing at this beloved universe.

So far, we’ve received an intriguing mix of narrative variables, with the ambiguous idol of scientific progress appearing central to the story’s thematic ambitions. Scraping by in the ruins of a futuristic empire, the humans of Noman’s Land find what relief they can in the fragments of the old world, with Vash and Knives descending like angels offering either salvation or damnation. I’m intrigued to see how far this “mythology of science” thread stretches, and also on a more basic level eager for more goofy Meryl faces. Let’s see what new hazards await us in Trigun Stampede!

Continue reading

Neon Genesis Evangelion – Episode 22

A full moon draws us back to earth after an episode of painful revelation. After spending so much of this series guessing at the intent behind Gendo and his compatriots’ actions, the reveal of NERV’s origins proved more harrowing than we could have imagined. Not because the goals of this group are so ominous or esoteric; in fact, it’s quite the opposite. By drawing back the veil cloaking Seele, Gehirn, and NERV, Evangelion has revealed that its architects are driven by motives just as petty and human as the rest of us.

Continue reading

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You – Episode 5

Hello folks, and welcome the heck back to Wrong Every Time. Today I thought we’d return to the trials of Rentaro and his soon-to-be hundred girlfriends, and see how the happiest harem in history is coming along. Having won over the diminutive Shizuka, tsundere Karane, and charmingly oversexed Hakari, Rentaro has clearly proven himself a lover beyond compare – so is it time now to adopt a fourth member of the flock, or are we off on some other bizarre adventure?

Regardless, our last episode served as a fine demonstration of one of the most important ways 100 Girlfriends distinguishes itself from other harems. First, as I’ve discussed previously, it’s crucial that Rentaro himself is profoundly likable – that he’s as much of a catch as any of his lovers, and thus actually, convincingly deserving of their love. But secondly, it’s also crucial that Rentaro’s girlfriends are also each other’s girlfriends, that they appreciate and care about each other as much as they love their darling boy.

If these girls were only bonded via their mutual love of Rentaro, he’d still have all the power here – and frankly, such a situation would profoundly limit the effectiveness of future drama, as many “everyone knows the hero, but barely know each other” stories have proven. For 100 Girlfriends to remain a charming ensemble drama, the girlfriends must be a part of each other’s lives as much as they are a part of Rentaro’s, and last episode’s getting-to-know-you shenanigans more than demonstrated Rikito Nakamura’s dedication to fostering such bonds. With Nakamura’s sage understanding of harem dynamics proven once more, let’s see what awaits for Rentaro and his merry maidens!

Continue reading

One Piece – Episode 1089

Hello folks, and welcome back to Wrong Every Time. Today’s project is a bit unusual, as we are neither touching down on a new production nor continuing one of our existing journeys – instead, we’re plunking down right at episode 1089 of the long-running One Piece. As any followers of my twitter account likely know, I’ve spent the last few years diving ever-deeper into One Piece, and ultimately coming to appraise it alongside Hunter x Hunter as a superior and frankly incredible shonen production. The story’s scope, skill of execution, and constant creative embellishments make it a source of continuous wonder; it embodies the essence of cartooning while also succeeding as a grand fantasy epic, and I would recommend anyone who’s curious about it to at least check out the manga.

As for our current assignment, episode 1089 marks the transition from the long-lasting, feudal Japan-themed Wano arc to the current Egghead arc, which the anime production accompanied with a wholesale reimagining of the One Piece aesthetic. Gone are the formidable line weights and bright colors of Wano, replaced by delicate lines and pastels that harken back to One Piece’s original look. It’s a transition with a clear thematic intent: after the high dramatic peaks of Wano, Egghead is partially intended as a nostalgic return to form, a reminder of the freewheeling “what will the next island hold” spirit that once characterized this production. From their arrival at the second half of the Grand Line through Wano, Luffy and his companions’ course was largely directed by their alliance with fellow pirate Trafalgar Law – but now that the goals of that alliance have been achieved, the Straw Hats are again free to sail wherever the winds might take them. Let’s get to it!

Continue reading