Hello all, and welcome back to Wrong Every Time! I’ve got a fresh pile of films I watched this week, including Masaaki Yuasa’s latest feature, along with another boatload of variably watchable horror films. Along with me personally being a big horror fan, horror is also one of the few genres I can always convince my housemates to take a chance on, so we end up screening a fair number of blood-curdling features around my apartment. The pickings were pretty solid this week, so let’s not waste any more time, and dive into the latest Week in Review!
Tag Archives: Film
Winter 2020 – Week 5 in Review
Well damn, it looks like Wednesday has come again. I’ve got a pile of Eizouken and Chihayafuru articles coming down the pipeline, but today we’ll once again be discussing this week’s non-anime attractions, which all seemed to follow a certain theme. In general, the films I tend to watch end up falling in two broad categories: critically acclaimed films and classics I get to in Me Time, and somewhat more crowd-pleasing fare I convince my housemates to watch. This week didn’t really feature anything from column A, but column B was full of fun attractions, as we explored the wild spectrum of martial arts films!
Winter 2020 – Week 4 in Review
Alright folks, settle in for the Week in Review! Once again, the fact that I’m already writing about all the anime I’m watching elsewhere means we’ll be diving into non-animated attractions this week, as I run through David Lynch films, wuxia dramas, and a novel new war epic. I’ve got a whole film canon to catch up on, and though my journey may be rambling, I’m committed to marching through it all. Without further ado, let’s explore some new movies in the Week in Review!
Chihayafuru Part Three: The Movie
It’s generally a good policy to design your stories with a planned beginning, middle, and endpoint. Certainly leave yourself room for creative twists and new discoveries along the way, but beginning with a coherent, planned structure is crucial if you want your story to feel like a satisfying, cohesive saga. Of course, not all stories can afford to open with knowledge of their ending – particularly stories in mediums like weekly manga, where concerns like “what new variables can I introduce to keep readers hooked” will often trump more luxurious questions like “how do these new variables further articulate my story’s fundamental point.” Continuing weekly narratives demand novelty, and novelty often ends up evolving into baggage.
Chihayafuru Part Two: The Movie
I’ll get the bad news out of the way right from the start: the second Chihayafuru film is not that great of an actual film. If I were giving it a formal review, I’d probably spend a fair amount of time talking about how its first act hangs on insubstantial drama, as well as its inability to maintain the manga’s tactical sports intrigue, which generally acts as a needed counterbalance to the story’s melodrama. I’d praise Mayu Matsuoka for absolutely killing it as Shinobu, but reflect that ultimately, in spite of doing its best to reconstitute the manga into a coherent three-film structure, it loses too much of the original’s appeal in the process. I’d conclude by summarizing it as not a great film in its own right, but a very fun lark for fans of the franchise, and a fascinating exercise in the difficulty of translating ongoing manga to discrete films.
Chihayafuru Part One: The Movie
The opening scene of the Chihayafuru film embodies something utterly fundamental to karuta as a sport: the constant, thrilling sense of tense anticipation. Karuta is not a game of continuous action. Its energy and appeal build up over strained moments of anticipation, waiting for the next card to be called. Karuta embodies the thrill of the silence just before a decisive play in any sport; the ball aloft, players’ eyes trained, all voices hushed as victory and defeat hang in the balance. Karuta bottles that thrill, and unleashes it again and again, as its contenders rush for glory on the tatami mat.
Moonlight, A Quiet Film
Moonlight is a quiet film.
I actually had to turn up my speakers just to hear the dialogue, and had to turn them up even more when, after ten minutes, our protagonist resentfully speaks his first words. He doesn’t follow those words up with too many more. Whoever else he is, Little, or Chiron, or Black, is not one for big speeches. His feelings maintain an internal smolder, clear in his downturned eyes and inward-sloping shoulders and perpetual inability to stand in the middle of the frame. Our hero is a man of big feelings afforded minimal release. There is so much there, so much contained in all his unhappy, furtive glances, so much preserved across the astonishingly congruent performances of three brilliant actors.
Annihilation, Which Covets the End
In trying to collect my thoughts on Annihilation, my mind kept returning to that earlier scifi/horror “humans are overrun by a new order” classic Jurassic Park, and that film’s own relative optimism. Putting aside one-liners like “must go faster” and “clever girl,” I feel like that film’s soul was captured in the line “life finds a way.” It’s unsurprising that a heart-on-sleeve director like Spielberg would make a movie about dinosaurs eating people into something life-affirming, and I can’t help but shiver at the contrast between that and Alex Garland’s comparatively soul-destroying Annihilation. Life might find a way in Annihilation, but it’s highly doubtful that we’ll be finding a way along with it.
Rurouni Kenshin Part III: The Legend Ends – Review
Today I conclude my journey through the live-action Kenshin films. This one was unfortunately the worst of the three, reflecting all of the dramatic sagginess you often end up with in trilogies. The film barely has a dramatic arc, and the plans of both its heroes and villains make too little sense to harbor much tension. Still, the fights were fun, and overall this was a pretty charming interpretation of the franchise. I didn’t watch all that much Kenshin as a teenager, but this trilogy definitely sold me on his world.
You can check out my full review over at ANN, or my brief notes below.
Rurouni Kenshin, Part II: Kyoto Inferno – Review
Today I return to the live-action Kenshin films, for a look at the first half of the Shishio saga. This movie was definitely messier than the first film, in ways that felt almost inescapable. The first movie was just barely able to give all of its characters a reason to exist – with the second arc encountering the general character-creep of most long-running manga, this one just had too many stories to pack into one film. But being less gracefully constructed than the first movie certainly didn’t prevent this one from being a really fun time!
You can check out my full review over at ANN or my notes below.