Category Archives: Episode Writeup

Bocchi the Rock! – Episode 8

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Hello folks, and welcome back to Wrong Every Time. The day of Kessoku Band’s long-awaited second performance has dawned cold and gloomy, a torrential rain greeting our would-be rockers. To Bocchi, this is clearly a sign of a doomed performance to come, and it’s certainly undeniable that awful weather makes folks less likely to get out and about. But Starry is a niche club with a reliable clientele, and a little rain never hurt anyone; they may not get as much foot traffic, but those tickets they sold will surely earn them some spectators.

Regardless, the big question here is not whether anyone will show up, but rather if Bocchi and company are truly ready to perform for them. The band was frankly a wreck the last time they performed, and though Nijika’s sister is accommodating, she’s not going to torpedo her club for the sake of her sister’s idle ambitions. As such, this performance will serve as a referendum on exactly how far our protagonists have grown. Are Ryo and Nijika at the point where they can trust their bandmates, and not just play in their own little world? Has Kita mastered the guitar sufficiently that she can both play and sing at once? And most of all, will Bocchi be able to look up from her guitar while playing with confidence, and experience that incomparable rush of communicating your heart’s voice to a crowd, and being met with love in return?

This concert being a disaster seems like it’d be a bit mean-spirited even for Bocchi, so I’m excited to see how all our rockers conduct themselves. The great trick of music dramas is that they can harness the power of musical performance as narrative, character-reflective statements, resulting in expressions of selfhood as powerful as the impromptu jam sessions of Kids on the Slope, or the rambling performances of On-Gaku, or the transcendent climax of Liz and the Blue Bird. All of those moments count among my favorites in animation, and I’m eager to see what Bocchi can pull off. Let’s get to it!

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The Demon Girl Next Door S2 – Episode 10

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Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to The Demon Girl Next Door, following up on one of the series’ warmest and fuzziest entries so far. Though Momo and Shamiko’s zoo date ended up sabotaged by their so-called friends, the ensuing trip to Sakura’s shrine proved just the romantic excursion they were hoping for, with Momo embracing greater honesty in expressing her feelings and Shamiko embracing more horniness all around. Plus she won her first demonic battle! A tremendous victory for Shamiko.

On a metaphorical level, Momo’s issues purifying and regulating her magic serve as a fine echo of her personal difficulty in opening up to Shamiko, and figuring out how to orient and define herself as someone within Shamiko’s life. Momo’s life of isolation has taught her to be self-sufficient, and she was comfortable enough doting on Shamiko as a helpless project, but learning how to exist as equals, with all the emotional vulnerability that implies, has been a difficult process. “Who am I when I’m with you” can be a difficult question for young lovers to answer, and for Momo, that question is lent further urgency via the harsh consequences of melding magic. Let’s see how our young couple is faring!

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Yasuo Otsuka’s Joy of Motion

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Hey folks, and welcome back to Wrong Every Time. Today we’ll be exploring a film that falls a touch outside our usual wheelhouse, but which nonetheless seems like an absolutely essential viewing. Today we’ll be watching Joy in Motion, a documentary about the impeachable animation legend Yasuo Otsuka. Otsuka was a crucial figure right from the beginning of anime’s film history, making key contributions to the early films of Toei Doga, and championing a style of animated unreality that would go on to influence countless future animators.

Along with making iconic contributions to early films like Saiyuki and The Little Prince and the Eight-Headed Dragon, Otsuka would also prove to be an essential mentor to the next generation of animators. He served as animation director on Isao Takahata’s landmark film debut Horus, Prince of the Sun, and also worked on early Hayao Miyazaki productions like Lupin III and Future Boy Conan, nurturing two talents who’d come to define prestige anime film productions. His credits stretch across a literal half-century, and his influence even further; rather than inspiring specific individual techniques, it might be more accurately said that Otsuka’s style helped define what cinematic anime would look like in a general sense. Anime would not be what it is without Otsuka, and I’m eager to hear the man himself drop some knowledge on us all. Let’s get to it!

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Yuki Yuna is a Hero – Episode 1

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Hello folks, and welcome back to Wrong Every Time. Today I’m pleased to announce we’ll be embarking on a brand new adventure, as we check out the first episode of Yuki Yuna is a Hero. To be honest, I don’t know all that much about this series, save its place within the industry’s overall development of genre trends.

Yuki Yuna was one of a number of “dark magical girl” dramas that followed the breakout success of Madoka Magica, typified by shows like Day Break Illusion and Magical Girl Raising Project. Most of these shows landed with little impact, in a heartening rebuke of their producers’ assumption that talent and passion are less important than following genre trends, but Yuki Yuna has flowered into a broad and successful franchise. There’ve been Yuki Yuna light novels, manga, visual novels, and even smartphone games, and I get the feeling that if its American release hadn’t been produced by the hideously overpriced and utterly shelf-averse PonyCan imprint, it might have been a commercial hit here as well.

So yeah, I actually know a fair amount about Yuki Yuna’s commercial circumstances, but almost nothing about its narrative. And as anyone with more than a passing familiarity with the magical girl genre knows, darkness and grief have always stood alongside its aspirational themes, making the optimism its heroes struggle to embody all the more meaningful. Revolutionary Girl Utena, Princess Tutu, Ojamajo Doremi, Pretty Cure – I’ve bawled my eyes out to a variety of magical girl dramas, and hope to find many more with the power to yank at my heart. Let’s see how Yuki Yuna fares!

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The Legend of Vox Machina S2 – Episode 7

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Hello folks, and welcome the heck back to Wrong Every Time. Today I am eager to dive back into The Legend of Vox Machina, and follow up on the chilling conclusion of last episode. After over half a season of gradually nurturing the “Grog is wielding a cursed sword” narrative, all those bad dreams and grim portents were finally paid off, with Grog stabbing right through his best buddy Pike. And with a member of the Chroma Conclave literally breathing (acid) down their necks, Keyleth was forced to cast a hasty teleportation spell, leaving our heroes stranded across multiple realms.

All that made for some delightfully crunchy mechanical drama, and I’m eager to see how these smaller sub-parties illustrate their unique relational dynamics. Though splitting the party can be risky, Mercer’s players are clearly perfectly comfortable riffing off each other in smaller groups – and at this point, I’ve gained enough experience as a DM myself to appreciate just how much flexibility splitting the group provides, as well as its potential for letting individual players shine. Two sessions ago, my team conducted a heist that involved an interrogation on one floor, an infiltration on another, and a charismatic distraction on a third, and it was probably one of the best sessions we’ve ever had. As it turns out, structural ambition is only really limited by confidence – if you can keep the flow going and make sure everyone’s engaged, there’s no limit to what stories you can construct. I’m eager to steal more of Mercer’s excellent ideas, so let’s see what drama’s cooking in the Fey Realm!

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Simoun – Episode 26

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And so it ends. Having long held the future of Simulacrum on their shoulders, the era of the Simoun Sybillae concludes in acrimony and hope, Neviril and Aaeru soaring off in pursuit of the Emerald Ri Majoon and whatever realms await the eternal maidens. No longer is Neviril seeking to undo the past, or Aaeru to prove her worthiness; they believe in themselves and each other utterly, and this final act is an expression of that belief. Simulacrum’s faith may well have been an arbitrary set of strictures draped over a fundamentally value-neutral phenomenon, but the course of Simoun has proven that faith has a power of its own, regardless of its genesis. Even as Neviril’s companions accept their transition beyond this stage, they are still inspired by her actions – and in that faith, a point of commonality is found between them and their new priestly order.

It has been a poignant and rewarding journey riding alongside Chor Tempest, and though I’m sad we’ve arrived at the end, I’m happy it’s ending with such conclusive, elegant finality. Simoun has always possessed a grace of execution that belies its absurd thematic complexity, and thus it seems appropriate that the story ends where it begins: Neviril and her pair in flight, seeking the infinite in the fulfillment of their love.

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Spy x Family – Episode 20

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to get back into Spy x Family, and see what ridiculous nonsense the Forgers have been up to in our absence. Our last episode proved an intriguingly frictious experience, pushing against the presumed boundaries of Tatsuya Endo’s spy drama sandbox. Spy x Family is a situational comedy first, a found family drama second, and a war drama a distant third, and though it can usually juggle those aspects with relative grace, there are inherent tensions in its premise that will undoubtedly surface again. I’m particularly intrigued to see how Endo handles the characterization of Desmond’s father, whose narrative position naturally draws together all of Spy x Family’s contradictory instincts.

But for now, I assume we’re in for some more immediately gratifying shenanigans, and I’m absolutely ready for them. Genre tensions aside, Spy x Family remains immensely entertaining, Endo having proven himself a master of slapstick, deadpan, and anticlimax. Let’s see what lunacy awaits as we return to Spy x Family!

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Thunderbolt Fantasy S3 – Episode 3

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Hello folks, and welcome back to Wrong Every Time. Today I am pleased as punch to be returning to Thunderbolt Fantasy, as its third season most recently introduced one of the franchise’s most delightful characters: Chao Feng, the sadistic murder princess of Bewitching Melody of the West. Chao Feng effortlessly won my heart through her twin enthusiasms for music and murder, and I am thrilled to see her getting upgraded from a side story antagonist to a main series threat. While I can’t imagine we’ll be getting a repeat of Bewitching Melody’s guitar duel murder brawl, simply having her around and craving Lang’s performances is sure to add a delightful note of chaos to our proceedings.

So far, our heroes have spent this season mostly stumbling into beehives, seeking one enemy only to trip headfirst over another. They’ve attracted the ire of evil swords, corrupted monks, malevolent cults, tyrannical rulers, and the entirety of the demon realm, making Lin Xue’s yearning for a decent nemesis seem perhaps a touch premature. I’m eager to see what our terrible princess makes of these new arrivals, so let’s dive back into Thunderbolt Fantasy!

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Bocchi the Rock! – Episode 7

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Heyo folks, and welcome back to Wrong Every Time. Today I’ve got my ticket in hand, and am eager to shuffle into Starry for Kessoku Band’s first four-member performance. Well, technically they performed a trial song that one time, but playing for two people is quite a different experience from playing for an unruly live crowd. Fortunately, Bocchi’s recent street performance clearly did some work in bolstering her confidence, and in particular helped her towards a key personal realization: your crowd is not your enemy, they actually want you to succeed.

For most of her musical career so far, Bocchi has essentially treated her desire to play music and connect with fans as something to apologize for – like listening to her music is inherently an imposition, and thus she has to either hide her identity or trick people into paying attention. But with one eye opened towards the street crowd, she is beginning to realize that people actually want to hear her music, and that the experience of playing live is inherently a conversation between musicians and audience.

Many artists struggle with the contradictory desire to be heard and terror of being known, but the reason that struggle is worth it is that nothing can compare to the feeling of seeing someone’s eyes light up in response to something you created, and knowing your ideas and emotions enriched or spoke to them in some way. Now that Bocchi has experienced a brush with that feeling, I’m hopeful it will inspire her to greater confidence on the stage, but would also be perfectly content with more lovingly animated Bocchi freakouts. Let’s get to it!

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The Demon Girl Next Door S2 – Episode 9

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Hello folks, and welcome on back to Wrong Every Time. Today is a good day: the sky is clear, the sun is shining, and we’re checking in on the continuing misadventures of Momo and Shamiko. Yes, it’s time for The Demon Girl Next Door, which most recently offered up a refreshingly low-stakes zoo trip. After all the propulsive and fantastical drama of season two’s first half, it was lovely to see Demon Girl return to the core dynamic of Momo and Shamiko at rest, still battling with their personal anxieties, but doing their best to improve for each other.

Frankly, it seems like the show has largely elaborated its underlying “what demons and magical girls represent” metaphor at this point, leading me to suspect future drama will lean more into the show’s character relationships and comedy. Ogura’s intimidating appearance at the end of last episode seems to support that guess, promising an episode of chaotic science and questionable ethics to come. Let’s see what the gang is up to in a fresh episode of The Demon Girl Next Door!

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