BanG Dream! It’s MyGO!!!!! – Episode 8

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Hello folks, and welcome back to Wrong Every Time. Today I am impatient to return to the thunderous drama of MyGO, in the wake of the casual all-timer that was the band’s first live performance. Like MyGO’s third episode, the seventh was a masterclass in focus and perspective, drawing the audience into the band’s precise headspace through its patient evocation of the tension in the green room. And then that performance! Their two songs proved a staggering celebration of how far our heroes have come, with Anon’s diligent practice and Tomori’s courage leading them through a genuinely impressive concert set. And unlike many musical dramas, it never felt like we were switching a flip into confident “performance mode” – these were the characters we’ve come to know on-stage, insecurities and limitations and regrets included.

Of course, some of our bandmates were carrying more regrets than others. This performance was a great victory for most of our group: Anon proved to herself and the others that she can actually keep up with them as a musician, Taki’s anxieties about leadership were put to rest by the success of the final result, and Tomori was able to affirm the validity of this new sunny spot, this Haru Hikage that sounds different, but still feels like home. But for Soyo, this band has never been its own reward. It has been a means to reunite with the members of CRYCHIC, a placeholder bearing stand-ins soon to be replaced by Sakiko and Mutsumi. With the new group’s rendition of Haru Hikage essentially confirming Tomori has replaced Sakiko, and Sakiko acknowledging this statement with a tearful exit, Soyo’s cheerful façade has shattered. Soyo’s out for blood, and I can’t wait to see the fallout; after all, one of my favorite character arcs is “guarded cynic learns their friends still appreciate their true self,” plus Anon’s sure to be delightfully unbearable about Soyo finally showing some earnest feelings. Let’s get to it!

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Fall 2023 – Week 11 in Review

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Hello folks, and welcome back to Wrong Every Time. Today I am suffering under the weight of an illness that I’m hoping against hope isn’t COVID, and can only pray you’re all having a much easier time of it this December. Fortunately, I’ve stacked up so many film and series screenings over the past few weeks that our reviews are under no threat of abating; in fact, I’ve actually increased my review buffer substantially, while continuing my march through the year’s most noteworthy animated offerings. This week I finished off Pluto and immediately dove into Scott Pilgrim Takes Off, a show which took the inherently inessential nature of a Scott Pilgrim adaptation and turned it into a proud statement of purpose. I’ll have more to say on Scott next week, but for now, let’s run down Pluto and some fresh seasonal offerings in the Week in Review!

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Kaiba – Episode 10

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With Neyro and the Warp she knew as Kaiba tragically reunited, our tenth episode begins just before their first meeting, at the moment their story began. We open with Warp flying high above his planet of swirling canyons and grasping towers, his strange and claustrophobic kingdom. Dirt below and smog above; it is an oddly insular world, in spite of his position on the throne of this transhumanist empire. The more you seek to control your world, the more narrow that world will become; we cannot hope to claim ownership over humanity’s sprawling potential, only limit that potential to the point where it can fit within our grasp. Humanity can only express its true vibrancy unchained; we have seen the brightness of humanity struggling onward in the private margins of this world, but here in the seat of Warp’s power, there is nothing but refuse and resentment.

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Spy x Family – Episode 26

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Hello folks, and welcome back to Wrong Every Time. Today I am tossing and turning in the maelstrom winds of the apartment hunt process, which has understandably got my nerves a-frazzling. As such, I’m feeling hungry for some animated comfort food, and fortunately the second season of Spy x Family has arrived just in time to wrap us all in a collective blanket of familial cheer. Spy x Family’s first season was consistently funny, often surprisingly thrilling, and perpetually brimming with love for its awkward protagonists. Tatsuya Endo has proven to be an inventive sculptor of both spy and family drama, and the combined talents of Cloverworks and Wit Studio have made for a persistently generous animated adaptation. With last season having concluded on the fateful first encounter between Loid and his target Donovan Desmond, I’m eager to see both the continuation of Operation Strix and the Forgers’ further cohesion into something resembling a functional family. Let’s get to it!

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Yuki Yuna is a Hero – Episode 6

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Hello folks, and welcome back to Wrong Every Time. Today I figured we’d check in on the continuing adventures of Yuki Yuna and her hero club, and satisfy my intense curiosity regarding what exactly we’ll be doing with the rest of the season. You see, the normal procession with magical girls is generally one antagonist an episode, all leading up to an eventual showdown with the big boss somewhere near the end of the production. However, Yuki Yuna has casually flouted this assumed structure, piling the entirety of its remaining antagonists into its fifth episode, and having our heroes claim their grand victory before we’d even reached the season’s halfway point.

This is all quite exciting stuff to me, as you might guess. There’s nothing wrong with reliable narrative templates; sturdy scaffolding can allow artists to hone in on smaller details of presentation, characterization, or whatever else a story prioritizes. However, it is through breaking with convention that you often find new intersections of structure and dramatic impact, while unmooring your audience such that they experience your twists with the intensity of true surprise, no more certain of their destination than your characters. Let’s see what the horizon holds in a fresh episode of Yuki Yuna!

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Fall 2023 – Week 10 in Review

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Hello folks, and welcome back to Wrong Every Time. This week I’ve been continuing my efforts to catch up on all of the year’s outstanding, er, outstanding anime, following up on Vinland Saga and The Witch From Mercury with the recently released adaptation of Pluto. I’ve been quite enjoying the production, and will likely have full thoughts on that one for next week, which will hopefully leave me with enough time to sneak in Scott Pilgrim before the year’s end. Anything else I’m missing? I’m already mostly through MyGO, and happily munching through Skip and Loafer whenever a new episode is funded, so I suppose the last question is whether Freiren is worth a viewing. But recent anime aside, my house has also been storming through a variable hodgepodge of feature films, ranging from ‘70s thrillers to horror hot off the press, and they’ve all left me with some urgent thoughts to share. Let’s burn down a fresh collection of films in the Week in Review!

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Horus, Prince of the Sun

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Hello folks, and welcome back to Wrong Every Time. Today I am thrilled to announce we’re returning to the classic films of Toei Doga, and what’s more, we’ll be watching the film that’s generally considered the pinnacle of the era: Isao Takahata’s directorial debut, Horus, Prince of the Sun.

Though even the earliest films of Toei Doga demonstrate the talent of mainstays like Yasuji Mori and Yasuo Otsuka, it was Horus where a new generation of talents really came into their own, including Takahata and Hayao Miyazaki. Bonded all the closer by the ongoing labor protests, Horus’ team would create a high water mark in animation that simultaneously served as a broadening of animation’s potential. As Miyazaki would describe it, Horus embodied the world of animation shifting from one of farce to “Chishu Ryu’s world,” widening the medium’s dramatic priorities and opening the door to thoughtful, meditative works that went beyond energetic escapism.

So basically, that strain of inquisitive melancholy that so fascinates me in anime was in many ways forged in the production of Horus, owing largely to Isao Takahata’s unique and far-seeing perspective. It’s the same thoughtful approach that would lend such gravity to his later Ghibli films, that would migrate out to inform generations of future animators, that would ring through to the modern era through the works of artists like Naoko Yamada. Otsuka would happily admit that this turning point was the moment anime as a medium stretched beyond his own ambitions, and that he’d rather “let the director direct, and have fun doing my own thing.” Miyazaki’s description of this change was humble as well, as he admitted that “only Yasuji Mori” understood the essence of Horus was the melancholy girl Hilda, not the adventures of Horus himself.

Even today, anime for the most part constrains itself to stories of adolescent adventure, indulgence, and bravado. But for the productions that reach beyond such topics, that struggle to depict ordinary happiness and everyday melancholy, the substance of lives as they are lived – for those stories, Horus was a guiding star, and a triumph of animation by any standard. Let’s get to it!

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BanG Dream! It’s MyGO!!!!! – Episode 7

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to jump back into the thorny drama of MyGO, as our fledgling bandmates continue to tumble over each other both literally and emotionally. Most recently, Taki’s attempt to live up to Sakiko’s band leader legacy has left her anxious and overwhelmed, with the specter of CRYCHIC clearly still haunting our new band’s every step. Taki has been holding herself to an impossible standard, so desperate not to lose Tomori that she nearly destroyed the band in the process. Fortunately, our as-yet-unnamed new group is not nearly so brittle as the last; our players may stumble, but Tomori will always be there with a bandaid for their skinned knees.

As always, MyGO has articulated the band’s latest fault lines with uncommon grace and thoughtfulness, quietly emphasizing the very different ways each member perceives this group. Soyo is still desperate to create CRYCHIC 2.0, and her increasingly vocal indifference to Anon’s presence, combined with Taki’s desire to push Anon out of the active composition altogether, have made it clear that the band is essentially composed of two discordant social groups. But Anon is not the flighty transient she once was; having committed to sharing her feelings with Tomori, she’s now genuinely invested in this group, as her retrieval of Taki well demonstrated. And Taki herself is nothing if not earnest; if she can get over her dislike of Anon, the group will possess an iron core strong enough to weather both Soyo’s machinations and Raana’s unreliable attendance. Let’s see how our heroes fare in a fresh episode of MyGO!

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Hugtto! Precure – Episode 40

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into Hugtto! Precure, as we continue to soar towards its approaching endgame. It’s clear enough that the time for fun episodic larks is largely behind us; in fact, last episode felt very much like we were already at the climax, with its thunderous reveals regarding Harry and Risutol’s shared history clarifying much about Criasu’s relationship with the hamsters. Characters like Risutol and Bishin didn’t simply embrace evil, they were recruited via Criasu’s promises to save their dying village – and having embraced complicity and lost their homes anyway, they now hope simply to maintain whatever community is left to them on the other side.

Having shed some light on the origins of George’s final accomplice, I’m excited to see what the episode to come reveals about dear old Dr. Traum, who’s always struck me as one of the most charming Criasu collaborators. His ambivalence towards the future seems to come from a place of painful personal experience, while his creation of Lulu points to a fundamental disagreement with the Criasu credo. To have a child is to express a gesture of faith in the future, that it will be a safer, kinder place for the ones who follow you. As we approach the end, it seems Traum may be regretting his prior actions, and hoping to at least spend a little more time with his beloved daughter. Let’s see how this odd family is faring!

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Fall 2023 – Week 9 in Review

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Hello folks, and welcome back to Wrong Every Time. With my new apartment now more or less settling into a peaceful routine, all of the humbler creatures within our film screening ecosystem are at last returning to the forest. In less metaphorically incoherent terms, that means we’ve been slotting in more dubious afternoon features to accompany our distinguished evening viewings, and once again plumbing the depths of Netflix, Hulu, and Tubi’s exceedingly variable collections. To be honest, I can’t even fully blame this on my housemates – I’ve made a couple wild swings of my own with recent recommendations, and bear no small part of blame in our recent parade of trash. Nonetheless, the critiques will carry on – whether recommending new favorites or serving as a cautionary tale for others, I take my screenings extremely seriously, and come to you today with a fresh helping of carefully scrutinized cinema. Let’s get to it!

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