Hello folks, and welcome back to Wrong Every Time. I’m delighted to announce that this week I actually did the goddamn thing, and checked out around half a dozen of the season’s new airing anime. Gundams, shonen hits, anime-originals; you name it, I watched it (so long as your names coincide with the handful of buzz-heavy productions I actually screened). The fall season is proving to be a historically odd moment in anime production; we’re receiving a wide array of prestige productions, but the industry is in complete crisis mode in terms of staff and scheduling, meaning even some massively hyped productions are already showing cracks. We’ll likely be seeing a variety of production collapses in the weeks to come, but for now, this appears to be one of the most stacked anime seasons in years. Let’s break it down!
Bodacious Space Pirates – Episode 22
Hey folks, and welcome back to Wrong Every Time. Today I thought we’d check back in on the intrepid spacefarers of Bodacious Space Pirates, who most recently served as security for the 19th Nebula Circuit. Marika performed admirably in her role of head of security, in spite of technically also being the main reason they needed security (since any would-be bandits were far more interested in her pirate license than disrupting a high school dingy race). But the true champion of the Nebula Cup was clearly Ai-chan, who managed to outmaneuver the enemy while piloting a ship designed for coastal sightseeing, and clearly proved herself as the Bentenmaru’s best potential dogfighter.
The Nebula Cup also served as the first arc to fully integrate Space Pirates’ professional and yacht club dimensions, at last fulfilling the promise of “hardened pirate crew must collaborate with a bunch of exuberant teenagers.” I’d love to see more of that as we enter our presumed final act, but will undoubtedly be charmed by whatever off-kilter adventure this gang gets up to. Marika has more than proven herself an excellent captain, she’s got a wide array of delightful eccentrics beside her, and the cosmos loom above, promising riches and wonders beyond imagination. Let’s embark!
Ganso Tensai Bakabon – Episode 3
Hello everyone, and welcome back to Wrong Every Time. Today I am happy to announce that I have heard your fervent cries, and am at last prepared to answer your prayers. That’s right, it’s time for more Ganso Tensai Bakabon, where we’ll be enjoying more of the idiot adventures of Bakabon’s ridiculous father. Our dear Papa has endured missed fortunes, mischievous pigs, disappointing anniversaries, and all manner of other injustices, but he’s kept his head high throughout, and crucially maintained his sense of proud dignity.
Alright, yes, he has in fact done none of that, and is in truth more of a gremlin than almost any character I’ve met. It would not surprise me to see Papa literally swimming in a dumpster just to keep raccoons from stealing his trash, but I’m sure even that sort of adventure would be rendered beautiful by this generous production. As a commenter on my first Bakabon piece pointed out, this production’s art director Shichiro Kobayashi is one of the best the medium has seen, with art director credits ranging from Angel’s Egg to The Castle of Cagliostro to Beautiful Dreamer to Simoun. His artistic genius has enriched many of anime’s most beautiful works of all time, and with two Dezaki mainstays sharing directorial duties, I imagine the layouts will be impressive as well. Let’s dive back in to the dramatically irreverent and aesthetically entrancing Bakabon!
Hugtto! Precure – Episode 34
Hello everyone, and welcome back to Wrong Every Time. Today I’m delighted to be returning to Hugtto! Precure, which most recently offered one of its most powerful and painful episodes yet. Whereas most of Hugtto’s protagonists are grappling with standard adolescent anxieties regarding their futures, Henri’s struggles with identity and fame have always possessed that knife edge of specificity, as he struggles with prejudice simply for being himself. Even after overcoming gender essentialist scorn in his first appearances, he now has to contend with both paparazzi and fans who seek to claim ownership of him, and define him according to their own desires.
And now, having fought for so long to assert his legitimacy, Henri must deal with yet another unfortunate twist of fate. Henri’s public persona is an icon of androgynous youth, but his actual body is aging, accumulating injuries and shifting towards adulthood. Hugtto has always sought to frame the future as brimming with potential, but what if embracing the future means losing everything you already have? It’s no wonder then that Henri is genuinely tempted by Criasu’s offer to halt time here, in the final moments of his youthful glory. After all, what alternative can our heroes actually offer him?
That’s a question I’ve been asking myself ever since the last episode, and I’m eager to discover the answer. Let’s return to Hugtto Precure!
Fall 2022 – Week 2 in Review
Hey folks, and welcome back to Wrong Every Time. Look, I know last time that I mentioned I’d be watching some seasonal anime, and that is still absolutely going to happen, but today I nonetheless must admit I only bear gifts of movie reviews. But hey, some of those movies are anime! That still counts, right? We’ve got some Takahata, we’ve got some apocryphal Naruto adventures, and we’ve got the usual scattering of live-action productions, this time including a double feature of “what if fate was kind of an asshole” films. I’ll demand my housemates screen the requisite quantities of chainsaw men and mercurian witches shortly, but in the meantime, please enjoy this peace offering of random film thoughts. Let’s get to it!
The Demon Girl Next Door – Episode 11
Hello folks, and welcome the heck back to Wrong Every Time. Today it seems just about time to return to The Demon Girl Next Door, wherein Ogura most recently made a play to join the cast as their resident mad scientist, intent on divining the secrets of Shamiko’s magical energy. Considering it was her first appearance as more than a bit character, I’d say she did a marvelous job; it only took five minutes or so for her to make that awful water-strider Ancestor creature, and I still often find that thing haunting my nightmares. A great victory for the “what has science wrought” demographic.
Meanwhile, though Shamiko’s physical training isn’t reaping any clear dividends, it’s clear that Momo has things beyond training on her mind. Momo’s assessment of Shamiko has shifted from “you’re so pitiful I simply have to train you” to “you’re the one I trust to help me support this town” to “fine, I’ll be your subordinate as long as you keep feeding me.” Shamiko has essentially domesticated her by accident, and though Shamiko’s fragile self-worth keeps her from realizing how much Momo relies on her, it’s clear to anyone watching that Momo has Got It Bad.
As always, it’s the restrictive magical girl paradigm that is ultimately to blame for their unhappiness. As an avatar of justice, Momo is duty-sworn not to admit to her fragility; as a hated demon girl, Shamiko couldn’t possibly impose her feelings on her “societal betters.” Each of them are bound by conventions they don’t really believe in, forced to play roles they are fundamentally ill-suited to, destined for a battle that neither of them actually wants. It’s all a mixed-up, muddled-up, agonizing mess, but personally, I think that makes their efforts to break this cycle and truly connect all the more endearing. Let’s see what nonsense they get up to next!
Sherlock Hound – Episode 5
Hello everyone, and welcome back to Wrong Every Time. Today I’m positively bouncing in my seat in excitement over our return to Sherlock Hound, that delightful fusion of Doyle’s ingenious stories and the best animation staff the ‘80s could muster. In spite of not quite offering the same outrageous overall quantity of animation as its predecessor, episode four might have been Sherlock Hound’s most inherently fun episode yet, taking the rich premise of “Moriarty abducts Mrs. Hudson only to fall in love with her” and executing it with impeccable flair.
Episode five maintains Sherlock Hound’s staggering roster of post-Lupin and pre-Ghibli luminaries, once again pairing Miyazaki up with long-time collaborators Yoshifumi Kondo (animation direction) and Hirokata Takahashi (director of photography). Basically any key staff position you could think of is here helmed by someone who’d go on to be a Ghibli mainstay; art director Nizo Yamamoto would subsequently handle background art or art direction on a slew of Ghibli and Hosoda features, background artists Mutsuo Koseki, Yuuko Matsura, and Katsu Hisamura would each contribute background art to future Ghibli films, etcetera. In Sherlock Hound, we see the team that would eventually help anime break through on a world stage already in full command of their talents, offering tiny masterpieces of mystery, adventure, and slapstick goodness. Let’s see what their next episode has in store!
Spy x Family – Episode 6
Hello everyone, and welcome back to Wrong Every Time. Today seems like a perfect time to dive back into Spy x Family, wherein the Forgers most recently celebrated Anya’s successful interview in the most preposterously elaborate way possible. Both Loid himself and the animation team at WIT Studio behind him pulled out all the stops for Spy x Family’s fifth episode, turning a game of Save the Princess into the show’s most visually elaborate setpiece so far. Having just transitioned from Tetsuro Araki’s Bubble, it seems like this team just couldn’t help but deliver some high quality action, elevating a fairly simple gag into a glorious visual spectacle.
All that was plenty of fun, but I’m more of a character drama person myself, and thus am looking forward to a return to (relative) normalcy for the Forgers. I’m guessing this episode will finally see Anya attending her first day of school, which I imagine will be an opportunity to introduce new parental anxieties to Loid and Yor, while also giving Anya a chance to flex her psychic abilities. Spy x Family has been nothing if not consistent so far, so whatever happens, I’m sure the humor will be strong and fuzzies will be warm. Let’s get to it!
Fall 2022 – Week 1 in Review
Hey folks, and welcome back to Wrong Every Time. The fall season has officially begun, and we’re already being treated to a deluge of genuinely intriguing seasonal contenders. The Witch from Mercury was already on my radar, but hearing that Hiroshi Kobayashi is going full Kiznaiver and Ichiro Okouchi is going full Utena has me even more excited to check it out. Without a feature film draining resources, My Hero Academia is looking more visually impressive than it has in quite some time, while I can’t even guess just how impressive Mob and One Punch Man’s debuts will be. It’s an exciting time in seasonal anime, and I’m frankly tempted to emerge from my slumber and embrace the weekly grind once more. Not right now, of course; I still haven’t seen anything at the moment, but I imagine I’ll have some debut thoughts ready for next week. For now, let’s explore a fresh set of feature films, as we burn down the latest Week in Review!
Saiyuki
Hello folks, and welcome back to Wrong Every Time. Today I’d like to once again take a look back at the classic Toei Doga film catalog, this time exploring their third film feature Saiyuki (or “Alakazam the Great!” in international releases). As with Hakujaden, the animation of Yasuji Mori will undoubtedly serve as one of the highlights of this film; Mori handled all of the animal animation in Hakujaden, and in Saiyuki, I’m told his sequence of one character collapsing in the snow stands as a highlight of the overarching Toei Doga catalog. Mori also serves as animation director on this film, a testament to his utter cruciality in defining Toei Doga’s style. And of course, Hakujaden’s other key animator Akira Daikubara will also be making key contributions, presumably once again focusing on the film’s human characters.
Alongside Mori and Daikubara, this film features animation from a young upstart at Toei Doga, a man whose vivid contributions to their previous film (his first work as key animator) led to an increased role in Saiyuki. That man is Yasuo Otsuka, an incomparable animator who’d go on to become a key mentor for Hayao Miyazaki and Isao Takahata, and who here is already demonstrating his singular approach to larger-than-life animation through Saiyuki’s impressive action sequences.
Like Hakujaden, Saiyuki is an adaptation of a classic Chinese story, illustrating the familiar Journey to the West. I’m guessing you already know the tale well, but as a brief summary, Journey to the West centers on a powerful yet mischievous monkey named Son Goku (yes, you’ve probably seen one or two riffs on this narrative), who as punishment for abusing his powers is tasked with accompanying a monk as guardian on the titular journey. The two gather more allies along the way, and eventually Goku grows into a genuine hero – it’s a brief narrative and accommodating template, allowing for any number of twists or embellishments depending on the teller’s whims. I’m eager to see how these legends of anime handle the tale, so let’s not waste another moment, and get started on Saiyuki!