Author Archives: Bobduh

Spy x Family – Episode 29

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Hello folks, and welcome back to Wrong Every Time. Today I am suffering in the grip of my first winter cold, with snuffles, a sore throat, and a persistent headache all collaborating to bring me down. I’d say I’m “under the weather,” but frankly the weather today is also pretty miserable – as such, I have decided there is no recourse to lighten the mood but to indulge in a fresh episode of Spy x Family, and see what those wacky Forgers are up to.

Our last episode was actually quite light on Forgery, concerning itself primarily with Yuri’s investigations of a potential political dissident. Forgunately (okay, I’ll stop), with Yor out of the picture, we were able to see a somewhat less one-note portrait of Yuri as well. Like his sister, his dedication to his mission stems from a fundamental conflation of family and country, and when he’s forced to reckon with how his “enemies” are just as dedicated to their own families, his resolve immediately wavers. The siblings are essentially both child soldiers who’ve grown into adulthood without abandoning their naive ideals of binary justice, making them perfect tools of political suppression. That certainly makes them unusual stars of a wacky romantic comedy, but that’s really Spy x Family all over, isn’t it? Let’s get to it!

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Skip and Loafer – Episode 5

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to check back in on Mitsumi and the gang, as we charge through another delightful episode of Skip and Loafer. Last episode saw Mitsumi adding yet another foundling to her rapidly growing collection of confidants, this time pulling student council superstar Takamine into her inner circle. Having joined Takamine on her extracurricular errands in order to learn from her studious example, Mitsumi instead found herself serving as an inspiration to Takamine in turn, convincing her of the necessity of slowing down and smelling the roses from time to time.

Of course, that’s little surprise to us in the audience. Mitsumi has proven herself a quiet inspiration to her peers time and again, drawing characters like Shima and Suzuki into her orbit through her earnest, curious, and eminently considerate personality. Through their interactions, Skip and Loafer demonstrates how thoughtful character dramas need not be centered on those whose lives are defined by psychological torment; the trials of Mitsumi and her friends catalog the scope of human interaction in gentler form, offering a story that is no less poignant or insightful for its fundamental warmth of perspective. Let’s see what awaits our crew next!

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Winter 2024 – Week 9 in Review

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Hello folks, and welcome back to Wrong Every Time. This week I am riding high on the conclusion of various personal projects, which most notably include my entire goddamn DnD campaign. That’s right, we finally toppled the scions of hell this monday, and my players all seemed to have a pretty good time of it! With no future adventures left to balance, the inspirations and “sure, I’ll allow it”s flew freely, allowing for some truly preposterous setpieces and combo attacks. With a final battle set atop an actively crumbling helltower against essentially the devil himself, the session certainly didn’t lack for spectacle – and I also made sure everyone had a suitably satisfying epilogue, tying romance, family reunions, and future ambitions into our requisite post-credits sequence.

Anyway, my pride in my courageous party members aside, this has also been a plenty productive week in terms of media viewing. I’ve now charged about two-thirds of the way through ZZ Gundam, and accompanied that with both a healthy selection of films and the recently released Hazbin Hotel miniseries. Let’s run down some new features in the latest Week in Review!

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The Aesthetics of Grief in Goodbye, Eri

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Tatsuki Fujimoto is a connoisseur of what you might call “dirtbag compassion.” Though his works explore complex and difficult topics with elevated nuance, his perspective always hangs near the muck – dicks getting kicked, toilet jokes, unrepentant, gleeful acts of deviance and perversion. There’s an honesty in that; rather than maintaining the soapy, reverent tone often employed for difficult topics, he talks about grief and hunger and oppression in the way they are experienced, in the context of our messy lives and allegedly “incorrect” emotional responses. His work is essentially the opposite of a Very Special Episode, wherein the harsh aspects of life are framed in slow motion and soft lighting, accompanied by a pensive indie rock ballad. Life is rarely so tonally accommodating – and as imperfect, ever-struggling human beings, our reactions to life’s troubles are rarely the ones you see on television.

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The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You – Episode 3

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Hello folks, and welcome back to Wrong Every Time. Today I figured we’d stop back in with Rentaro and the gang, and see how his sacred mission to acquire one hundred girlfriends is proceeding. Look, it’s not like he’s a cold philanderer or anything; as has been clearly established by the suspiciously convenient worldbuilding, all of those girlfriends are doomed to perpetual unhappiness if he does not find them and date their worries away. It’s a heavy burden, but given Rentaro’s deft navigation of his first two true loves, I have every confidence he’ll be able to manage it.

Rentaro’s woes aside, 100 Girlfriends continues to be an altogether charming, entirely ludicrous riff on romantic comedy convention, persistently innovating on its core joke of “what if we played this fantastical polycule entirely straight, complete with soaring string arrangements accompanying each ridiculous romantic threshold.” It doesn’t seem like there’s much of a larger point beyond the comedy yet, but comedies don’t necessarily need a thematic backbone; the faces are good and the gags are snappy, making it an energetic watch regardless. Let’s see how Rentaro fares with his third destined love!

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BanG Dream! It’s MyGO!!!!! – Episode 11

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Hello folks, and welcome back to Wrong Every Time. Today I’m once again overcome with curiosity regarding the fortunes of our woebegotten bandmates, meaning it’s time for another episode of BanG Dream! It’s MyGO!!!!! Our last episode served as at least a partial reconciliation after the suffering of the previous two, with Tomori’s solo confessions eventually gathering Raana, Taki, Anon, and even Soyo back to her side. Everyone except Raana has at some point tried their hand at leading this band, but ultimately, it was up to their emotional heart to guide them back under the lights. At Tomori’s side, they were reminded of what they actually founded this group for – to claim a place where they belong, where their voice is valued, regardless of whoever else is listening.

That spirit of community was made clear by their ultimate performance, where they were clearly playing for each other more than any external audience. And god, what a show! Their tearful reunion was the goddamn definition of catharsis, each musician baring their heart on stage and finding their feelings treasured and echoed by the girls beside them. Between episodes three, seven, and ten, MyGO is racking up a preposterous slate of all-timers, and I’m eager to see how they formally reconcile in the wake of that shared moment. All right, I’m most eager to see how the other bandmates razz Soyo for her late return, but still! It’s a credit to how well-characterized this show’s cast are that it’s such a pleasure simply watching them interact, letting their complex, thorny, and ultimately sympathetic personalities spark friction and understanding in equal measure. Let’s get to it!

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Winter 2024 – Week 8 in Review

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Hello folks, and welcome back to Wrong Every Time. This week in film screenings was defined by an unexpected themed project, owing to the recent dumping of basically the entire Snyderverse onto Netflix. That’s right, we watched some goddamn superheroes, munching through, if not the majority, at least a generous selection of the various Justice League-adjacent film productions. The picture that emerged was of a franchise in disarray, tonally at war with itself owing to the obvious contrast between Snyder’s preferences and Marvel’s template, forever juggling its need to appeal to a superhero-fatigued general audience with its dedication to a more angular, ‘90s-reminiscent era of comic drama. You know I like an interesting failure, so let’s dive right into Zack Snyder’s doomed empire!

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Neon Genesis Evangelion – Episode 16

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After a season and change of cloaking its personal inquiry in the trappings of a more or less traditional, episodic giant robot anime, Neon Genesis Evangelion’s sixteenth episode represents a formal casting off of its genre pretensions, in favor of directly interrogating the psychology of its forlorn protagonists. This is less dramatic of a transition than some might argue; given the overwhelming focus on cast psychology that has characterized these writeups, you wouldn’t be surprised to learn I see this process as more fulfillment of the show’s lurking ambitions than a genuine shifting of its trajectory. But premeditated or not, this is undeniably the moment when Evangelion fully strayed from its design document, embracing a prioritization of psychoanalysis that to Anno seemed the only way to fully respect the characters he’d conceived, the audience he was seeking, and the hope of happiness he still carried for himself.

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Call of the Night – Episode 2

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Hello folks, and welcome back to Wrong Every Time. Today I’m eager to slink back into the shadows of Call of the Night, after a premiere that embodied the manifold strengths of author Kotoyama and director Tomoyoki Itamura. Anxious yet intensely felt sensuality, charmingly off-kilter protagonists, and a preoccupation with the “dead time” of our lives, the many moments between active concerns that accumulate into the collective tone of our private worlds – all things Kotoyama grappled deftly in Dagashi Kashi, and all represented with as much confidence here. Those concerns feel right at home married to Itamura’s aesthetic sensibilities; his Monogatari-forged methods of conveying character perspective neatly illustrate the difference between these characters’ self-assigned and outward presentation, while his emphasis on otherworldly landscapes suits a story about the allure of exploring the night perfectly. Let’s see what Ko and his strange new companion get up to this time!

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Solo Leveling – Episode 1

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Hello folks, and welcome back to Wrong Every Time. Today we’re checking out a new property I was recently commissioned, as we explore the first episode of the currently airing Solo Leveling. To be perfectly honest, I’m not entirely sure what to expect from this one, or how exactly it might be my sort of thing; the synopsis seems to indicate it’s basically a post-Sword Art Online riff on similar concepts, and I didn’t really have anything positive to say about the original Sword Art Online. “We’re growing stronger in a world that’s essentially a videogame” is a concept that has very little appeal to me; I prefer my fantasy worlds to be realized as genuine places, and am of the wrong generation to get a thrill out of watching someone else be excellent at a videogame.

In general, I see these works as the consequence of fans not reading broadly, or really at all; if you only consume videogames and light novels, you are almost categorically incapable of writing something rich enough to keep my interest. As for the staff, neither director nor art director nor series composer have any noteworthy credits to their names, but I imagine we’re in for some bombastic musical cues courtesy of the ever-excessive Hiroyuki Sawano. With almost no idea of what we’re getting into, let’s check out the first episode of Solo Leveling!

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