Yuki Yuna is a Hero – Episode 11

Hello folks, and welcome back to Wrong Every Time. Today we return to a scene of epic tragedy, as the young two-time hero Togo faces off against all the forces of the cosmos. Everything she once believed in has been proven false; rather than noble defenders of her proud homeland, she has learned they are actually just human sacrifices, destined to torture themselves in pointless battles all for the sake of the Divine Tree’s sustenance. They are pawns of an arbitrary conflict between gods, and what’s worse, it was Togo herself who was utilized as the instrument of Yuna’s demise, guided into friendship entirely so Yuna might eventually be exploited as a “hero” as well.

It is a hard thing to learn your home only sees you as meat for the grinder, particularly for someone as civic-minded as Togo. Her desire to support her home and Yuna’s general concern for those surround her were both ruthless exploited by the Taisha; drawn away from their genuine community-oriented club activities, their selflessness was instead directed towards an arbitrary conflict of and for the gods alone, a shortsighted response to heaven’s own shortsighted failings. Given all this, it is no surprise that Togo now wants only to burn it all down, and at least ensure no future heroes are similarly betrayed by their own kindness. Let’s see how her battle fares!

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Skip and Loafer – Episode 8

Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into Skip and Loafer, for an episode that promises some of our most intense drama so far! I know, honestly not the biggest threat for this charmingly mild-mannered production, but I’m nonetheless excited to see Shima confront some of the lingering aspects of his past, and for Mitsumi to grapple with what exactly Shima means to her.

So far, Mitsumi has been enjoying a lighthearted high school life by virtue of her own personal buoyancy, being able to both draw people towards her and rise above her own insecurities through her earnest positivity and relative maturity in pursuit of her life goals. She has avoided friction by not imposing herself on others, but love is necessarily an imposition: a hopefully positive one, yes, but nonetheless a request to meaningfully insert yourself into the life of another, and act with their feelings in mind with the understanding that they’ll be doing the same.

As Shima’s old friend noted, our boy has already unconsciously begun this process, but introducing a rival for his affections will quite likely force him to make his connection with Mitsumi explicit, which would go against the carefree persona he’s adopted as a shield against painful consequences. Shima had gotten very close to the point of successfully shrugging his way into a relationship with Mitsumi, but Ririka’s arrival seems poised to force him into actively committing to his desires, with all the unwanted responsibility that entails. Let’s see how our lovebirds fare as we return to Skip and Loafer!

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Frieren: Beyond Journey’s End – Episode 3

Hello folks, and welcome back to Wrong Every Time. Today I thought we might check back in on the gentle drama of Freiren: Beyond Journey’s End, and see what our perpetually unbothered mage and her young apprentice are getting up to. Our last episode actually covered a great deal of ground, taking us from the last years of Heiter’s life through the first years of Fern’s wandering with Frieren, which turned out to involve a lot less glamor than Fern was expecting. Helping with errands, gathering niche magical proficiencies, and venerating those who came before: Frieren’s passions are not exactly the peak of fantastical drama, and that is precisely what makes this production special.

In our frequently action-obsessed animated media ecosystem, the idea of fantasy not being a route to power, but instead a tool for achieving greater understanding, appreciation, and integration into the world around us makes for a lovely change of pace. And Frieren doesn’t simply luxuriate in its unique atmosphere; through the course of its meditative vignettes, it takes the long view in grappling with the idea of a “life well-lived,” using its heroine’s unique perspective to consider how we might pass each moment without regret, as well as the legacy we will ultimately leave behind us. Great acts of momentary glory tend to fade in memory; what remains is often intimate and incidental, allegedly idle moments shared with the people we love. Let’s see what our wandering mages get up to this time!

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Star Driver – Episode 25

Hello folks, and welcome back to Wrong Every Time. Today I imagine we’re in for one hell of a bumpy ride, as we join Takuto for the grand finale of the whimsical, richly layered, and altogether thrilling Star Driver. With anime legends Igarashi and Enokido at the helm, Star Driver has offered plenty of the theatrical embellishments, adolescent psychological inquiry, and grand theories of human relations that I’d expect from such distinctive, creatively driven artists. We’ve rambled from baseball episodes to creation myths, pursuing all the while that indistinct horizon of the adult world, where the legends and rituals that have guided us prove themselves either trustworthy signposts or merely the bars of a larger cage.

Southern Cross Isle’s patriarchal order is ultimately ruled by fear; fear of female agency, fear of the adult world, and most fundamentally fear of being unmoored, of no longer being the lord of your domain. Sugata’s predecessors feared losing power so much that they essentially became avatars of power alone, sacrificing their ability to choose their own destiny just to ensure that others would be similarly contained. Kiraboshi have come up with a unique solution to their simultaneous fear of the external world and desire for greater power: simply expand their cage outward, capturing the entire world within the domain of their abilities. But to those who’ve chosen to walk away from the island, to all those painted women Tokio failed to capture, the solution is far simpler. Can Takuto break the bars of Southern Cross, and rise fearlessly upward into adulthood? Let’s find out!

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Dear Brother – Episode 8

Hello folks, and welcome back to Wrong Every Time. Today I am delighted to be returning to the operatic and perpetually thrilling Dear Brother, as Nanako continues her trials at the magnificent Seiran Academy. After half a dozen episodes of increasing torment and isolation, our last visit at last provided a measure of relief for Nanako, with her best friend Tomoko finally returning to her side. In spite of the machinations of the delightfully devious Shinobu, some friendships are beyond even her ability to foul things up, and a last gasp of cruelty from Misaki proved just the thing to restore Tomoko to her side.

Along with that reconciliation, Nanako has been further bolstering her position through her connections with Saint-Juste and Kaoru, the latter of whom seems to have accepted Nanako as a personal project. Such alliances will surely become necessary soon, as there are greater threats at Seiran than the petty attacks of Nanako’s fellow freshmen. It’s a rare show that gets me so caught up in the tempestuous wanderings of episodic drama, but Ryoko Ikeda’s combination of inventive individual setpieces and looming intrigues more than qualifies, to say nothing of Dezaki’s dazzling adaptation. Let’s see what trials await as we return to Seiran Academy!

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Galaxy Express 999 – Episode 1

Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to announce we’re embarking on a journey through another beloved classic of anime, the TV adaptation of Leiji Matsumoto’s Galaxy Express 999. Inspired by the fantastical Night on the Galactic Railroad (itself the recipient of a majestic anime film adaptation, to say nothing of its significance to Ikuhara’s Mawaru Penguindrum), Galaxy Express tells the story of a young boy who wishes to live forever, and boards the space train Galaxy Express 999 in the hopes of receiving the metal body that will realize his dreams. Along the way, he joins up with a beautiful, mysterious woman with her own reasons for the journey, and experiences a dazzling array of adventures as he travels to the end of the line.

Alongside Space Battleship Yamato and Captain Harlock, Galaxy Express stands as one of Matsumoto’s most consequential contributions to manga and animation, a classic whose influence can be felt in the scope and style of space operas to this day. His work is also one of my most significant remaining blind spots regarding the history of anime, and I am thus absolutely thrilled to be starting this adventure. As for the staff, chief director Nobutaka Nishizawa appears to be most notable for his significant work on this franchise itself, though I’m intrigued to see this episode’s screenwriter also wrote the harrowing Space Runaway Ideon: Be Invoked. Let’s see what’s on offer as we board the Galaxy Express!

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Spring 2024 – Week 13 in Review

Hello folks, and welcome back to Wrong Every Time. Today I come to you with a fresh pile of films and more besides, as my house has just recently concluded our screening of Nadia: The Secret of Blue Water. The show ended up falling significantly below my expectations in terms of overall quality, but it was nonetheless quite interesting to see GAINAX struggling through their first television production, establishing many of the concepts that would go on to inform Evangelion, and otherwise fumbling through an oddly lopsided mixture of Lupin, World Masterpiece Theater, and Space Battleship Yamato. With Nadia done, I’m guessing we’ll be continuing our Gundam journey with Victory Gundam, and also finishing off the surprisingly addictive League of Legends: Arcane. But for now, let’s run down the spoils of our latest Week in Review!

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Neon Genesis Evangelion – Episode 23

Darkness looms over Misato’s apartment as we return to Shinji’s caretaker, now cocooned in the repetition of a painful, desperate ritual. Instant ramen cups lie unattended and spoiling on the floor, beer cans stack up around her bed, and a familiar voice hangs in the air: Kaji’s final message, Misato’s last connection to the man she loved. His encouragement to “go forward without any hesitation” rings bitterly hollow as Misato hunches over her desk, happier to hunch in this loop of familiar feedback rather than strike out into the cold, lonely world.

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The Big O – Episode 20

Hello folks, and welcome back to Wrong Every Time. Today we’re returning once more to the city of Paradigm, as Roger Smith attempts to divine what fragments of his past identity he can use to construct his future self. As external invaders continue to pierce the veil of Paradigm’s manufactured reality, Roger himself is coming to doubt the role he has been assigned, knowing full well that his control of the megadeus is not an expression of agency, but a fulfillment of his “father” Rosewater’s wishes. So then, as Roger himself recently asked, “who is my real enemy?”

Well, that’s a complicated question. The easy answer would be “Rosewater,” as he’s clearly the one currently pulling the strings behind Paradigm’s current age of amnesia. But Rosewater himself appears to be channeling his energies towards fighting some external threat, the survivors of a world gone mad attempting to puncture the bubble of Paradigm’s security. Mankind’s hubris will always lead us towards forbidden knowledge, whether it’s the technology that wrecked the world or the sins that were buried forty years ago. Like many men, Roger is a hammer in search of a nail; he play-acts an agent of truth and justice as a “negotiator,” but the secrets he uncovers may prove themselves more dangerous than any of the foes he’s dispatched. Let’s see where his fraught path takes him as we return to The Big O!

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Anne of Green Gables – Episode 15

Hello folks, and welcome back to Wrong Every Time. Today I’m eager to return to Anne of Green Gables, as we catch up on Anne in yet another moment of crisis. Having initially taken to her schooling like a fish to water, she was then blindsided by the arrival of the hated Gilbert Blythe, who had the audacity to not only stare at a strange woman, but also pull her hair! Clearly this would not stand, and so Anne swiftly commenced a retaliatory operation, refusing to engage with either the detestable Gilbert or her teacher Mr. Phillips. And now, her war has come to this: she will not be returning to school ever again, for her pride and very soul demand that she see this injustice righted.

Well, at least that’s presumably how Anne sees it. Marilla is currently tolerating this rebellion purely because she assumes it won’t last the week, and that seems like a perfectly sensible approach at the moment. This is essentially a battle between Anne’s pride and Anne’s curiosity, and though she is indeed fiercely proud, she is even more curious about the world around her. As far as the staff goes, this episode sees the return of the legendary Yoshiyuki Tomino on storyboards, so I’m looking forward to more evocative layouts reminiscent of that whole Marilla’s Brooch saga. Let’s get to it!

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