Hello everyone, and welcome back to Wrong Every Time. Today I thought we’d continue our journey through Sherlock Hound, that beautiful collaboration between TMS Entertainment and the Italian public broadcasting corporation RAI. So far, Sherlock Hound’s inviting aesthetic and measured storytelling have felt akin to the legendary World Masterpiece Theater productions, and with good reason – many of Sherlock Hound’s key staff members also worked on WMT productions, including scriptwriter Yoshihisa Araki, storyboarder Seiji Okuda, and of course, director Hayao Miyazaki. The late ‘70s and early ‘80s were an incredibly fertile time period in anime production, as a new generation of master artists brought to life a diverse selection of world literature.
So far, Sherlock Hound seems a tad more fantastical than its WMT contemporaries, embracing elements of science fiction and action-adventure that seem more specifically up Miyazaki’s alley. That’s all fine by me; I’m happy to season my Arthur Conan Doyle with a hearty dash of Lupin the Third, and perhaps even a garnish of Future Boy Conan. Speaking of which, episode two was actually directed by Keiji Hayakawa, who served as assistant director under Miyazaki on the Conan film, so I imagine we’ve got more high-flying adventures in short order. Let’s get to it!