Hugtto! Precure – Episode 21

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Hello everyone, and welcome back to Wrong Every Time. Today we’re celebrating a truly momentous occasion, as Emiru and Lulu have at last achieved their goal of becoming Precure. It certainly wasn’t an easy road – I mean, Lulu’s a goddamn renegade cyborg, and in the end, it took a literal deus ex machina to split the final device and accommodate them. Even the gods of this Precure universe agree that Emiru and Lulu must not be separated, and deserve their long-awaited Precure glory.

Given the pacing of this arc so far, I’m expecting we’re getting one more victory lap before we move on to other concerns, and I’m all for it. Emiru has been my favorite Hugtto character from her first appearance, and seeing both her and Lulu flourishing through their love is a balm for the soul. It can be a dark world out there, but Precure is a jubilant reminder of the good things, like when cyborgs and tiny musicians become best friends. Without further ado, let’s touch back down in the world of Huggto Precure!

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Dorohedoro – Episode 9

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The night has fallen, and the festivities are about to begin! Out in the world of the sorcerers, we’re about to commence Blue Night, wherein sorcerers track down and team up with new potential partners – by force, if need be. And with En’s team standing as some of the toughest sorcerers in the business, they’re likely to be fending off would-be suitors all evening; that is, unless Caiman gets to them first.

The violent activities of Blue Night will presumably be this episode’s main attraction, but Dorohedoro has maintained a strong balance of episodic shenanigans and progress on its main narratives, so any number of secrets may also be revealed. At this point, we’ve actually resolved a decent number of the show’s original mysteries. We know that Risa is the man inside Caiman, that he worked for the cross-eyed gang, that he was betrayed by his superiors, and that Ebisu “got in his way,” which very nearly confirms that Ebisu is responsible for Caiman’s condition. We also know that Nikaido is a sorcerer who can control time, and that En is specifically looking for just such a sorcerer.

It feels like we just need a couple more tidbits of information from Risa, which in turn makes me think we’re due for a paradigm shift, as the narrative adjusts its scope beyond this handful of almost-solved mysteries. But every episode of Dorohedoro comes with a fresh set of unexpected delights, so rather than make unhelpful forecasts, I’d rather just see what the night has in store. Let’s dive back into Dorohedoro!

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The Big O – Episode 12

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Hello everyone, and welcome back to Wrong Every Time. Today we’ll be returning to The Big O, as Roger continues to unravel the secrets of Paradigm. Well, I certainly hope Roger unravels some secrets, because at the moment, we’re actually some distance ahead of him in terms of our understanding of this world.

In episode ten, we learned that there are still human civilizations beyond Paradigm, and that Paradigm’s alleged city council all ultimately answers to one man. In eleven, we learned that that man is well aware of Christmas’ pre-amnesia cultural significance, yet chooses instead to frame it as a secular city festival. Given his awareness of humanity’s culture both pre-amnesia and outside Paradigm’s walls, it seems reasonable to assume that Paradigm’s monarch is enforcing a policy of strict information control – and beyond that, that he might even be responsible for Paradigm’s amnesia in the first place.

If he’s attempting to create a private kingdom, provoking a wave of mass amnesia is certainly a great way to start. While we generally think of confinement in terms of physical barriers, the most robust imprisonment is generally imprisonment of the mind – total inculcation into a specific way of thinking, or denial of the education that might inspire someone to question their circumstances. While we can rage against injustices we can define, if we can’t conceive of a world beyond our own, we tend to accept our circumstances as simply “the way it is.” By collectively frying Paradigm’s memory, a dedicated tyrant could reshape its society into whatever shape they choose, and fill in the blank slates of its populace with a wellspring of comforting propaganda.

So that’s probably not good. But as I said, Roger wasn’t actually there for most of the scenes that revealed this information – he’s currently some distance behind the audience, and I’m not exactly sure what use that dramatic irony could serve. For the moment, let’s quit with the conjecture, and find out what secrets the city will offer next!

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Winter 2021 – Week 13 in Review

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Hello everyone, and welcome back to Wrong Every Time. Lately I’ve been thinking, as I often do, about just how terrible fandom can be. In the past, I saw fandom as just another natural expression of art appreciation; but lately, it’s beginning to feel like art appreciation and fandom are actually contradictory poles, antagonist routes you can pursue in your relationship with art. Obviously, a great deal of fandom is harmless and empowering – sharing personal experiences of shows you loved, creating new art based on them, etcetera. But fundamentally, a great deal of fandom seems to be about the search for community and validation – we find the works that resonate with us, and then build a home inside their fandom. We accept a fictional universe as it is, and set to work cataloging it, rather than questioning or critiquing.

In contrast, to actually grow as an art creator or enthusiast, we must seek the new. We must broaden our horizons, accept the limitations of our existing perspective, and embrace humility as we explore new artistic experiences, rejecting the idea that we are “bonded” to any one work in particular. These two instincts don’t have to be at odds, but they often prove to be – and with fandom at this point overwhelming art discourse in general, often any pointed criticism or urges for expanding your horizons are met with an emotionally empowered wave of anti-intellectualism. When you gesture towards the distant, alluring mountains of artistic history and achievement, fans frequently respond with “there are no mountains, all ground is equally flat, and how fucking dare you imply otherwise.”

Fans see their favorites as their identity, and thus a call to expand their horizons sounds like an attack on their personality – but in truth, the fundamental error here is defining your identity by your favorites in the first place. Art can play a different role in different people’s lives, and there’s no shame in simply not being that curious about exploring art – but in an era where consumption is identity, art critique can often sound like character assassination. And of course, production studios are happy to encourage their fans to be rabid defenders of their IP; if they could sell audiences the same product every year forever, they’d be delighted to. We’re currently at a point where fans are defending their right to be condescended to from the “mean” critics, who are bullying them by pointing out that other art exists. It’s a strange state of affairs, and I’m not really sure how we can “fix” this discourse, but it’s been on my mind lately, as I watch folks hang up their artistic curiosity and become Brand Defenders.

Anyway, I also watched a bunch of great movies this week. Let’s talk about those.

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Space Battleship Yamato 2199 – Episode 3

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Hello everyone, and welcome back to Wrong Every Time. Today we’ll be rejoining the crew of the Yamato, as they fly off in search of humanity’s last hope. Last episode established both our crew and our mission: to voyage to distant Iskandar, where they will receive technology that can save the polluted earth. At the same time, the Yamato must evade the grasp of the Gamilans, an alien race at war with humanity at large. It’s an ambitious plan, a task that feels more derivative of a high fantasy quest than a scifi mission, complete with a beautiful princess who bears forbidden knowledge. That fantastical tone makes for a fairly stark contrast with the show’s nostalgic love of mid-century military hardware, which in turn makes me wonder if the show is intentionally stoking that contrast, and where it might be going with all this. But either way, it’s still succeeding purely as a polished fantasy adventure, so I’m sure I’ll have a lovely time. Let’s dive into episode three!

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Pokemon Sun and Moon – Episode 39

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Hello everyone, and welcome back to Wrong Every Time. You all ready for a dash of Sun and Moon? I’ve got Pokemon on the brain at the moment, as The Pokemon Company just announced their slate of 2021/22 Pokeproperties. I never played Diamond and Pearl, but I’m hyped as hell for a Breath of the Wild-inspired open world Pokemon game. Frankly, that’s the Pokemon I’ve been hoping for ever since Nintendo started developing 3D consoles; I wish it hadn’t taken us a quarter of a century to get here, but I’m still alive, and I’m still pumped for open world Pokemon. And it’s also just nice to see Breath of the Wild inspiring more designs; I genuinely think that game “solved” open world design in a way that had never been done before, and I’m looking forward to seeing even more “post-BotW” games in the future!

Anyway, right, Sun and Moon. When last we left off, Jessie and Mimikyu were having a lovely outing at a local mall, only to be rudely interrupted by some shitty birds. That was more or less the literal plot of last episode, and it was delightful, so I hope you’ll understand when I say this show’s narrative choices are a little beyond my predictive abilities. I just know we’re undoubtedly in for a good time, so let’s not waste a moment, and dive right into Pokemon Sun and Moon!

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Wonder Egg Priority – Episode 8

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Hello everyone, and welcome back to Wrong Every Time. Today I’m frankly a little hesitant to return to Wonder Egg Priority, as the show’s last episode came pretty close to emotionally destroying me. Rika’s experience of self-hatred and depression felt uncomfortably close to home; the cheerful outward affectation, the flashes of uncontrollable frustration, and most crucially, that sinking, ever-present feeling of weight on top of you, weight that you cannot simply exist under, weight that you must fight and fight every day, without any real hope of relieving it. When Rika at last submitted to her fatigue, and asked if it truly can be easier, I felt that exhaustion in my bones. If life is this painful, surely nothingness must be a relief?

Fortunately, Rika had just enough of a support system to dampen those thoughts, and fight once more for a better tomorrow. Just as her submission to her demons felt poignantly true to life, so too did her defiant declaration at the end. “I’ll leave you one day, but not today” – to those suffering from depression, suicidal tendencies, and mental illness more broadly, that rallying cry feels like the most we can earnestly hope for. There’s no guarantee things will get easier, and no guarantee we’ll be able to fight forever – but at least this day, I am declaring that the darkness will not win, and that I will see tomorrow.

It’s a genuine victory, and should be celebrated as such; in a show covering topics as charged as Wonder Egg, to simply declare that Rika is “solved” would be a betrayal of her substance as a character, and of Wonder Egg’s general ability to evoke the genuine, felt experience of depression. I tend to like the shows that rip into my chest, grab hold of something utterly true to my experience, and explore it in all its beauty, ugliness, and undeniable humanity. Wonder Egg has the lived experience of depression in its clasp, and however this story turns, I’ll remain profoundly grateful to it for illustrating such a difficult experience with such frankness and compassion. This show can hurt me, but it’s a good hurt, a hurt that reminds me I’m not alone in the struggle. Among art’s many goals, that sense of connection and common humanity feels like one of the most noble of all. I’m ready, Wonder Egg. Let’s return to the fight.

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Winter 2021 – Week 12 in Review

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Oh my god, have we got some shit to wade through. My house began this week in film with an awful mistake, as I actually joined my housemates for a genuine hate-watch. I’ve on the whole stopped seeking out things that I know are going to be bad; there is infinite great media out there, which is all great in a variety of new and enriching ways, whereas bad media tends to be predictable, familiar, and dull. It doesn’t feel fulfilling to flex on something that’s bad; it’s too easy, and generally I’d rather just enjoy something good. Well, I broke that rule this week, and I duly paid the price for it. Fortunately, the rest of this week’s viewing experiences were much more compelling, so let’s just take the medicine first then, as we plow through another Week in Review!

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Kaiba – Episode 4

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What is truly precious, or irreplaceable? In the world of Kaiba, where both bodies and memories can be bought and sold, it can begin to feel like nothing has any genuine value. Cronico sold her body to help her family, but it only brought her stepmother more grief. Meanwhile, her “precious” memories were ultimately tossed out like garbage, to float into the firmament like a lost balloon. Ultimately, Cronico’s body at least allowed Kaiba to sneak back onto the cruiser; but even that was an insidiously transactional process, relying on the wanton, lascivious hungers of the Chief of Security. Only the opening song seems to disagree – as hands flash through a myriad of forms, their determination to connect remains undiminished. Might we perhaps hold onto love, or at least its memory?

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Great Pretender – Episode 3

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Hello everyone, and welcome back to Wrong Every Time. Today we’ll checking out the third episode of Great Pretender, where Edamura has at last proven his value to the team, by jacking up the prices of Laurent’s fake drugs. Having reaffirmed his talents as a swindler, Edamura at last seems genuinely comfortable with his new companions, and committed to their collective scheme.

Of course, from Laurent’s perspective, I can’t imagine Edamura’s rash actions have really changed his opinion of his new partner. Laurent seems less interested in this particular scheme than he is in cultivating a specific group of talents, and pursuing a more long-term ethical agenda. From his perspective, Edamura is an insecure kid with more ego than sense – unsculpted clay, with no real direction but a childish desire to prove himself. Edamura believes he can prove his value through his skills as a swindler; in contrast, Laurent has nothing to prove, but is happy enough to wield Edamura’s emotional levers against him. The two are an intriguingly mismatched team, and I’ll be interested to see if Laurent is actually invested in helping Edamura grow up, or simply use him as a talented but naive weapon. Let’s get to it!

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