BanG Dream! Ave Mujica – Episode 5

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today we drop in on Ave Mujica in a moment of chaos and catastrophe, with our improbable quintet once again on the verge of dissolution. What had seemed like a brief unity of purpose has proven just a mirage – for it was not Mutsumi who was gabbing gracefully with bandmates and interviewers, but the alter ego Mortis herself. Having been shamed and abandoned by everyone she once relied on, Mutsumi has retreated inside herself, leaving the manic, pattern-matching Mortis to face the outside world.

Worse still, in the wake of Mutsumi entirely abdicating control of her own body, Sakiko was the only one who noticed anything was wrong. The other girls were simply happy to have less band drama, with Uika and Umiri favoring whatever created less discord, and Nyamu actually seeing Mortis’ shape-shifting talents as evidence of Mutsumi’s professional genius. A band that is incapable of recognizing when one of its own members is mid-psychotic break couldn’t possibly serve as an emotional sanctuary – but from the start, Ave Mujica has been an act of projection and deflection, a way for Sakiko to abstract her emotions rather than embrace them, to find validation through the public embrace of a theatrical project that means nothing to anyone but her.

Obviously, such an act of performative denial was never going to make her whole. But at this point, Sakiko may no longer be able to stop what she has started, or to rescue Mutsumi from the protective clutches of Mortis. And frankly, I’m quite enjoying Mortis as an addition to the cast – she’s essentially serving as a translator between Sakiko’s melodrama and her bandmates’ professionalism, demonstrating how their various masks all conceal a common urge for unity and understanding. Let’s see how negotiations are fairing as we return to Ave Mujica!

Continue reading →

Spring 2025 – Week 13 in Review

Posted on by

Hello folks, and welcome back to Wrong Every Time. This past week saw me returning to my Anime Classics investigations with a vengeance, as I burned through the entirety of the original Super Dimensional Fortress Macross. The series was a delight on the whole, serving as a somewhat more whimsical counterpoint to Gundam’s stoic war drama. It was interesting to see how the production’s focus on music over mechanical innovation (presumably echoing its intention to sell albums rather than models) impacted its dramatic structure; with songs taking the place of new weapons, the show swerved and soared at the pace of Minmay’s emotional narrative, painting a sad portrait of an icon who is too beholden to everyone to carve a space for herself. Plus the lead pair of Hikaru and Misa actually possessed excellent chemistry, making them easy to root for as the world collapsed around them. I can see why it’s such a beloved franchise, and I’m looking forward to continuing through its various successors. But for now, let’s burn down the week in film!

Continue reading →

Shoushimin Series – Episode 2

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today we’re going to be continuing our investigations of the intriguing Shoushimin Series, originally written by Hyouka scribe Honobu Yonezawa, and adapted by the accomplished Mamoru Kanbe. The series’ first episode demonstrated both of these artists at their best, with Yonezawa offering a fresh collection of intriguing, multifaceted adolescent stars, and Kanbe bedecking their stories in a singular combination of lush background art and sterile, alienating intimacy.

So far, what is most clear about our protagonists Osanai and Jogoro is that we don’t actually know anything about them. Jogoro is observant and Osanai is indifferent to her peers, but they are otherwise self-conscious ciphers, dedicated to a project of “becoming normal” that seems to imply a goal of becoming part of the scenery, making no waves and attracting no attention from those around them. It’s a particularly bleak variation on Hyouka’s pursuit of low-energy living, and its advocates are as strange as you’d expect, their idle exchanges betraying a callous disconnection from their environment. Such ambiguity might be worrying if presented by another team; but given Yonezawa’s understanding of characterization and Kanbe’s fluency in dramatic tone, I have every reason to suspect these mysteries are purposeful, and our leads are precisely as unknowable as this team wants them to be. Let’s delve into their dark hearts as we return to Shoushimin Series!

Continue reading →

Ojamajo Doremi Sharp – Episode 15

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I thought we’d check in with Doremi and the gang for another ojamajo adventure, as our girls do their dubious best to prove themselves worthy witches. Our last outing was a fantastic slice of insanity, as Doremi’s exceptional and much-adored sister Pop took center stage, balancing the affections of her classmate and arrival of a handsome new teacher with characteristic grace. We even concluded on a reprise of Faithful Dog Doremi and her canine companions, always a clear sign of an upper echelon Doremi episode.

With our last two episodes having featured first cow and then sheep stampedes, I imagine we’re in for a quieter adventure this time, perhaps one that falls more on the emotional end of Doremi’s broad dramatic palette. We’ve certainly got the staff for it; after all, this coming episode is directed by Junichi Sato, the legendary director of Sailor Moon, Princess Tutu, and Aria the Animation. With our journey in such eminently trustworthy hands, let’s see what awaits Doremi and the girls!

Continue reading →

Ojamajo Doremi Sharp – Episode 16

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to announce we’re returning to Ojamajo Doremi Sharp, which just recently broke my heart with its poignant Mother’s Day episode. Rather than the easy layup of simply celebrating the cast’s relationships with their mothers, our last episode explored the complicated emotions inherent in feeling isolated on such occasions, how to balance your painful grief with your desire to remember your lost loved ones, and how we can seek to connect with each other and collectively find joy in these bonds, whether our parents are together, divorced, or sadly passed away.

As always, Ojamajo Doremi soars by taking both its characters and its audience seriously, speaking without prevarication or metaphor about the genuine struggles that every child must overcome, and admitting frankly that such struggles are also faced by the adults in their lives. There is no facile assurance of “growing out” of the difficulties of coexisting; instead, Doremi offers a kindly assurance that we all face these difficulties together, that the adults we trust are all fighting their own sympathetic battles, and that through sharing both our joy and our sorrow, we can find a common humanity that is the essence of love itself, and the foundation of a compassionate society.

All that is basically the great work of artistry incarnate, but that episode also made me cry, so I’d be happy enough to cool down with goofy witch-world antics or something. Maybe a reprise of Loyal Dog Doremi? Well, whatever’s coming, I have absolute faith in this team, and am eager to get this show on the road. Let’s get to it!

Continue reading →

Blue Reflection Ray – Episode 9

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today we’re returning to the battlefield of Blue Reflection Ray, after a slew of revelations left our heroes scattered and nearly without hope. In the wake of learning about her sister’s Red Reflector identity, Hiori chose to respond like she always has: by suppressing her feelings of hurt and abandonment, and acting like nothing is wrong.

Fortunately, Ruka is not the same girl she was eight episodes ago, when she lamented that she couldn’t reach out to those in pain like Hiori managed so easily. Ruka challenged Hiori to embrace her sorrow, to “realize how important your feelings are too,” and with that the dam finally broke. Just as Hiori was once able to express her pain regarding her mother’s departure to Mio, now can she express her true feelings regarding Mio to Ruka, a confidant who would never pity her.

With our lead reflectors now resonating like never before, I imagine it’s time for a counteroffensive against the increasingly audacious agents of Mio. They’ve accelerated from individual soul-stealing to app-based crowdsourcing to mass emotion-sapping weather phenomenon, and it’s up to our brave heroes to put a stop to it. Plus, with Hiori and Ruka making such positive strides, I’m hoping it’s time for Miyako to gain her own reflector credentials, and perhaps a sweet reflector weapon in the bargain. Regardless, the hour of conflict draws near as we return to Blue Reflection Ray!

Continue reading →

Spring 2025 – Week 12 in Review

Posted on by

Hello folks, and welcome back to Wrong Every Time. This week saw me at last finishing my Blue Prince adventures, which I am not ashamed to admit concluded with me looking up a whole lot of answers that I would never, ever have figured out myself. The game passed the point of what I’d consider a “reasonably achievable deduction” with the introduction of the “A New Clue” book, but I still enjoyed a more guided ride through the conclusion, and can’t really fault the game for culminating in puzzles no mortal mind could comprehend. The game’s balance of increasingly tamable roguelike runs and larger meta-puzzles is truly a magical combination; I imagine its appeal will be forever limited by its demanding nature, but for me, Blue Prince is already a pantheon property. Anyway, we’ve also got some films to get through, so let’s charge right into the Week in Review!

Continue reading →

The Legend of Vox Machina S3 – Episode 7

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to the Legend of Vox Machina, touching down in a moment of crisis and calamity for our poor adventurers. Having just secured a platemail vestige for Pike and beaten a dragon in the bargain, they returned to Whitestone to see it bathed in fire, the sky alive with Thordak’s nightmare brood. This attack marked the end of their alliance with the devious Raishan, and the beginning of a new quest: killing that asshole Anna Ripley.

So basically, it seems like we’ve surmounted the third act finale of Mercer’s overall campaign structure, in keeping with the villain-slaying standard of the Whitestone and Thunder Herd act finales. DnD is an eternal compromise between player agency and narrative necessity; stories aren’t structured arbitrarily, their rise and falls of drama are paced so as to cultivate reader interest, offer moments of release, and ultimately reward the reader for their investment. As such, while DnD campaigns are often more freewheeling than your average fantasy novel, a skillful DM will still infuse them with the structural momentum of a traditional narrative, drawing rising action together into cathartic peaks, and then humbling the party before starting that rise over again.

Incidentally, my party’s own ongoing campaign has just reached a similar point, having recently defeated the vampire Strahd with some kind of holy hand grenade. We’re actually in a much trickier spot, as the self-contained nature of the Curse of Strahd campaign means we’re now left with no dangling threads to pursue, and essentially have to reinvent a reason why we’re even traveling together. I’m doing my best to make some player-side sense of our ramblings, but have to admit I’m becoming increasingly nostalgic for my days of DM-side campaign control, as the richness of a player character is in large part a reflection of how meaningfully they can interact with the DM’s world. Let’s enjoy Mercer and Percy showing exactly how that’s done as we return to Vox Machina!

Continue reading →

Frieren: Beyond Journey’s End – Episode 11

Posted on by

Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to the wandering journeys of Frieren and her companions, in the wake of their victory over Aura the Guillotine and her executioners. Though this arc was ostensibly an articulation of demonkind’s incompatibility with human society, our last episode demonstrated that it was more specifically about Frieren’s soft-spoken hatred for demons, the experiences that led her to see them as incapable of compassion or emotion. In her attempts to define monsters, Frieren only demonstrated how her own life has led her to be so quick to assign that label.

It is now much easier to see how Frieren has drifted through life while acquiring so few emotional attachments. A conventional social structure was stolen from her as a child, while her replacement “family” Flamme taught her only to pursue power and cultivate ruthlessness. Even Flamme ended up regretting her pragmatic bond with Frieren, relenting just in time to pass on the field of flowers spell that connected her with her own parents. Given her own insistence on adorning Himmel’s monument with flowers, it’s clear that lesson stuck – but otherwise, Frieren’s lessons and temperament reveal she is precisely the weapon Flamme made of her, no more or less.

As such, it is up to this current journey to teach her new lessons, to invite her to find love and sanctuary in others, even if such unions will inevitably pass. Every day with Fern and Stark demonstrates that time spent with valued companions is never time wasted – in fact, it is often the seemingly idle, shapeless days that stand most clearly in memory, typifying the spirit of mutual fondness that made your time together so special. Let’s see what fresh memories await as we return to Frieren!

Continue reading →

Yuri is My Job! – Episode 10

Posted on by

Hello folks, and welcome back to Wrong Every Time! Today we return to Cafe Liebe in a moment of crisis, with the tension between Kanoko and Sumika approaching some kind of breaking point. While Kanoko initially joined the Cafe Liebe staff just to spend more time with Hime, what she has discovered since has proven intolerable. Not only is Hime thriving in this space, she’s even reconnected with her first friend, who seems to share some bond with Hime that Kanoko herself cannot understand. What happened to her Hime, the Hime who secretly despised all others, and who was only willing to share her earnest feelings while nestled against Kanoko’s shoulder? This clearly will not stand!

Kanoko’s perspective is unhealthy, but perfectly understandable. While Hime initially thought she was teaching Kanoko how to get along in society, the lesson Kanoko received was to always rely on her specifically, and to trust in Hime to be her sole confidant in an otherwise hostile world. But in spite of Hime’s cynicism regarding social performances, she’s actually a deeply empathetic person; while Kanoko simply tunes out her surroundings, Hime is always aware of people like Mitsuki or Kanoko, those who need help connecting with others, or a particular space where their personalities can shine. Hime’s personal bonds are a route towards a greater general appreciation for people’s diverse personalities and passions, while Kanoko has made a fortress of her one bond, seeing Hime as the only connection she’ll ever need. That’s obviously unsustainable, meaning the question is really just “how much will Kanoko tear down before she starts to grow up?” Let’s find out!

Continue reading →