Category Archives: Episode Writeup

The Girl in Twilight – Episode 5

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Hello folks, and welcome back to Wrong Every Time! Today we’ll be returning to the rootinest tootinest reality in all of the multiverse, as we continue The Girl in Twilight’s exploration of modern fantasy cowboy Japan. From the relatively straightforward social commentary of Twilight’s first arc, the show has now bounded forward into wild, fantastical farce, presenting a world that is as unique as it is hilariously anachronistic.

At the moment, Mia is doing her best to succeed as a new deputy, while her friends Chloe and Nana have found themselves hogtied and captured by Bounty Hunter Asuka, and our own Asuka and Yu are being convinced to rob a bank. In total, it seems like we might have members of the main crew from four different realities all represented here, between our original party, the Cowboy World locals, the missing Seriousuka, and the Yu who actually summoned the girls into this world. I’m not sure precisely how many Asukas any given world can handle, but I’m eager to find out as we continue this seriously entertaining production!

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Hugtto! Precure – Episode 15

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Hello everybody, and good to see you here at Wrong Every Time. Today I’m delighted to be continuing our journey through Hugtto! Precure, which is always a wonderful time, but which I’ve also currently got even more reasons to be excited for. For one thing, we’re still right in the middle of the “Lulu Infiltration Arc,” as Lulu pretends to be Hana’s long-lost cousin in order to get more info on the Pretty Cures. Of course, Lulu herself is far from impervious to Hana and the other’s charms, and it’s been wonderful to see her developing both affection for Hana specifically and more emotions in general, like her absurd baby-knowledge rivalry with Saaya.

Beyond that, I’ve also been told that this episode will serve as the triumphant return of Emiru, The Precure With Anxiety. I relate to Emiru heavily, as I am also deeply self-conscious and generally certain I’m about to die, so I’m eager to see how she fits back into the story, and particularly what she makes of Lulu. Let’s get back to the Pretty Cure!

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Symphogear AXZ – Episode 6

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Hello everyone, and I hope you’re fuckin’ ready for some SYMMMMPHOOOOGEAAAAR! Symphogear’s last episode kicked all kinds of ass, and this is me who’s writing this, so you know I’m speaking in terms of its dramatic structure and thematic ambition. After spending a third of the season lamenting her inability to contribute to the show’s active drama, Elfnein has finally found a purpose: by connecting her consciousness with Maria, she hopes to unlock the final secret of the LiNKER formula. Her mission should in turn allow Maria, Shirabe, and Kirika to fight at full strength, at last letting this season embrace the full ensemble potential of its excellent cast.

Meanwhile, Genjuro’s confrontations with the team’s benefactor, the head of the Kazanari clan, have established a rift that falls on clear political lines. Genjuro, as the head of an international strike force drawing its members from across the globe, and applying them to conflict zones worldwide, clearly sees the Symphogears as a force for good that should be shared by all of mankind. In contrast, Kazanari believes the Symphogears should be used to defend Japan specifically, even at the expense of international allies, drawing heavily on terms and iconography that bring to mind Japan’s invincible self-image prior to World War II.

Kazanari’s views are not anachronistic – he’s promoting a mainstream conservative perspective in Japan, which in our world is closely tied to historical revisionism regarding Japan’s past atrocities, and efforts to remilitarize the country. Anime rarely comments so directly on Japan’s immediate political situation (though there are exceptions, like the excellent Patlabor), and thus I’m very excited to see where Symphogear takes this narrative. The show’s already picked fights with gods and planets, so why not Shinzo Abe, too? But wherever this story goes, I’m eager to get back to the explosive action of Symphogear. LET’S GET TO IT!

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Pokemon Sun and Moon – Episode 14

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Hello everyone, and welcome back to Wrong Every Time! Over in the real world, 2020 is continuing to escalate in intensity in every way possible, and I currently exist in a perpetual state of heightened tension, vibrating uncontrollably from the moment I wake up to the moment I sleep. There are meaningful, urgent reasons for me to feel this way, but all of us also need some time to relax and recharge our batteries, if only to return to the work of the moment with renewed strength and energy. In my case, I think the best way to do that is Pokemon Sun and Moon – a show that always helps me feel warm and secure, and through which I can hopefully help some other folks calm down a little, too.

Last episode featured one of Sun and Moon’s comfiest conceits yet, as Ash and Pikachu competed in Alola’s Grand Pancake Race. Watching Pikachu do his best to carry a stack of pancakes healed my heart immensely, and whatever happens this episode, I’m eager to spend more time on this delightful island, sharing adventures with this charming cast. Without further ado, let’s return to the endlessly endearing Pokemon Sun and Moon!

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Kaguya-sama: Love is War – Episode 1

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Hello friends, and welcome back to Wrong Every Time. Today we’re exploring the first episode of a show that only came out recently, and which actually aired its second season just this past spring – the much-loved romantic comedy Kaguya-sama: Love is War. I actually watched the episode we’ll be viewing today for Anime News Network’s preview guide, where I gave it three out of five stars. So, uh, there’s that.

My thoughts at the time were pretty straightforward. I’m a massive fan of the show’s director, Shinichi Omata – as one of the most talented ex-SHAFT directors, he’s combined the stylistic quirks of the SHAFT house style with many inventions of his own, elevating shows like Sankarea into thrilling visual theater. More recently, the two seasons of Showa Genroku Rakugo Shinjuu collectively stand as one of the very best anime of the last ten years – but Rakugo was a thoughtfully written period drama, whereas Kaguya-sama is fundamentally a pretty standard romantic comedy. I find most anime comedies to be some combination of too repetitive and too simplistic in their jokes, and in spite of Omata’s welcome visual embellishments, he still wasn’t able to elevate Kaguya-sama into something I’d want to watch weekly. Even by the end of that first episode, I was basically just clamoring for the leads to confess to each other – my days of being satisfied by “will they or won’t they” drama are at this point years behind me.

Given that review, I was frankly a little surprised Kaguya-sama ended up getting funded for notes writeups. But I’m perfectly willing to give something a second chance, and with Omata at the helm, I’ll likely be well fed visually even if the show’s jokes don’t thrill me. Additionally, there’s frankly a pretty wide spectrum of media that is interesting or noteworthy enough that I’d like to have a solid opinion on it, but not so personally appealing to me that I end up watching it in my free time – and given Omata’s presence, I’d say Kaguya-sama falls pretty squarely within that space. With both Omata’s and my own history established, let’s take a second crack at Kaguya-sama: Love is War!

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Keep Your Hands Off Eizouken! – Episode 12

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Well folks, a day I have both been eagerly awaiting and quietly dreading has finally arrived. At long last, we find ourselves on the brink of Keep Your Hands Off Eizouken!’s final episode, as the adventures of Asakusa, Kanamori, and Mizusaki conclude with the debut of their third major production.

It’s been a cozy and rewarding journey so far, full of insights into the complex world of anime production. Asakusa has taught us a great deal about creative inspiration and storytelling, Mizusaki has illustrated the finer points of animation itself, and Kanamori has consistently tempered her friends’ ambitions with reminders of the fiscal limitations and other compromises inherent in film production. They’re a good trio, complimenting each other both in terms of talents and temperaments, and through them Eizouken has illustrated and celebrated many of the granular elements that make animated art so compelling.

It’s certainly true that this episode doesn’t feel particularly climactic, though. As an adaptation of a continuing manga, Eizouken has made little effort to hide its episodic nature, and hasn’t really “ramped up” towards a climax in any way beyond the natural rising tension of their development schedule. But that seems somewhat appropriate for this show, which has so often reveled in the day-to-day friendship of these girls, and which clearly sees a long and illustrious future spiraling out before them. It’s been a delight to spend time with this cast, and appreciate the joy and imagination with which Yuasa’s team has brought them to life. Let’s settle in one more time for Keep Your Hands Off Eizouken!

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Symphogear AXZ – Episode 5

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Buckle up folks, it’s time for SYMMMMPHOOOOGEAAAAR! When last we left off, the Bavarian Illuminati had just unveiled their much-hyped Faust Robes, leading to a total defeat for our main wielders. Shortly after that, Adam himself finally arrived, and ended up destroying the entire battlefield through alchemical fusion. Things are looking pretty grim for the team at the moment!

Of course, none of those narrative facts really mean all that much in a dramatic sense. “We gained our Faust Robes” might as well be “we achieved a new level of Super Saiyan” for all it means in terms of storytelling, and if you’re surprised by giant explosions, you must be new to Symphogear. Personally, the thing I found most interesting about AXZ’s fourth episode was its direct acknowledgment of Japan’s role in World War II, which, when coupled with the team overseer’s call to “drive these barbarians from the shores of Japan,” seemed to imply this season might be moving towards some genuine political commentary. Whether this episode furthers those ideas or just exults in glorious spectacle, I’m eager to continue this riotous journey. Let’s get to it!

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Pokemon Sun and Moon – Episode 13

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Well folks, the people have spoken, and they demand more Sun and Moon. As your humble entertainer, my hands are bound by the will of my readers – fortunately, there is almost nothing I’d rather do than return to the shores of Alola myself, and see what our trainers-in-training are up to this time. Sun and Moon’s last episode might have been my favorite episode so far, as Team Rocket got to take center stage like never before, and make delightful fools of themselves in the context of the actual team’s beach trip. Combining slice of life relaxation with lots of great comedy beats and terrific animation flourishes, episode twelve was a Sun and Moon highlight, and also one of Team Rocket’s most successful gambits across their long and less-than-illustrious career. I expect they’ll need some time to recuperate from their last battle, so let’s see what the rest of the cast are up to in another episode of Sun and Moon!

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Hidamari Sketch – Episode 1

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Hello everyone, and welcome back to Wrong Every Time. Today we’re embarking on a new journey, as I explore the first episode of a beloved franchise that I have basically zero experience with. We’re checking out Hidamari Sketch today, and as usual, I’ll begin by laying down what I actually know about this franchise. First off, I know that it’s one of the most enduring slice of life franchises out there, both in terms of its actual number of seasons, and in terms of its ongoing acclaim and cultural relevance.

I also know that it’s one of the core shows that defined the theoretical “SHAFT aesthetic,” a loose collection of stylistic choices that frequently includes flat, abstract backgrounds, single-tone colors, rapid closeups, creative and diegetic typography, mixed media compositions, dramatic character design shifts, and that beloved head tilt. Akiyuki Shinbo is credited as head director on basically all SHAFT productions, but given Hidamari’s other director Ryoki Kamitsubo would leave the production after the first season, leaving it entirely in Shinbo’s hands, it seems fair to assume that Hidamari Sketch is one of SHAFT’s most directly Shinbo productions.

Finally, I also know that Hidamari Sketch is about art students, and that their heads are very wide. With all that established, let’s explore one of SHAFT’s most iconic and beloved productions!

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The Girl in Twilight – Episode 4

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Hello everyone, and welcome back to Wrong Every Time. Today we’ll be continuing our exploration of 2018’s The Girl in Twilight, where we last witnessed the disastrous conclusion of Nana Nanase’s short-lived betrothal to her celebrity idol. Though Nana claimed she was breaking things off due to her very sensible desire to not be called Choco Banana, in truth, it was coming to terms with her mother’s remarriage, and realizing her stepfather was genuinely concerned for her, that helped Nana comfortably embrace her old life. And ultimately, she ended up getting a sweet battle suit in the bargain, so I suppose all’s well that ends well? Either way, the resolution of Nana’s arc has returned The Girl in Twilight to its neutral position, and I’m eager to see what character insights or social commentary our next dimension-hopping trip offers. Let’s get to it!

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