Hello folks, and welcome back to Wrong Every Time. With my new apartment now more or less settling into a peaceful routine, all of the humbler creatures within our film screening ecosystem are at last returning to the forest. In less metaphorically incoherent terms, that means we’ve been slotting in more dubious afternoon features to accompany our distinguished evening viewings, and once again plumbing the depths of Netflix, Hulu, and Tubi’s exceedingly variable collections. To be honest, I can’t even fully blame this on my housemates – I’ve made a couple wild swings of my own with recent recommendations, and bear no small part of blame in our recent parade of trash. Nonetheless, the critiques will carry on – whether recommending new favorites or serving as a cautionary tale for others, I take my screenings extremely seriously, and come to you today with a fresh helping of carefully scrutinized cinema. Let’s get to it!
Oshi no Ko – Episode 1
Hello folks, and welcome back to Wrong Every Time. Today we’ll be exploring the megasized first episode of a fresh production, as we check out the premiere of last spring’s Oshi no Ko. To be honest, I was perfectly happy to let Oshi no Ko come and go without any significant commentary on my end; the show’s premise felt too contrived and insular to really appeal to my interests, and beyond that, “an idol drama that’s also a critique of the idol industry” just feels unnecessary for me personally.
Not that the idol industry doesn’t deserve a takedown; on the contrary, “the idol industry is a predatory vessel that ruins the lives of its participants and trains its fans to treat artists as property” feels as provocative a statement to me as “water is wet,” an obvious, clear-eyed assessment of a self-evidently malevolent industry. My impression was that I’d be agreeing with the show’s negative statements while rolling my eyes at every “and yet, there’s something to that idol industry” concession, all while listening to music that I have failed to find interesting across a decade covering the genre’s most esteemed productions. Considering that “Perfect Blue is my favorite idol anime” is basically the anime version of “Die Hard is my favorite Christmas film,” it didn’t seem necessary to add my predictable commentary to the flood of Oshi no Ko reactions. Nonetheless, I’m sure I’ll find some points of interest within this unique production, and I always appreciate having a clearer impression of anime’s breakthrough successes. Let’s get to it!
The Legend of Vox Machina S2 – Episode 12
Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into the drama of Vox Machina, having last left the party in a moment of absolute crisis and defeat. Scanlan’s plan to leave an Immovable Rod (well, short sword, but same difference) inside a dragon has quasi-succeeded, while leaving plenty of room for an exciting followup question: how the fuck are he and Vax going to get out of this dragon’s stomach? And while they focus on avoiding digestion, their allies are presented with a different yet equally vexing challenge: how do you make a dragon fight you when it’d rather just fly away? Well, presumably it’s just going back to its lair, meaning our heroes will be facing off with both legendary and lair actions as they attempt to free their comrades from death by stomach acid.
I imagine Scanlan and Vax’s plan was a flourish of stupidity that even Mercer didn’t plan for, but I assume this battle is otherwise going pretty much how he predicted. The push and pull of player agency versus dramatic necessity expresses itself in some unique ways when it comes to major boss fights; you want your players to feel like they can gain a leg up on their opponents via clever strategizing, but also don’t want the fight to feel either formulaic or prematurely solved, necessitating a balance between controllable variables and chaotic in-fight twists. Mercer appears to have navigated this balance through the construction of a two-act fight: first this ambush, which the players largely engineered themselves, followed by a presumed lair fight finale focused more on his own scripted inventions.
Coincidentally enough, my own campaign is also currently transitioning between these moments, with the party’s planning of their allegedly final battle soon to give way to a bombastic scripted escalation. Our melee fighters are largely running on fumes and our sorcerer only has a single spell slot left, so I believe I’ve successfully calibrated the challenge towards a death-defying victory next session, and am eager to see how my players wriggle their way out of this one. I’ll get back to you on how that all plays out, but for now let’s enjoy the climax of Vox Machina’s second season!
Dear Brother – Episode 7
Hello folks, and welcome back to Wrong Every Time. Today I’m eager to dive back into the nest of vipers that is Seiran Academy, as we bear witness to Nanako’s continuing misfortunes in the marvelous Dear Brother. The injustices of last episode, including the continuation dissolution of Nanako’s friendship with childhood confidant Tomoko, seemed to actually push our beleaguered heroine to a breaking point, prompting her to consider abandoning the Sorority altogether. Unfortunately, Miya-sama appeared to sniff out her intentions even before she did, offering her a pledge of loyalty that seemed to carry an undertone of yet another ominous threat.
So basically, it was just another day at Seiran, as larger-than-life titans like Kaoru and Miya-sama strode across the wreckage wrought by their tectonic movements, and underlings like Shinobu and Misaki scrambled for purchase upon their lofty, trunk-like garters. Riyoko Ikeda’s drama continues to wind in delightfully tortured directions, and Dezaki continues to elevate her tale with all manner of distinctive animated embellishments. It seems we’re on the cusp of Nanako beginning to seize her own destiny, rather than simply spin in the eddies prompted by larger forces, and I’m eager to see whatever fresh horrors await her. Let’s return to Dear Brother!
Fall 2023 – Week 8 in Review
Hello folks, and welcome back to Wrong Every Time. This week saw my viewing party finishing off some key TV series in addition to our film viewings, as I continue in my attempt to actually offer some quasi-timely commentary on the year’s superior anime. So yes, I’ve finally written up The Witch From Mercury, only to be immediately informed that the new Scott Pilgrim production is actually really good. Look, if folks are just going to keep creating great art while I catch up on the previous thing, I can’t really see myself ever getting ahead in this whole creator-critic paradigm here. Nonetheless, I will press valiantly onward and continue to watch good things, for that is the pledge I have made to you, dear readers. Let’s see what fresh treasures I rummaged up in the Week in Review!
Misadventures in Dungeons & Dragons: Part Two
Hello folks, and welcome back to Wrong Every Time. Today I’m still in the process of unpacking the diverse refuse of my life into my new apartment, and thereby admiring the mix of grids, maps, borrowed miniatures, plastic dinosaurs, and legos with which I’ve been furnishing my playing party’s D&D campaign. That in turn got me thinking back to how all this nonsense began, with a handful of sample quests and vague aspirations of some eventual regional conflict. I wouldn’t be able to sustain my writing output this long if I weren’t translating my every idle thought into Content, so I guess what I’m saying is to take a seat folks, as we once again delve into the triumphs and tribulations of my dubious dungeon mastering!
Skip and Loafer – Episode 3
Hello folks, and welcome back to Wrong Every Time. Today I’m delighted to be returning to the charming and quietly thoughtful drama of Skip and Loafer, as Mitsumi continues to integrate into life in the big city. After receiving some contrasting advice from her new classmates regarding Sousuke and Mika, Mitsumi soon realized that second-guessing the motives of everyone simply isn’t for her; she is happy to be herself, and the classmates who can appreciate her earnest, exuberant personality will naturally congregate around her. Her first group karaoke outing was thus a roaring success, as she fostered new bonds and solidified old ones through her selection of a classic childhood anthem.
It’s frankly refreshing to watch a character drama that takes so much care in articulating the nuances of someone like Mitsumi, who is fundamentally a pretty normal, well-adjusted person. Anxious and neurotic people tend to spend a whole lot of time actively stressing over their emotions, which leads to a whole lot of fiction about anxious and neurotic people – but the fact of it is, anxiety and self-doubt don’t inherently make for any richer of an internal emotional life, they just tend to make their bearers more likely to scream that emotional life from the literary rooftops. I always appreciate when shows like Oregairu celebrate characters like Hayato, and I’m thrilled to be following Mitsumi as well. Let’s see where her journey leads next!
BanG Dream! It’s MyGO!!!!! – Episode 6
Hello folks, and welcome back to Wrong Every Time. Today there’s simply no avoiding a return to the delightfully messy band drama of MyGO, as I absolutely must find out what a genuinely inspired Anon might look like. Having spent half the series attempting to pull a band together for the most superficial of reasons, and ultimately fleeing when Taki called her out on her lack of conviction, we have at last learned of the great defeat that shattered her initial self-confidence. After easily gliding through the trials of middle school, Anon felt basically invincible, but the scholastic challenges and social isolation of England brought her crashing down. Since then, she’s steered clear of anything that’s seemed too difficult or too painful, hoping to construct a comforting high school life with none of the harsh edges of challenge or intimacy.
Unfortunately, the first classmate she established a bond with was Tomori, setting her on a rollercoaster ride of fraught emotions and desperate ambitions. While Anon could almost certainly have lived out a successfully superficial high school life, she instead found herself planted in the smoking ruins of CRYCHIC, with all of her anxieties and self-loathing laid bare. Sincerity might not come naturally to Anon, but having found an unexpected confidant in Tomori, she might just be the exasperated irritant this group needs to truly, honestly come together. Let’s find out!
Fall 2023 – Week 7 in Review
Hello folks, and welcome back to Wrong Every Time. Having now gotten fully settled into my new accommodations, I am happy to report that life indeed finds a way, and thus I’m returning to the voluminous and variable film gorging of my pre-fire era. This week featured classics of fantasy and film noir, plentiful action spectacles, and of course, the requisite helping of humble horror fare. We screened enough films that I’m actually building up my backlog again, while still gathering my thoughts on the enjoyable yet somewhat underwhelming Witch From Mercury. That’ll likely be coming next week, but for now, let’s break down a fresh collection of feature films!
Kaiba – Episode 9
Kaiba’s ninth episode begins much like its predecessor, with the alleged “King Warp” in the shower, gingerly dressing his wounds while his mechanical overseers question him on what went wrong, and why they can sense blood. As before, words that could theoretically be meant kindly are here known as anything but – though they masquerade as caretakers, his robot guardians are more like sharks, smelling weakness and circling for the kill. To stand at the pinnacle of this world is to surrender all privacy, all anonymity. He is in truth not actually the ruler of this world, but merely its most elevated cog: the crown-shaped screw adorning a machine that is fundamentally indifferent to all of its component individuals, knowing each of them are just parts that will eventually be replaced.