The second volume of Chainsaw Man is a good deal like the first: irreverent, incendiary, and too preoccupied with the base necessity of things like food and shelter to concern itself with high-minded heroism. As Denji and Power are drawn further into the machinations of the Public Safety Bureau, they remain emphatically indifferent to its goals, finding more motivation in the prospect of boobs or gum than the pursuit of justice or civil order. And how can you blame them? What has justice or civil order ever done for them, either when they were wild and desperate on the streets, or now as imprisoned agents of the state? If Denji and Power come across like beasts, it is only them reacting to a world that’s already assigned them that designation, a world that wouldn’t accept them even if they played by its stultifying, hypocritical rules.
Star Driver – Episode 18
Hello folks, and welcome back to Wrong Every Time. Today I’m eager to storm back into Star Driver, which most recently commenced its third act with the introduction of Ko and Madoka, alongside a power grab by Head that has left him as the undisputed leader of the Kiraboshi council. Between Head’s clear hostility and the growing misgivings of Kiraboshi leaders like Kanako and Benio, I’m guessing the time for plotting in dimly lit council chambers is coming to a close, as we lead into Star Driver’s tumultuous finale.
Where is all this chaotic striving headed, you ask? Well, while I’m not sure the precise narrative destination of Kiraboshi’s variable machinations, it’s easy enough to see how things are culminating in a thematic sense. Just like he did with Revolutionary Girl Utena, Enokido has constructed a cage of adolescence overseen by adults who wish to harness the power of youth, wherein the barriers of propriety and insecurity form invisible but nonetheless implacable bars.
Sex is at the center of this universe, yet it is framed as unreachable, the uncertainty of our protagonists recast as the lock and key to oblivion in the form of the shrine maiden system. The yonic gate of Wako’s shrine, the phallic weapon that is the King’s Pillar – all roads lead towards consummation, and yet the act itself is framed as the end of the world, thereby echoing in worldbuilding the war between natural instincts and conservative social mores the whole cast is struggling with. To overcome this system, Takuto will undoubtedly have to reach out his hand as Utena once did, and forge a bond that denies and shatters the staid ethics of Southern Cross Isle. Let’s get to it!
Spy x Family – Episode 18
Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into Spy x Family, and see if Anya’s skillfully executed Griffin Plan has earned her any points with the dreaded Damian. The end result of their collaboration threaded the narrow needle of impressing school officials while being useless as an offering to Damian’s father, so I imagine Damian’s own feelings are as jumbled as Anya’s collaborative blessing. Regardless, the episode offered us significant insight into Damian’s motivation, with Anya’s powers offering us a window into his sense of alienation and inferiority relative to his brother.
Damian and his family are clearly being set up as a thematic inverse of the Forgers: while the Forgers are a technically fake family that genuinely love each other, the Desmonds are a technically real family that share no personal affection. In fact, it seems like Damian’s closest confidant is the one member of his family who isn’t related by blood, his butler Jeeves. I’m always a sucker for these “families are the people you choose” sorts of narratives, and love the particular disconnect represented by Anya and Damian’s relationship. What Damian truly needs is someone who cares about him for reasons other than his status, and thus teaches him to avoid reproducing his family dynamic in his school life (as he has with his current toadies). Anya isn’t mature enough to realize this, but in her flailing attempts to impress him through stuff like showing off her cool dog, she’s nonetheless offering friendship without strings, and showing him that not all relationships need to be about structures of power. Let’s see how these kids are doing as we return to Spy x Family!
Spring 2023 – Week 4 in Review
Hello folks, and welcome on back to Wrong Every Time. It’s a beautiful day out today, so I’ll try and keep this brief so we can all enjoy the sun. I’ve certainly done enough sun-shunning already these past few days; my housemate’s idle interest in checking out Bloodborne has predictably turned into an all-Souls rampage conducted by three of us, with Bloodborne and Demon’s Souls falling in quick succession, and the original Dark Souls soon to follow. The games are certainly still challenging, but I’ve played all of them enough that this journey also feels nostalgic and even cozy; there is a certainty of input and response in FromSoft games that makes mastery feel much like a dance, while seeing a new player deal with their “sense of humor” is almost as good as playing through it yourself. And of course, we also made time for a fresh collection of films, including some timely holiday selections. Let’s get to work!
Kaiba – Episode 6
After several episodes spent exploring the individual human tragedies fomented by Kaiba’s system of purchasing bodies, wherein debt slavery can steal not just your time and labor, but your very ability to interact with the world, episode five brought us to the bleeding edge of transhumanism. The promise of new limbs and healthy bodies for those suffering from disease or injury has been discarded; after all, what good is a customer who purchases your product and is then content, with no desire to make future purchases? No, the customers for this miracle technology must be perpetually discontent, always purchasing the latest in body-morphing innovations, and never satisfied with the results. The future of capitalism is a donkey chasing a carrot on a string, while consistently paying his masters for the privilege.
The Legend of Vox Machina S2 – Episode 5
Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into Vox Machina, wherein Vax just received a grim premonition regarding some world-ending calamity. With the continent already beset by a horde of dragons, adding some additional apocalyptic threat just seems like poor sportsmanship, but I’m sure Mercer’s got a plan here. Either way, last episode also provided plenty of useful lessons regarding both hiding the inevitability of a conflict that’s largely on rails, as well as splitting the party between two simultaneous conflicts, so I still had plenty to munch on.
As for my own campaign, I am happy to report that we’ve had two outstanding sessions since last I checked in, as my party journeyed west to gather allies for their own calamitous conflict. The first session was a uniquely tricky one, as it involved the party stopping by the family estate of one of my player characters, thus necessitating a fair amount of side prep with that player. I was worried introducing a whole family at once would be too busy and that some characters would get lost in the shuffle, but the event turned out to be a total hit, and we actually ended up running long just because people wanted to see the ending. I think I’m generally getting a better handle on the exact degree of prep writing necessary to smoothly direct a quest, and am thus able to channel all my energy into crafting atmosphere within the moment, making my prepped work land with that much more impact. But I’ve rambled enough about my own efforts – Vox Machina have a quest to finish, and I’m eager to see them through it. Let’s hunt some dragons!
Bocchi the Rock! – Episode 5
Hello folks, and welcome back to Wrong Every Time. Today we’ll be returning to the trials and tribulations of Bocchidom, in the wake of an episode that actually saw Bocchi earning some key victories. After first attempting to write a set of generic lyrics in order to please some imagined general audience, Bocchi received some key advice from Ryo, who told her that there’s no point in playing music if it means abandoning your uniqueness. Music has always been Bocchi’s creative outlet, and behind the guitar is where she is most authentically herself – why give up what makes music worth pursuing simply because the world might not resonate with your sound? In fact, playing music authentically is one of the best ways to find your people, to send out an earnest signal and see who resonates with your heart’s cry.
With that pep talk behind her, Bocchi reemerged with a flurry of Bocchi-authentic downer lyrics, and was rewarded for her bravery with a stack of band photos. Sure, maybe wallpapering her room with those photos was a little much, but two steps forward one step back is ultimately still one step forward. Let’s see how her journey fares as the band construct their first song!
Spring 2023 – Week 3 in Review
Hello folks, and welcome back to Wrong Every Time. Today I write to you from the midst of a spring cleaning embodying mind, body, and home, as dusting and vacuuming are accompanied by a renewed commitment to a regular exercise regimen. I know, I know, I say this every spring, but I really mean it this time! And don’t worry, this alleged commitment to self-care hasn’t gotten in the way of vegetating in front of various media objects. I’m actually over halfway through Dennou Coil at this point, and though the start was a bit slow, I’m at last fully engaged with its rogue-data-as-folklore episodic conceits, as well as its quiet lament for the death of neighborhoods that facilitate such idyllic childhoods. It’s got both Patlabor The Movie and Rainbow Fireflies vibes, and that is a very good place to be. Anyway, I’ll have more composed thoughts on Dennou Coil once I’ve finished. For now, let’s charge through a fresh collection of feature films!
A Tropical Fish Yearns For Snow – Volume 1
It’s funny, but often the hardest things to criticize are those which are simply Nice. Not wildly ambitious in their formal construction, not instructive or at least humorous in their variable failings, but simply a very pleasant time with some likable characters. So it goes for A Tropical Fish Yearns For Snow, whose first volume charmed me utterly, while also leaving me with little to offer beyond an earnest “I just think they’re neat.” But I will try my best to explicate that feeling a little more, as we explore this gentle and charming love story.
Tsurune S2 – Episode 3
Hello folks, and welcome back to Wrong Every Time. Today we’re charging back into Tsurune in the midst of the regional tournament, with our Kazemai heroes having just secured sixteen hits in their first round. Meanwhile, old bonds and new rivalries are emerging and asserting themselves across the board, from Kaito’s reunion with his old teammates to Minato crossing paths with two separate former rivals. It’s a busy narrative stew, but in the hands of director Takuya Yamamura and his incredible team, all of these threads have been interwoven with incredible grace, conflicts often requiring no more than a pointed expression or juxtaposition of storyboarding to clarify.
Through its elegance of form, Tsurune has been consistently demonstrating how formal beauty of animation or boarding are not simply their own reward – they are tools through which novel forms of storytelling are made possible, allowing a theoretically dense narrative to come across as light and effortless. Relationships like that of Minato and Shu can be clarified with a glance and a gesture, rather than engaging in laborious and unnatural acts of exposition. A work like Tsurune demonstrates how the inherent intentionality of every drawn choice in animation can make for a uniquely resonance-rich drama, with every aesthetic element facilitating the story in its own way. Let’s see what new treasures this team offers as the tournament continues!