The Woman Called Fujiko Mine – Episode 7

Heck yeah folks, let’s get back to The Woman Called Fujiko Mine! This show’s last episode was a spiraling maelstrom of complex gender politics and confining social expectations, with Fujiko and her various associates serving as gleeful foxes in the henhouse of a girls’ private school. Combining this show’s insightful focus on gendered expectations, social performances, and the nature of feminine power with the classic touchstones of a Class S yuri drama was a masterstroke, and resulted in the most thematically complex and generally gripping episode of Fujiko yet.

On a pure aesthetic level, pairing Fujiko Mine’s ornate, richly textured designs with the stylized and detailed sets of a traditional “boarding school flower garden” resulted in an absolute bounty of beautiful compositions, with elaborate backgrounds sharing space with more metaphorically driven layouts rich in shadow and contrast. And on a thematic level, that episode managed to channel Lupin’s classic reversals and counter-reversals through a nested series of adolescent social expectations, with Fujiko’s manipulation of her love-starved students eventually being countered by an opponent eager to use Fujiko’s own favorite trick – telling your enemy exactly what they want to hear. 

In the context of a deeply repressed private school, Fujiko reveled in assuming the role of sexual aggressor, while Oscar simultaneously gleefully embraced and harshly judged himself for assuming the role of lusted-over “prey.” Their complex roles served as a clever distillation of the emotional contradictions inherent in both repressed adolescence specifically, and how women are assumed to exist in society more generally. And ultimately, Oscar’s contempt for his own actions seemed to echo the contempt society at large serves towards any expression of feminine agency, be they defined as Madonna or Whore. It was a goddamn searing episode, and also somehow light and playful at the same time. I don’t expect another episode quite like that one, but I’m eager to see whatever these charming thieves get up to next. Let’s get to it!

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Summer 2019 – Week 7 in Review

Well folks, it was time for the Week in Review about an hour ago, and I’m just now typing this introduction, so I’ll keep things brief. The shows I’m watching are very good, and this week offered a bunch of very good episodes – Granbelm pulled off another totally stunning action spectacle, Given retained its sharp emotional acuity and believable characterization, and Carole & Tuesday offered another top-tier vignette that managed a surprising balance of comedy and sympathetic drama. The summer season continues to be extremely strong, and I’m happy to enjoy a crop of shows that could all conceivably be top picks within a less impressive season. Let’s get to the breakdown!

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Why It Works: Drama with All the Senses: The Rich Storytelling of the Anime given

Jeez, these titles don’t really work when my crunchyroll title also contains a colon, huh? Anyway, today on Why It Works, I dive into the excellent use of visual and sound design in this season’s terrific given, specifically breaking down the tonal tricks and visual metaphors of the fifth’s episode most important scene. Let’s get to it!

Drama with All the Senses: The Rich Storytelling of the Anime given

Neon Genesis Evangelion – Episode 12

We witness its genesis as a great light, a blinding spark searing the atmosphere, visible even from the surface of the moon. Then comes the furious wind, as our vision cuts in to a snowy hellscape stained rust red, as if the earth itself has suffered some great and terrible wound. A ragged figure trudges with purpose across this nightmare, his arms cradling an unconscious young girl. As we peer down through a shattered bunker, the man sets his cargo down in a metal tube, and she briefly wakes – but her cry of “father” is cut off, their final connection severed by the sealing of the tube. And then the shivering landscape upends entirely, as a great and terrible creature rises to remake the world.

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Magical Girl Lyrical Nanoha A’s – Episode 11

Hello folks, and welcome back for another episode of Magical Girl Lyrical Nanoha. We’re well into the show’s final act at this point, with Fate and Nanoha already having squared off against first Hayate, and then the awakened Book of Darkness itself. We’ve also resolved the duplicity and betrayal of Chrono’s admiral friend, who managed to successfully fuck everything up just before his plan was discovered. The admiral’s meddling backed Hayate into a corner in order to summon the Book itself, and then the Book’s own trauma prevented Nanoha and Fate from negotiating it out of its apocalyptic plans.

Now, with Nanoha defeated and Fate actually absorbed by the book, success or failure will likely come down to this season’s true heroine: Hayate. Just like how Nanoha’s first season was essentially a Fate story that Nanoha also took part in, so has this season most centrally been about Hayate, and her efforts to maintain and protect her family in spite of her curse. Personality-wise, Hayate is basically a version of Nanoha stripped of all of Nanoha’s easy gifts – she starts out alone, has to work hard to create a family, and even then is plagued by physical frailty, in contrast with the magical power Nanoha is able to use to enforce her worldview. But here at the end, with Hayate already stranded somewhere inside the book, the battle will come down to the one thing they share – their unshakable personal strength, and absolute love for the people they care about. We’ve reached the thesis of the season, and I’m thrilled to see how it plays out. Let’s get to it!

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Summer 2019 – Week 6 in Review

I’ve been dealing with some close personal tragedy this week, but hey, I’m still here. I thought about maybe taking this week off from the Week in Review, and really couldn’t have imagined watching and enjoying seasonal anime a few days ago, but returning to cartoon normalcy has actually been a big emotional help. And it’s nice that this season’s anime are themselves so emotionally generous, from the rich tonal sympathy of Given to the tangled dramatic knots of O Maidens. I’m still feeling pretty hollow and distant at the moment, but I appreciate the company of all of you, and the comfort of returning to the things I love. Let’s talk about some cartoons.

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Ojamajo Doremi Sharp – Episode 3

Dear lord am I ever happy to return to Ojamajo Doremi. I don’t yet know when you’ll be reading this, but as of today, I just finished writing my way through a hellish weekish and a half that included around twenty preview guide premieres, a Crunchyroll column on top of that, and two sprawling, confessional essays on Neon Genesis Evangelion and End of Evangelion. It was almost certainly the most writing I’ve ever done in a single week, and I’m frankly still not through – I can’t really justify pausing the Current Projects for another weekend, so as of Thursday morning, I need to write three Current Projects articles and my next Why It Works column by some time on Sunday.

But as of right now, it is absolutely time for Ojamajo Doremi.

Watching this episode will technically fulfill one of my Current Projects obligations, but more than that, I need something I genuinely love and that always tends to bring me peace, and that is absolutely Doremi. This show is so charming, so visually engaging, so fundamentally thoughtful and kind. Last episode saw our heroes learning just a few of the many complex responsibilities of parenting, as they worked to take care of a baby with more magical energy than all of them put together. Hana-chan’s powers thus served as a clean metaphor for the emotional experience of parenting – you run yourself ragged, while your baby always seems to have more energy, demands, and tantrums ready. Doremi and the girls did the best jobs they could, handling their new responsibilities with diligence and pride.

It was an excellent episode on the whole, but after two episodes of establishing the season two premise, I’m kinda hoping we get to check in with Doremi’s classmates again. Either way, I’m sure we’ve got an endearing and thoughtful journey ahead of us, because goddamnit, this is friggin’ Doremi. Let’s see what episode three has in store!

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Summer 2019 – Week 5 in Review

I have at last reduced the summer season’s bounty down to a refined and largely sustainable top shelf, and goddamn is it glorious. After being kind of spoiled by Vinland Saga’s first three-episode premiere, I’ve decided that’s the preferable way to experience viking shenanigans, and held off on watching this week’s episode to build up more of a buffer. Fortunately, even without Vinland Saga, every other show I’m watching was strong enough to give me more than enough highlights to ramble about. Okada’s strong catalog meant I was pretty sure O Maidens would be a hit, but I think this is actually one of the very best stories she’s ever worked on. Meanwhile, Given is serving as an unexpected and highly compelling character drama, while Granbelm is turning out to be the secret action highlight of the season. Let’s break it all down in one more Week in Review!

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Why It Works: Celebrating the Quiet Beauty of Kyoto Animation

Today on Crunchyroll I’ve got something a little different, as I reflect back on my own relationship with the incredible works of Kyoto Animation. This studio’s shows have genuinely, deeply impacted the course of my life, and given me so much hope and joy over the years. I wish Kyoto Animation’s brilliant family all the best in overcoming this tragedy, and can only say again how grateful I am for all the treasures and feelings they’ve shared with me.

Celebrating the Quiet Beauty of Kyoto Animation

Scorching Ping Pong Girls – Episode 8

You folks ready for some Scorching Ping Pong Girls? Alright, that’s what I like to hear. Our last episode saw the long-awaited commencement of the team’s brutal, no-holds-barred (practice) match against Kururi and her teammates, opening with Hanabi getting thoroughly thrashed by the scorpion-striking Sasorida. Along with that, we were dazzled by such scintillating dramatic highlights as “Koyori got stuck and she can’t get down,” making for an altogether thrilling, might I even say scorching dramatic tableau.

That episode also featured more hints as to where this battle will be going thematically, which isn’t really much of a mystery at this point. Though it has many goofy embellishments that give it a whole lot of personality and charm, Scorching Ping Pong Girls is fundamentally pretty straightforward in its embracing of sports and shonen narrative conventions, and its big thematic points are basically “friendship is good” and “play for the things that bring you joy, not because you feel obligated to win.” Koyori’s relationship with Agari reflects their true, unconditional feelings, and the ways they play off each other make each of them stronger. In contrast, Kururi seems to believe that Zakuro’s friendship is reliant on her continuously offering “friendship fees,” a belief that also plays out through her insecure physical possessiveness of her friend. It’s an obvious conflict, but Scorching Ping Pong Girls isn’t really about themey-wemey stuff – it’s about having a great goddamn time, and its themes are a natural reflection of the joyous, loving relationships at its heart. I’ve been greatly enjoying this thrilling, creative, and very silly sports show, and I’m eager to get into the heart of this (practice) tournament. Let’s get to it!

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